Solo Tone
Wanna Get a Good Love
Takayoshi Ohmura
Guitarmetal2010s+
Original Gear
GuitarESP E-II Horizon (likely custom, 24-fret, HSS or HH configuration, Floyd Rose)
AmpMarshall JVM410H (typical for Ohmura studio metal tones, no direct evidence for this song, but consistent with his era and genre)
PickupsSeymour Duncan TB-5 (bridge humbucker), Seymour Duncan SSL-6 (single coils, if HSS), or EMG 81/85 (if HH, but most likely TB-5 based on Ohmura's known preferences)
Amp Settings
gain8
bass6
mid6
treble7
reverb2
presence6.5
Effects & Signal Chain
distortionBoss Boss ML-2 Metal Core
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 2014-2015 era, settings and gear inferred from Ohmura's typical studio rig and genre. No direct evidence for exact guitar or amp for this specific solo, but based on his consistent use of ESP Horizon and Marshall JVM in studio metal recordings.
Tone Character(10)
tight and percussivesinging sustainarticulate note separationaggressive pick attackfluid legato runscrisp high-end clarityscooped midsshimmering delay trailsprecise palm mutingmodern metal lead tone
Difficulty
The solo features high-speed alternate picking, advanced legato and sweep picking, and requires precise palm muting and rapid position shifts, making it highly challenging even for advanced players.
Sources
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Original Gear
GuitarESP E-II Horizon (likely custom, 24-fret, HSS or HH configuration, Floyd Rose)
AmpMarshall JVM410H (typical for Ohmura studio metal tones, no direct evidence for this song, but consistent with his era and genre)
PickupsSeymour Duncan TB-5 (bridge humbucker), Seymour Duncan SSL-6 (single coils, if HSS), or EMG 81/85 (if HH, but most likely TB-5 based on Ohmura's known preferences)
Amp Settings
gain8
bass6
mid6
treble7
reverb2
presence6.5
Effects & Signal Chain
distortionBoss Boss ML-2 Metal Core
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 2014-2015 era, settings and gear inferred from Ohmura's typical studio rig and genre. No direct evidence for exact guitar or amp for this specific solo, but based on his consistent use of ESP Horizon and Marshall JVM in studio metal recordings.
Tone Character(10)
tight and percussivesinging sustainarticulate note separationaggressive pick attackfluid legato runscrisp high-end clarityscooped midsshimmering delay trailsprecise palm mutingmodern metal lead tone
Difficulty
The solo features high-speed alternate picking, advanced legato and sweep picking, and requires precise palm muting and rapid position shifts, making it highly challenging even for advanced players.