Solo Tone
Ye Entrancemperium
Emperor
Guitarmetal1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1980s/1990s, black finish, as used by Samoth on 'Anthems to the Welkin at Dusk')
AmpMarshall JCM900 (most likely, as used by Samoth and Emperor in this era for studio recording)
PickupsSeymour Duncan passive humbuckers (model likely SH-4 JB in bridge, SH-1 '59 in neck, but not confirmed for this recording)
Amp Settings
gain8.5
bass5.5
mid4.5
treble7
reverb1
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1996-1997, 'Anthems to the Welkin at Dusk' sessions. No evidence of live rig or alternate guitars/amps for this solo. No pedalboard photos or direct studio notes found for this specific song/solo.
Tone Character(10)
cold and bitingsaturated high-gaintight and percussivescooped midsrazor-sharp articulationminimal ambiencedry, raw lead sounddense and layeredaggressive pick attackno audible modulation
Difficulty
The solo requires advanced picking technique, fast and accurate tremolo picking, and precise timing to cut through the dense mix, making it challenging for most guitarists.
Sources
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1980s/1990s, black finish, as used by Samoth on 'Anthems to the Welkin at Dusk')
AmpMarshall JCM900 (most likely, as used by Samoth and Emperor in this era for studio recording)
PickupsSeymour Duncan passive humbuckers (model likely SH-4 JB in bridge, SH-1 '59 in neck, but not confirmed for this recording)
Amp Settings
gain8.5
bass5.5
mid4.5
treble7
reverb1
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1996-1997, 'Anthems to the Welkin at Dusk' sessions. No evidence of live rig or alternate guitars/amps for this solo. No pedalboard photos or direct studio notes found for this specific song/solo.
Tone Character(10)
cold and bitingsaturated high-gaintight and percussivescooped midsrazor-sharp articulationminimal ambiencedry, raw lead sounddense and layeredaggressive pick attackno audible modulation
Difficulty
The solo requires advanced picking technique, fast and accurate tremolo picking, and precise timing to cut through the dense mix, making it challenging for most guitarists.
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