Riff Tone
Walk
Foo Fighters
Guitarrock2010s+
Original Gear
GuitarGibson DG-335
AmpMesa/Boogie Road King II 2x12 Combo
PickupsSeymour Duncan '59 (neck), JB (bridge) humbuckers
Amp Settings
gain7
bass6
mid6.5
treble6.5
reverb2
presence6.5
Effects & Signal Chain
distortionPro Co Pro Co RAT 2 Distortion
Notes
Studio recording for 'Wasting Light' (2011); Dave Grohl's main guitar for this era was the Gibson DG-335, and Mesa/Boogie Road King II is confirmed for overdriven tones. Settings are estimated based on typical Foo Fighters studio workflow and genre. No evidence of alternate guitars or amps for the main riff section.
Tone Character(10)
tight and percussiveaggressive and saturatedarticulate pick attackwall-of-sound crunchfocused midsmodern rock claritypowerful, sustaining chordsslightly compressedminimal ambienceno modulation swirl
Difficulty
The riff requires solid palm muting and tight rhythm playing at a moderate tempo, but does not involve advanced lead techniques or complex chord shapes.
Sources
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarGibson DG-335
AmpMesa/Boogie Road King II 2x12 Combo
PickupsSeymour Duncan '59 (neck), JB (bridge) humbuckers
Amp Settings
gain7
bass6
mid6.5
treble6.5
reverb2
presence6.5
Effects & Signal Chain
distortionPro Co Pro Co RAT 2 Distortion
Notes
Studio recording for 'Wasting Light' (2011); Dave Grohl's main guitar for this era was the Gibson DG-335, and Mesa/Boogie Road King II is confirmed for overdriven tones. Settings are estimated based on typical Foo Fighters studio workflow and genre. No evidence of alternate guitars or amps for the main riff section.
Tone Character(10)
tight and percussiveaggressive and saturatedarticulate pick attackwall-of-sound crunchfocused midsmodern rock claritypowerful, sustaining chordsslightly compressedminimal ambienceno modulation swirl
Difficulty
The riff requires solid palm muting and tight rhythm playing at a moderate tempo, but does not involve advanced lead techniques or complex chord shapes.
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