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Solo Tone

When the Chips are Down

Jewelle Blackman, Yvette Gonzalez-Nacer, Kay Trinidad & Eva Noblezada

Guitarother2010s+

Original Gear

GuitarUnknown solid-body electric guitar (likely Fender Stratocaster or similar, as typical for Broadway pit work, but not confirmed for this recording)
AmpUnknown (no sources specify amp model for this recording; likely clean amp such as Fender Twin Reverb or similar, as typical for Broadway pit orchestras, but not confirmed)
PickupsUnknown single-coil or humbucker (not specified in any source for this recording)

Amp Settings

gain3.5
bass6
mid6.5
treble6.5
reverb4
presence5

Effects & Signal Chain

No effects used for this tone

Notes

No official rig rundown or session details found for the studio recording of 'When the Chips are Down' (Hadestown Original Broadway Cast Recording, 2019). All gear details are estimated based on Broadway pit orchestra conventions for this era and genre. No evidence of live vs. studio differences.

Tone Character(10)
clear and articulateslightly compressedwarm midrangepresent but not harsh treblemodest breakup for solo presenceno heavy distortiondynamic and touch-sensitivestudio-polished clarityno audible modulation or delaysubtle natural reverb

Difficulty

The solo requires clean, articulate playing with good timing and dynamic control, but does not involve advanced techniques or fast passages.

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