Line 6 Helix Floor / LT / Rack settings
Since I've Been Loving You settings for Line 6 Helix Floor / LT / Rack
Led Zeppelin · adapted 2 times on ToneAdapt
To get the Led Zeppelin "Since I've Been Loving You" riff tone on a Line 6 Helix Floor / LT / Rack, use the Brit Plexi Nrm (Marshall Super Lead) amp model on the crunch channel, then set Drive 5, Master 7, Bass 7, Mid 7.5, Treble 6.5, Presence 6. Use the bridge pickup with your guitar's tone on 6-7 and volume on 8-9.
Riff settings
Adapted for a Gibson Les Paul · updated 2026-06-05
- Amp model
- Brit Plexi Nrm (Marshall Super Lead)
- Channel
- Crunch
- Cab
- 4x12 cabinet
- Pickup
- Bridge pickup
- Guitar knobs
- Tone 6-7 · Volume 8-9
Amp block
- Drive
- 5
- Master
- 7
- Bass
- 7
- Mid
- 7.5
- Treble
- 6.5
- Presence
- 6
Effects chain
- 1overdriveKinky Boost (EP-3)Drive 3 · Tone 5 · Level 7
- 2compressionRed Squeeze (Dyna Comp)Level 5 · Sustain 6
- 3reverbDynamic RoomMix 5 · Decay 4
- 4noise gateNoise GateRelease 5 · Threshold 3
Built-in effects
- Reverb on (spring) · 4
Playing tips
- Use dynamic picking to achieve touch-sensitive blues phrasing.
- Incorporate expressive bends for emotional impact.
- Focus on articulate note separation to maintain clarity in the riff.
Solo settings
Adapted for a Gibson Les Paul · updated 2026-08-28
- Amp model
- Brit Plexi Nrm (Marshall Super Lead)
- Channel
- Crunch
- Cab
- 4x12 cabinet
- Pickup
- Neck + Middle
- Guitar knobs
- Tone 7-8 · Volume 8-10
Line 6 Helix Floor / LT / Rack knobs
- Gain
- 4
- Bass
- 5
- Mid
- 5
- Treble
- 5
Amp block
- Drive
- 6
- Master
- 7
- Bass
- 7
- Mid
- 7.5
- Treble
- 6.5
- Presence
- 5.5
Effects chain
- 1overdriveKinky Boost (EP-3)Drive 4 · Tone 5 · Level 6
- 2compressionDeluxe CompLevel 7 · Sustain 5
- 3reverbDynamic RoomMix 3 · Decay 4
- 4noise gateNoise GateRelease 5 · Threshold 4
Playing tips
- Focus on touch-sensitive dynamics; vary your picking attack for expressive phrasing.
- Use fingerstyle techniques for smoother transitions between notes.
- Experiment with slight volume roll-off to achieve a more nuanced tone.
The original rig
What Led Zeppelin used on the recording, for reference. ToneAdapt translates this to the controls your Line 6 Helix Floor / LT / Rack actually has.
- Guitar
- 1959 Gibson Les Paul Standard
- Amp
- Marshall Super Bass 100 (Plexi, ca. 1969-1970, KT88s, 4x12 cabinet)
- Gain
- 5.5
- Bass
- 7
- Mid
- 7.5
- Treble
- 6.5
- Presence
- 6
- Reverb
- 4
Different guitar or pedals? Get Since I've Been Loving You adapted to your exact rig
These settings were generated for the gear named above. ToneAdapt adapts Led Zeppelin's tone to your own guitar, pickups, amp and pedals in seconds.
Frequently asked questions
What amp model should I use on the Line 6 Helix Floor / LT / Rack for Since I've Been Loving You?
Use the Brit Plexi Nrm (Marshall Super Lead) (crunch channel) with Drive 5, Master 7, Bass 7, Mid 7.5, Treble 6.5, Presence 6, followed by Kinky Boost (EP-3), Red Squeeze (Dyna Comp), Dynamic Room, Noise Gate.
Which pickup should I use for Since I've Been Loving You?
Bridge pickup, with the guitar's tone at 6-7 and volume at 8-9.
What gear did Led Zeppelin use on Since I've Been Loving You?
Guitar: 1959 Gibson Les Paul Standard. Amp: Marshall Super Bass 100 (Plexi, ca. 1969-1970, KT88s, 4x12 cabinet).
Will these settings work with my guitar?
These settings were adapted for a Gibson Les Paul. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.
Since I've Been Loving You on other amps
More Led Zeppelin on the Line 6 Helix Floor / LT / Rack
All Led Zeppelin tones →Popular songs on the Line 6 Helix Floor / LT / Rack
- Sweet Child O' Mine · Guns N' Roses
- Master of Puppets · Metallica
- Hotel California · Eagles
- Walk · Pantera
- Enter Sandman · Metallica
- Back in Black · AC/DC
- Welcome to the Jungle · Guns N' Roses
- Highway to Hell · AC/DC
- Crazy Train · Ozzy Osbourne
- Raining Blood · Slayer
- Smells Like Teen Spirit · Nirvana
- Pride and Joy · Stevie Ray Vaughan
Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.