Solo Tone
Wynona's Big Brown Beaver
Primus
Guitarrock1990s
Original Gear
GuitarPRS Custom 24
AmpMarshall JCM900 4500
PickupsPRS HFS Treble (bridge) and Vintage Bass (neck) humbuckers
Amp Settings
gain6.5
bass5.5
mid7
treble7.5
reverb1
presence6
Effects & Signal Chain
distortionBoss Boss MT-2 Metal Zone
Notes
Studio recording, 1995 (Tales from the Punchbowl). Guitarist Larry LaLonde used the PRS Custom 24 as his primary guitar during this era. The JCM900 was his main amp for the album. No direct evidence of alternate guitars or amps for the solo section. No explicit studio-only pedalboard evidence found.
Tone Character(10)
sharp and bitingsaturated and compressedarticulate note separationtight and focusedcutting through the mixcrisp high endslightly scooped low midsaggressive pick attacksustain with clarityminimal ambience
Difficulty
The solo requires advanced picking speed, precise note articulation, and complex rhythmic phrasing, making it challenging for most intermediate players.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarPRS Custom 24
AmpMarshall JCM900 4500
PickupsPRS HFS Treble (bridge) and Vintage Bass (neck) humbuckers
Amp Settings
gain6.5
bass5.5
mid7
treble7.5
reverb1
presence6
Effects & Signal Chain
distortionBoss Boss MT-2 Metal Zone
Notes
Studio recording, 1995 (Tales from the Punchbowl). Guitarist Larry LaLonde used the PRS Custom 24 as his primary guitar during this era. The JCM900 was his main amp for the album. No direct evidence of alternate guitars or amps for the solo section. No explicit studio-only pedalboard evidence found.
Tone Character(10)
sharp and bitingsaturated and compressedarticulate note separationtight and focusedcutting through the mixcrisp high endslightly scooped low midsaggressive pick attacksustain with clarityminimal ambience
Difficulty
The solo requires advanced picking speed, precise note articulation, and complex rhythmic phrasing, making it challenging for most intermediate players.
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