Riff Tone
Where Dead Angels Lie (Unreleased Alternative Mix '95)
Dissection
Guitarmetal1990s
Original Gear
GuitarGibson Les Paul Standard (early 90s, likely 1991-1995, as used by Jon Nödtveidt in Storm of the Light's Bane era)
AmpPeavey 5150 (studio recording, Storm of the Light's Bane sessions, 1995)
PickupsSeymour Duncan SH-4 JB (bridge), Seymour Duncan SH-2 Jazz (neck) humbuckers
Amp Settings
gain0
bass5.5
mid4
treble7
reverb1.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1995. Gear inferred from era-specific interviews and forum consensus for Storm of the Light's Bane sessions. No explicit confirmation for the 'Unreleased Alternative Mix '95', but no evidence of different gear for this mix. Clean sections likely used neck pickup and amp clean channel.
Tone Character(10)
warm and glassyarticulate note separationslightly compressed attackclear and bell-likesubtle reverb tailno breakup or gritdynamic and responsiveneck pickup fullnessstudio ambienceno modulation or time-based effects
Difficulty
The clean riff requires accurate arpeggiated picking and dynamic control for clarity, but does not involve advanced techniques or high speed.
Sources
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarGibson Les Paul Standard (early 90s, likely 1991-1995, as used by Jon Nödtveidt in Storm of the Light's Bane era)
AmpPeavey 5150 (studio recording, Storm of the Light's Bane sessions, 1995)
PickupsSeymour Duncan SH-4 JB (bridge), Seymour Duncan SH-2 Jazz (neck) humbuckers
Amp Settings
gain0
bass5.5
mid4
treble7
reverb1.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1995. Gear inferred from era-specific interviews and forum consensus for Storm of the Light's Bane sessions. No explicit confirmation for the 'Unreleased Alternative Mix '95', but no evidence of different gear for this mix. Clean sections likely used neck pickup and amp clean channel.
Tone Character(10)
warm and glassyarticulate note separationslightly compressed attackclear and bell-likesubtle reverb tailno breakup or gritdynamic and responsiveneck pickup fullnessstudio ambienceno modulation or time-based effects
Difficulty
The clean riff requires accurate arpeggiated picking and dynamic control for clarity, but does not involve advanced techniques or high speed.
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