Solo Tone
White Limo
Foo Fighters
Guitarmetal2010s+
Original Gear
GuitarGibson Trini Lopez (mid-1960s, red or Pelham Blue, as used by Dave Grohl on Wasting Light)
AmpHiwatt Custom 100 Amplifier Head (studio), possibly blended with Marshall JMP and Vox AC30 (per session details)
PickupsGibson humbuckers (vintage spec, stock on Trini Lopez)
Amp Settings
gain9
bass5.5
mid6
treble7.5
reverb0.5
presence6.5
Effects & Signal Chain
distortionProCo ProCo RAT Distortion
Notes
Studio recording, 2011, Wasting Light album. Dave Grohl primarily used his Gibson Trini Lopez through a Hiwatt Custom 100, with some tracks possibly blended with Marshall JMP and Vox AC30. RAT pedal likely used for heavy distortion. Settings estimated due to lack of explicit studio knob values for this song/section.
Tone Character(10)
extremely saturated, fuzzy distortionaggressive, biting attacktight, percussive rhythmraw, in-your-face fuzzmid-forward punchslightly scooped lowsarticulate pick attackminimal ambience, dry soundwall-of-sound heavinessno audible modulation or delay
Difficulty
The solo requires aggressive picking, tight rhythm, and control over a high-gain, fuzzy tone, but does not involve advanced lead techniques or complex phrasing.
Sources
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Create Free AccountGuitarmetal2010s+
Original Gear
GuitarGibson Trini Lopez (mid-1960s, red or Pelham Blue, as used by Dave Grohl on Wasting Light)
AmpHiwatt Custom 100 Amplifier Head (studio), possibly blended with Marshall JMP and Vox AC30 (per session details)
PickupsGibson humbuckers (vintage spec, stock on Trini Lopez)
Amp Settings
gain9
bass5.5
mid6
treble7.5
reverb0.5
presence6.5
Effects & Signal Chain
distortionProCo ProCo RAT Distortion
Notes
Studio recording, 2011, Wasting Light album. Dave Grohl primarily used his Gibson Trini Lopez through a Hiwatt Custom 100, with some tracks possibly blended with Marshall JMP and Vox AC30. RAT pedal likely used for heavy distortion. Settings estimated due to lack of explicit studio knob values for this song/section.
Tone Character(10)
extremely saturated, fuzzy distortionaggressive, biting attacktight, percussive rhythmraw, in-your-face fuzzmid-forward punchslightly scooped lowsarticulate pick attackminimal ambience, dry soundwall-of-sound heavinessno audible modulation or delay
Difficulty
The solo requires aggressive picking, tight rhythm, and control over a high-gain, fuzzy tone, but does not involve advanced lead techniques or complex phrasing.
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