| Stairway to Heaven · solo | Solo · distorted | 1959 Fender Telecaster (painted 'Dragon' finish, rosewood neck, bridge pickup) | Supro Coronado 1690T (12-inch Oxford speaker re-coned with Pulsonic cone, cold-biased) | 6 |
| Stairway to Heaven · riff | Riff · clean | Fender Electric XII 12-string | Supro Thunderbolt (model 1690T, modified with 12" speaker) | 3.5 |
| Whole Lotta Love · riff | Riff · distorted | Fender Telecaster 'Dragon' (1959, maple neck, single coil pickups) | Supro Coronado 1690T | 3.5 |
| Black Dog · riff | Riff · distorted | Gibson Les Paul Standard (early 1970s, likely 1959 model) | Marshall Super Lead 1959 (Plexi, 100-watt, likely with 4x12 cabinet) | 5 |
| Dazed and Confused · riff | Riff · distorted | Fender Telecaster 'Dragon' (1966, hand-painted by Page) | Supro Coronado 1690T | 3.5 |
| Since I've Been Loving You · riff | Riff · distorted | 1959 Gibson Les Paul Standard | Marshall Super Bass 100 (Plexi, ca. 1969-1970, KT88s, 4x12 cabinet) | 5.5 |
| Since I've Been Loving You · solo | Solo · distorted | Gibson Les Paul Standard (1959, sunburst, likely with stock PAF humbuckers) | Marshall Super Bass 100 (1969 JMP, likely with 4x12 cabinet, studio recording) | 6 |
| Whole Lotta Love · solo | Solo · distorted | 1958 Gibson Les Paul Standard (Page’s No. 1) | Vox Super Beatle head with Rickenbacker Transonic cabinet | 4.5 |
| Bring It On Home · riff | Riff · distorted | 1959 Fender Telecaster | 1959 Supro Coronado 1690T | 7 |
| Heartbreaker · riff | Riff · distorted | Fender Telecaster 'Dragon' (1959, maple neck, hand-painted finish) | Supro Coronado 1690T | 3.5 |
| Misty Mountain Hop · riff | Riff · distorted | Gibson Les Paul Standard (1959, sunburst, likely #1 or #2) | Marshall Super Bass 100W (model 1959, Plexi, likely with KT88s, as used by Page in this era) | 5.5 |
| How Many More Times · clean | Clean · clean | 1962 Fender Jazz Bass (sunburst) | Acoustic 360 bass amplifier with 361 cabinet | 0 |
| Immigrant Song · riff | Riff · distorted | Gibson Les Paul Standard (1959, Burst finish) | Marshall JMP Super Lead (Plexi, ca. 1970) | 5 |
| Kashmir · riff | Riff · distorted | Fender Electric XII (12-string electric guitar) | Hiwatt Custom 100 DR103 (likely, based on era and studio use; some sources suggest Marshall, but Hiwatt is most cited for Kashmir studio recording) | 3 |
| Rock and Roll · riff | Riff · distorted | Gibson Les Paul Standard (1959, sunburst, humbuckers) | Marshall JMP Super Lead (likely 1959 model, 100W head, non-master volume) | 5 |
| Ten Years Gone · riff | Riff · clean | Fender Telecaster (1959, double-neck for live, but single Telecaster for studio clean parts) | Supro Thunderbolt (model S6420, vintage 1960s, likely used for studio clean tones) | 2.5 |
| The Ocean · solo | Solo · distorted | 1959 Fender Telecaster | Supro Coronado 1690T | 7 |
| Achilles Last Stand · solo | Solo · distorted | Gibson Les Paul Standard (mid-1950s, likely 1959 Burst) | Marshall Super Lead (Plexi, 1959 model, 100-watt head) with Marshall 4x12 cabinets | 6.5 |
| Achilles Last Stand (Remaster) · riff | Riff · distorted | 1971 Fender Telecaster | Hiwatt Custom 100 DR103 | 6 |
| Good Times Bad Times · riff | Riff · distorted | 1962 Fender Telecaster (with Parsons/White B-Bender mod, but mod not used on this track) | Supro Coronado 1690T | 5.5 |
| Good Times Bad Times · solo | Solo · distorted | 1966 Fender Telecaster (with maple neck, stock single-coil pickups) | Supro Coronado 1690T | 6 |
| Kashmir · riff | Riff · clean | 1961 Danelectro 3021 | Hiwatt Custom 100 DR103 (studio, 1974-75 Physical Graffiti sessions) | 0 |
| Ozone Baby · riff | Riff · distorted | Gibson Les Paul Standard (likely late 50s, sunburst, as used by Jimmy Page in late Zeppelin studio sessions) | Marshall Super Lead 1959 (Plexi, 100W, as used by Page in late 1970s studio sessions) | 5.5 |
| Sick Again · riff | Riff · distorted | Gibson Les Paul Standard (1959, 'Burst') | Marshall Super Lead 1959 (Plexi, 100W head) into Marshall 4x12 cabinet | 6 |
| Since I've Been Loving You (Live) · riff | Riff · distorted | Gibson Les Paul Standard (1959, sunburst, live version) | Marshall Super Lead 100 (Plexi, late 1960s/early 1970s, live setup) | 6 |
| You Shook Me · solo | Solo · distorted | Fender Telecaster (1959 'Dragon' Telecaster, single-coil pickups, gifted to Page by Jeff Beck) | Supro Coronado 1690T | 3.5 |
| Achilles Last Stand · riff | Riff · distorted | Gibson Les Paul Standard (mid-1950s, likely 1959 'Number One') | Marshall Super Lead 1959 (non-master volume, 100W, late 1960s/early 1970s) | 6.5 |
| Achilles Last Stand (Remaster) · solo | Solo · distorted | 1971 Gibson Les Paul Custom | Marshall Super Lead 1959 (100W Plexi) | 6.5 |
| Babe I'm Gonna Leave You · riff | Riff · clean | Harmony Sovereign H1260 acoustic (borrowed Gibson SJ-200 possibly used for some parts) | None (recorded direct with microphones, no amplifier used for acoustic riff section) | 1.5 |
| Black Dog · riff | Riff · clean | Gibson Les Paul Standard (likely 1958 or 1959, Page's #1 or Black Beauty, but Telecaster sometimes debated) | Direct Input (no amp), signal processed through two UREI 1176 compressors | 0 |
| Black Dog · solo | Solo · distorted | Gibson Les Paul Sunburst (likely 1959, possibly 1958 or 1960, but most sources say '59) | No amp used; guitar recorded direct into Helios console preamp, then through two Urei 1176LN compressors in series | 6.5 |
| Black Dog · clean | Clean · clean | Fender Jazz Bass (early 1960s, likely 1962-1965) | Acoustic 360 bass amp with 361 cabinet | 0 |
| Black Dog (Live) · riff | Riff · distorted | Gibson Les Paul Standard (likely 1959, sunburst, used by Jimmy Page live in early-mid 1970s) | Marshall Super Lead 1959 (Plexi, 100W, live rig) | 6 |
| Bring It On Home · solo | Solo · distorted | Fender Telecaster (likely 1959, rosewood neck) | Supro Coronado 1690T | 7 |
| Bring It On Home (Live) · riff | Riff · distorted | Gibson Les Paul Standard '60s (1969) | Marshall JMP 1986 Super Bass | 5.5 |
| Celebration Day (Live) · riff | Riff · distorted | Gibson Les Paul Standard (likely Jimmy Page Signature, 2007 O2 Arena live) | Marshall 1959SLP Plexi Super Lead Reissue (main amp, live 2007 O2 Arena) | 5.5 |
| Communication Breakdown · riff | Riff · distorted | 1959 Fender Telecaster with rosewood neck | 1959 Supro Coronado 1690T (12-inch Oxford speaker re-coned with Pulsonic cone) | 7.5 |
| Communication Breakdown · solo | Solo · distorted | 1959 Fender Telecaster with rosewood neck | 1959 Supro Coronado 1690T (modded, 12-inch Oxford speaker with Pulsonic cone) | 8 |
| Custard Pie · riff | Riff · clean | Gibson Les Paul Standard (1959, 'Burst') | Marshall Super Bass 100 (model 1992, early 1970s, likely KT88-powered) | 0 |
| Dancing Days · riff | Riff · distorted | Fender Telecaster (likely 1959, used by Jimmy Page for this track) | Supro amplifier (likely Supro 1690T Coronado or similar small Supro combo, as used by Page in studio) | 6 |
| Dazed and Confused (Live) · riff | Riff · distorted | 1959 Fender Telecaster (often referred to as the 'Dragon' Telecaster) | Supro Coronado 1690T (live era, late 1960s), later live performances may have used Marshall Super Lead 100W but Supro is most cited for this riff section | 3.5 |
| Going to California · riff | Riff · clean | Martin D-28 acoustic guitar | None (recorded acoustically, no amp used on studio recording) | 0 |
| Heartbreaker · riff | Riff · clean | Gibson Les Paul Standard (1959, 'Burst') | Marshall Super Bass 100W head with Marshall 4x12 cabinet | 3 |
| Heartbreaker · solo | Solo · distorted | Fender Telecaster 'Dragon' (1959, original, as used by Jimmy Page on Led Zeppelin II) | Marshall Super Lead 1959 (Plexi, 100W, likely with 4x12 cabinet, as used in New York studio for Led Zeppelin II solo sections) | 5 |
| Hey, Hey, What Can I Do · clean | Clean · clean | 1962 Fender Jazz Bass | Acoustic 360/361 bass rig | 0 |
| Hey, Hey, What Can I Do · riff | Riff · clean | Gibson J-200 (acoustic, likely double-tracked with Fender Telecaster electric for fills) | Likely direct mic'ing for acoustic (J-200); possible Marshall or Fender amp for electric fills (not main riff) | 1.5 |
| Houses of the Holy · riff | Riff · distorted | Gibson Les Paul Standard (1970s, likely 1959 model) | Marshall JMP Super Lead (likely 1959 model, cranked for overdrive) | 4.5 |
| How Many More Times · riff | Riff · distorted | 1959 Fender Telecaster | Supro 1690T Coronado (modified, likely Thunderbolt variant) | 6 |
| I Can't Quit You Baby · solo | Solo · distorted | 1959 Fender Telecaster | Supro Coronado 1690T combo | 5.5 |
| I Can't Quit You Baby · riff | Riff · distorted | Fender Telecaster (Dragon Telecaster, 1959, stock single coils) | Supro Coronado 1690T (combo, 2x10, vintage, no master volume) | 3 |
| I Can't Quit You Baby (10/8/69 Playhouse Theatre) · riff | Riff · distorted | 1959 Gibson Les Paul Standard | Marshall Super Lead 100 (Plexi) | 5.5 |
| Immigrant Song · riff | Riff · clean | 1959 Gibson Les Paul Standard | Marshall Super Lead | 0 |
| Immigrant Song (Live) · solo | Solo · distorted | Gibson Les Paul Standard (likely 1959, sunburst, live rig) | Marshall Super Lead 1959 (100W, live rig) | 5 |
| In My Time of Dying · riff | Riff · distorted | Danelectro 59 DC | Fender Twin Reverb (likely Silverface, studio recording) | 5 |
| In the Light · riff | Riff · distorted | Gibson Les Paul Standard (1959, likely with modifications) | Marshall Super Bass 100 (Plexi, late 1960s/early 1970s, likely with KT88s or EL34s) | 4.5 |
| Kashmir · distorted | Distorted · distorted | Fender Jazz Bass | Ampeg SVT (early 1970s model, likely with matching 8x10 cab) | 5.5 |
| Kashmir · solo | Solo · distorted | Danelectro 3021 (black and white, DADGAD tuning) | Marshall JMP Super Lead (likely 100W, 4x12 cab) | 5 |
| Kashmir (Live) · riff | Riff · distorted | Danelectro 3021 (often referred to as DC-59), black-and-white, DADGAD tuning | Marshall Super Lead (SLP-1959) 100W head with Marshall 4x12 cabinet | 5 |
| Living Loving Maid (She's Just a Woman) · riff | Riff · distorted | 1965 Fender Electric XII 12-string | Supro Thunderbolt S6420 | 5 |
| Moby Dick · clean | Clean · clean | 1962 Fender Jazz Bass | Acoustic 360 Bass Amp | 0 |
| Moby Dick · solo | Solo · distorted | Fender 'Dragon' Telecaster | Supro Coronado 1690T | 3.5 |
| Moby Dick · riff | Riff · clean | Fender Telecaster 'Dragon' (1966, single-coil, as used by Jimmy Page on Led Zeppelin II sessions) | Supro Coronado 1690T | 3.5 |
| Moby Dick · riff | Riff · distorted | Fender Telecaster 'Dragon' (1966, hand-painted by Page) | Supro Coronado 1690T | 3.5 |
| No Quarter · riff | Riff · distorted | Fender Electric XII (12-string electric guitar) | Marshall Super Lead (likely modded, late 60s/early 70s model) | 4 |
| No Quarter (Live) · riff | Riff · distorted | Gibson Les Paul Standard (early 1970s, likely 1959 or 1958 model, sunburst finish) | Marshall Super Lead 100 (Plexi, likely modded, with Marshall 4x12 cabinets) | 6 |
| Nobody's Fault but Mine (Remaster) · riff | Riff · distorted | 1959 Gibson Les Paul Standard | Marshall Super Bass 100W (model 1992, late 60s/early 70s, likely modded for extra gain) | 5.5 |
| Out On the Tiles · riff | Riff · distorted | Gibson Les Paul Standard (1959 or 1958, Burst finish, likely with PAF humbuckers) | Marshall Super Bass 100 (Plexi, 1959 model, likely used for Led Zeppelin III sessions) | 6 |
| Over the Hills and Far Away · riff | Riff · clean | Gibson EDS-1275 Double Neck (12-string neck for intro/riff) | Marshall Super Lead 1959 (Plexi, likely with KT-88 mod as per Page's rig at the time) | 2 |
| Over the Hills and Far Away · riff | Riff · distorted | Gibson EDS-1275 Double Neck (12-string neck for intro/riff) | Marshall Super Lead 1959 (Plexi, 100-watt, KT-88 modded) | 4.5 |
| Ramble On · riff | Riff · distorted | 1960 Gibson Les Paul Standard | Supro 1690T Coronado | 6 |
| Ramble On · clean | Clean · clean | 1962 Fender Jazz Bass | Unknown (possibly Acoustic 360 or similar vintage amp) | 0 |
| Rock and Roll · solo | Solo · distorted | 1959 Gibson Les Paul Standard | Marshall Super Lead (Plexi, likely 1959 model) | 6.5 |
| Since I've Been Loving You · solo | Solo · clean | 1959 Fender Telecaster | Marshall 1959 Super Lead 100W (non-master volume, likely with KT88 tubes, 4x12 cabinet) | 3 |
| Since I've Been Loving You · riff | Riff · clean | Gibson Les Paul Standard (1959, 'Burst') | Marshall Super Bass 100W head with 4x12 cabinet | 3 |
| Since I've Been Loving You (Live) · solo | Solo · distorted | Gibson Les Paul Standard (1959, sunburst, live rig) | Marshall Super Bass 100 (live, early 1970s, often with Marshall 4x12 cabinets) | 5.5 |
| Since I've Been Loving You (Rough Mix) · solo | Solo · distorted | Gibson Les Paul Standard (1959, sunburst, likely with original PAF humbuckers) | Marshall 1959SLP Super Lead (modded with KT88s, 200W, early 1970s) | 5 |
| Since I've Been Loving You (Rough Mix) · riff | Riff · distorted | Gibson Les Paul Standard (1959, 'Burst') | Marshall 1959SLP Super Lead (non-master volume, KT88 tubes, likely modded by Tony Franks) | 5 |
| Stairway to Heaven · solo | Solo · clean | 1959 Fender Telecaster | Supro Coronado 1690T (modified with 12-inch Oxford speaker, Pulsonic cone) | 0 |
| Stairway to Heaven · riff | Riff · distorted | 1959 Fender Telecaster (painted 'Dragon' finish, rosewood neck) | Supro Coronado 1690T (12-inch Oxford speaker, Pulsonic cone, cold-biased) | 4 |
| Stairway to Heaven · clean | Clean · clean | Fender Jazz Bass | Vintage Ampeg SVT (early 1970s model, likely blue line) | 0 |
| Stairway to Heaven (Live) · solo | Solo · distorted | Fender Telecaster (1959 'Dragon' Telecaster, as used by Jimmy Page for the solo section live in the early 1970s) | Marshall Super Lead 1959 (Plexi, often paired with Marshall 4x12 cabinet, live setup) | 5 |
| Stairway to Heaven (Live) · riff | Riff · distorted | Gibson EDS-1275 Double-Neck | Marshall Super Lead 100-watt head | 4.5 |
| Stairway to Heaven (Sunset Sound Mix) · solo | Solo · distorted | Fender Telecaster (likely 1959, 'Dragon' Telecaster) | Marshall 1959 Super Lead head (Plexi, likely with 4x12 cabinet) | 6 |
| Stairway to HeavenShine · solo | Solo · clean | 1959 Fender Telecaster | Supro Coronado 1690T (studio recording, 1971) | 3 |
| Tangerine · solo | Solo · distorted | 1960s MSA 10-String Pedal Steel Guitar | Unknown small tube amp (likely Fender or similar, but not confirmed for this track) | 4 |
| Tangerine · riff | Riff · distorted | 1960s MSA 10-String Pedal Steel Guitar | Likely Fender amplifier (exact model not specified, probable Twin Reverb or similar, based on era and studio use) | 3.5 |
| Tea for One (Remaster) · riff | Riff · distorted | Gibson Les Paul Standard (1959, sunburst, likely with original PAF humbuckers) | Marshall Super Lead 1959 (100-watt, late 1960s/early 1970s, likely with EL34s, into Marshall 4x12 cabinet with Celestion speakers) | 5.5 |
| Tea for One (Remaster) · solo | Solo · distorted | Gibson Les Paul Standard (1970s, likely sunburst, stock humbuckers) | Marshall Super Lead 1959 (Plexi, 100W, cranked for overdrive) | 6 |
| Ten Years Gone · solo | Solo · distorted | Fender Stratocaster (mid-1960s, likely 1963 or 1964, rosewood board) | Hiwatt Custom 100 DR103 (studio, 1975), possibly with Marshall cabinet | 4.5 |
| Ten Years Gone · riff | Riff · distorted | Fender Telecaster (1959, double-neck used for live, but studio is Telecaster for riff section) | Supro Thunderbolt (vintage, likely modified, studio recording) | 5 |
| Thank You (1/4/71 Paris Theatre) · solo | Solo · distorted | Gibson Les Paul Standard (likely 1959 'Number One') | Marshall Super Lead (Plexi, likely 1959 model, live rig) | 5.5 |
| The Girl I Love She Got Long Black Wavy Hair (22/6/69 Pop Sundae) · riff | Riff · distorted | Fender Telecaster (likely 1959, 'Dragon' Telecaster) | Marshall Super Bass 100 (model 1959, Plexi, likely modded, or Marshall Super Lead 100; see warnings) | 4.5 |
| The Lemon Song · riff | Riff · distorted | 1959 Fender Telecaster | Supro Coronado 1690T | 5.5 |
| The Lemon Song · solo | Solo · distorted | 1959 Gibson Les Paul Standard | Vox Super Beatle (with MRB - Mid Range Boost engaged) | 5 |
| The Ocean · riff | Riff · distorted | 1959 Fender Telecaster | Supro Coronado 1690T | 6.5 |
| The Rain Song · riff | Riff · clean | Gibson EDS-1275 Double Neck (12-string neck for riff section) | Vox UL4120 (studio recording, Houses of the Holy sessions, 1972) | 2 |
| The Rover · riff | Riff · distorted | Gibson Les Paul Standard (1959, sunburst, likely with PAF humbuckers) | Marshall Super Lead 1959 (Plexi, 100w, non-master volume) | 5.5 |
| The Rover · solo | Solo · distorted | Gibson Les Paul Standard (likely 1959, sunburst, used by Jimmy Page in mid-70s studio sessions) | Marshall 1959SLP Super Lead (modded with KT88s, 200W, as per Page's rig in this era) | 6 |
| The Wanton Song · riff | Riff · distorted | Gibson Les Paul Standard | Marshall JMP Super Lead | 5 |
| tornado of souls · solo | Solo · clean | — | — | 4 |
| What Is and What Should Never Be · riff | Riff · distorted | Gibson Les Paul Standard (1959, 'Burst') | Vox UL4120 (studio recording, 1969) | 4.5 |
| When the Levee Breaks · riff | Riff · distorted | Fender Electric XII (12-string, used as 6-string for riff, tuned to Open G and slowed to Open F via varispeed) | Supro 1690T Coronado (vintage combo, likely 2x10 or 2x12, cranked for overdrive) | 6 |
| Whole Lotta Love (Live) · riff | Riff · distorted | Gibson Les Paul Standard (likely 1959, 'No. 1') | Marshall SLP-1959 100-watt head (modded with KT-88s, 200w), Marshall 4x12 cabinet | 5.5 |
| Whole Lotta Love (Live) · solo | Solo · distorted | 1958 Gibson Les Paul Standard (Page's No. 1, Sunburst) | Vox Super Beatle head with Rickenbacker Transonic cabinet | 6.5 |