Riff Tone
Witches' Rave
Jeff Buckley
Guitarrock1990s
Original Gear
Guitar1983 Fender Telecaster (cream)
AmpFender Vibroverb '63 Reissue (Brownface)
PickupsFender single-coil (stock Telecaster pickups)
Amp Settings
gain5
bass5.5
mid6.5
treble6.5
reverb5
presence6
Effects & Signal Chain
reverbAlesis Alesis Quadraverb
Notes
Studio recording, late 1990s. Buckley typically used the Vibroverb for clean and edge-of-breakup tones in the studio, with reverb dialed up. Mesa/Boogie Dual Rectifier was used for higher gain, but for the riff section of 'Witches' Rave', the Vibroverb is most likely. No evidence of live-specific gear for this recording.
Tone Character(10)
warm and slightly grittyreverb-soakedarticulate single-coil claritydynamic and touch-sensitivechimey upper midsedge-of-breakupnot heavily compressedopen and airynatural amp breakupresponsive to picking dynamics
Difficulty
The riff requires intermediate-level technique due to syncopated chord changes, dynamic touch for expressive tone, and careful control of reverb and amp breakup.
Sources
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1990s
Original Gear
Guitar1983 Fender Telecaster (cream)
AmpFender Vibroverb '63 Reissue (Brownface)
PickupsFender single-coil (stock Telecaster pickups)
Amp Settings
gain5
bass5.5
mid6.5
treble6.5
reverb5
presence6
Effects & Signal Chain
reverbAlesis Alesis Quadraverb
Notes
Studio recording, late 1990s. Buckley typically used the Vibroverb for clean and edge-of-breakup tones in the studio, with reverb dialed up. Mesa/Boogie Dual Rectifier was used for higher gain, but for the riff section of 'Witches' Rave', the Vibroverb is most likely. No evidence of live-specific gear for this recording.
Tone Character(10)
warm and slightly grittyreverb-soakedarticulate single-coil claritydynamic and touch-sensitivechimey upper midsedge-of-breakupnot heavily compressedopen and airynatural amp breakupresponsive to picking dynamics
Difficulty
The riff requires intermediate-level technique due to syncopated chord changes, dynamic touch for expressive tone, and careful control of reverb and amp breakup.
More Jeff Buckley tones
- Lover, You Should've Come Over · riff
- Hallelujah · riff
- Lover, You Should've Come Over (Live) · riff
- Everybody Here Wants You · riff
- Grace · riff
- Grace · riff
- Lover, You Should've Come Over · riff
- Lover, You Should've Come Over · solo
- So Real · riff
- Dream Brother · riff