Solo Tone
Yurameki In The Air (Live At Akasaka Blitz / 1998)
Fishmans
Guitarother1990s
Original Gear
GuitarFender Stratocaster (likely Japanese model, late 80s/early 90s, as used by Kensuke Ojima in Fishmans live performances of this era)
AmpRoland JC-120 Jazz Chorus (most commonly used by Fishmans live in the late 90s, especially for clean/modulated tones)
PickupsFender single-coil (stock Strat pickups, likely ceramic or Alnico V, as per typical Japanese Strats of the era)
Amp Settings
gain3
bass6
mid6
treble6.5
reverb5.5
presence5.5
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown, likely Boss CE-2 or amp chorus)
delayUnknown Delay pedal (model unknown, likely digital or analog delay)
Notes
Live performance at Akasaka Blitz, 1998. No direct evidence of pedalboard specifics for this song/solo, but Fishmans are known for clean, modulated, and ambient tones. No evidence of amp distortion; all effects likely from pedals or amp built-ins.
Tone Character(10)
crystal-clear and glassylush and wide chorus modulationambient, reverb-heavybright and shimmery highssmooth, singing sustaindynamic and expressivespacious and atmosphericno audible distortionsubtle delay trailsclean, articulate note separation
Difficulty
The solo requires intermediate-level control of dynamics and phrasing, with clean articulation and expressive use of effects, but does not involve advanced speed or complex techniques.
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Create Free AccountGuitarother1990s
Original Gear
GuitarFender Stratocaster (likely Japanese model, late 80s/early 90s, as used by Kensuke Ojima in Fishmans live performances of this era)
AmpRoland JC-120 Jazz Chorus (most commonly used by Fishmans live in the late 90s, especially for clean/modulated tones)
PickupsFender single-coil (stock Strat pickups, likely ceramic or Alnico V, as per typical Japanese Strats of the era)
Amp Settings
gain3
bass6
mid6
treble6.5
reverb5.5
presence5.5
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown, likely Boss CE-2 or amp chorus)
delayUnknown Delay pedal (model unknown, likely digital or analog delay)
Notes
Live performance at Akasaka Blitz, 1998. No direct evidence of pedalboard specifics for this song/solo, but Fishmans are known for clean, modulated, and ambient tones. No evidence of amp distortion; all effects likely from pedals or amp built-ins.
Tone Character(10)
crystal-clear and glassylush and wide chorus modulationambient, reverb-heavybright and shimmery highssmooth, singing sustaindynamic and expressivespacious and atmosphericno audible distortionsubtle delay trailsclean, articulate note separation
Difficulty
The solo requires intermediate-level control of dynamics and phrasing, with clean articulation and expressive use of effects, but does not involve advanced speed or complex techniques.