Solo Tone
Where Do You Think You're Going?
Dire Straits
Guitarrock1970s
Original Gear
GuitarFender Stratocaster (1970s, likely stock, maple neck)
AmpMusic Man HD-130 (2x12 combo, blackface-style circuit, used in studio by Knopfler late 1970s)
PickupsFender single-coil Stratocaster pickups (1970s era)
Amp Settings
gain3
bass6
mid7
treble7
reverb3.5
presence6
Effects & Signal Chain
compressionDan Armstrong Compressor pedal (likely Dan Armstrong Orange Squeezer, model not confirmed for this track)
otherMorley Volume pedal (likely Morley, model not confirmed for this track)
Notes
Studio recording, 1978-1979 (Communiqué album sessions). No evidence of alternate guitars or amps for this solo. No evidence of live rig or alternate pickup types for this section.
Tone Character(10)
warm and smoothsinging sustainarticulate and cleardynamic and expressivetouch-sensitiveslightly compressedrounded highsmellow attackrich midrangesubtle tube breakup
Difficulty
The solo requires intermediate technique due to expressive fingerstyle playing, dynamic volume control, and subtle articulation, but does not involve high-speed shredding or advanced harmonic content.
Sources
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Create Free AccountGuitarrock1970s
Original Gear
GuitarFender Stratocaster (1970s, likely stock, maple neck)
AmpMusic Man HD-130 (2x12 combo, blackface-style circuit, used in studio by Knopfler late 1970s)
PickupsFender single-coil Stratocaster pickups (1970s era)
Amp Settings
gain3
bass6
mid7
treble7
reverb3.5
presence6
Effects & Signal Chain
compressionDan Armstrong Compressor pedal (likely Dan Armstrong Orange Squeezer, model not confirmed for this track)
otherMorley Volume pedal (likely Morley, model not confirmed for this track)
Notes
Studio recording, 1978-1979 (Communiqué album sessions). No evidence of alternate guitars or amps for this solo. No evidence of live rig or alternate pickup types for this section.
Tone Character(10)
warm and smoothsinging sustainarticulate and cleardynamic and expressivetouch-sensitiveslightly compressedrounded highsmellow attackrich midrangesubtle tube breakup
Difficulty
The solo requires intermediate technique due to expressive fingerstyle playing, dynamic volume control, and subtle articulation, but does not involve high-speed shredding or advanced harmonic content.
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