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Riff Tone

You May Be Right

Billy Joel

Guitarrock1980s

Original Gear

GuitarGibson Les Paul Standard (likely late 1970s or 1980, humbuckers)
AmpMarshall JMP 2203 (likely, based on era, genre, and typical studio choices for Glass Houses sessions)
PickupsGibson humbuckers (likely T-Top or similar, stock for era)

Amp Settings

gain5.5
bass6
mid7
treble7
reverb2.5
presence6

Effects & Signal Chain

No effects used for this tone

Notes

Studio recording, 1979-1980. No direct evidence for exact guitar/amp, but Les Paul and Marshall are strongly supported by era, genre, and session standards. No evidence of pedal use for riff section.

Tone Character(10)
tight and punchycrunchy rhythmbright and articulatefull-bodied midrangeslight amp breakupdry and directpercussive attackbridge pickup bitestudio clarityno audible effects

Difficulty

The riff requires solid timing, punchy strumming, and muting for a tight, driving sound, but does not involve advanced techniques or fast lead work.

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