Riff Tone
Why Don't You Do It
Little Barrie
Guitarrock2000s
Original Gear
GuitarGibson Les Paul Standard (likely 1970s or early 2000s reissue, as used by Barrie Cadogan in this era)
AmpMarshall JCM800 (most likely, based on era, genre, and Barrie Cadogan's known studio use)
PickupsHumbucker (Gibson stock or PAF-style, exact model unknown)
Amp Settings
gain6
bass6.5
mid7
treble6.5
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, circa 2006 (from the album 'Stand Your Ground'). No direct evidence of alternate guitars or amps for this riff section; pedalboard evidence suggests amp is main source of drive.
Tone Character(10)
thick and mid-heavyvintage British crunchpunchy and dynamictight and percussiveslightly fuzzy edgeopen and uncompressedtouch-sensitivearticulate note separationraw and unprocessedminimal ambience
Difficulty
The riff requires tight, punchy rhythm playing with dynamic control and precise muting, but does not involve advanced lead techniques or fast alternate picking.
Sources
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Original Gear
GuitarGibson Les Paul Standard (likely 1970s or early 2000s reissue, as used by Barrie Cadogan in this era)
AmpMarshall JCM800 (most likely, based on era, genre, and Barrie Cadogan's known studio use)
PickupsHumbucker (Gibson stock or PAF-style, exact model unknown)
Amp Settings
gain6
bass6.5
mid7
treble6.5
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, circa 2006 (from the album 'Stand Your Ground'). No direct evidence of alternate guitars or amps for this riff section; pedalboard evidence suggests amp is main source of drive.
Tone Character(10)
thick and mid-heavyvintage British crunchpunchy and dynamictight and percussiveslightly fuzzy edgeopen and uncompressedtouch-sensitivearticulate note separationraw and unprocessedminimal ambience
Difficulty
The riff requires tight, punchy rhythm playing with dynamic control and precise muting, but does not involve advanced lead techniques or fast alternate picking.