Line 6 Helix Floor / LT / Rack settings
Still Got the Blues (For You) [Live] settings for Line 6 Helix Floor / LT / Rack
Gary Moore · adapted 2 times on ToneAdapt
To get the Gary Moore "Still Got the Blues (For You) [Live]" solo tone on a Line 6 Helix Floor / LT / Rack, use the Brit J45 Brt (Marshall JTM45) amp model on the lead channel, then set Gain 5, Bass 5, Mid 5, Treble 5. Use the neck pickup with your guitar's tone on 6 and volume on 10.
Solo settings
Adapted for a Gibson Les Paul · updated 2026-08-28
- Amp model
- Brit J45 Brt (Marshall JTM45)
- Channel
- Lead
- Cab
- 4x12 cabinet with EVM12L speakers
- Pickup
- Neck pickup
- Guitar knobs
- Tone 6 · Volume 10
Line 6 Helix Floor / LT / Rack knobs
- Gain
- 5
- Bass
- 5
- Mid
- 5
- Treble
- 5
Amp block
- Drive
- 7
- Master
- 7
- Bass
- 6
- Mid
- 8
- Treble
- 6
- Presence
- 5.5
Effects chain
- 1overdriveKinky Boost (EP-3)Gain 4 · Tone 6 · Level 7
- 2distortionValve Driver (Tube Driver)Gain 6 · Tone 5 · Level 6
- 3reverbDynamic RoomMix 3 · Decay 4
- 4delaySimple DelayMix 4 · Feedback 3
Playing tips
- Use a light touch for dynamic control and to achieve a singing quality.
- Incorporate bends and vibrato to enhance expressiveness in the solo.
- Experiment with subtle palm muting for certain phrases to add texture.
Riff settings
Adapted for a Gibson Les Paul · updated 2026-08-28
- Amp model
- Brit J45 Nrm (Marshall JTM45)
- Channel
- Clean
- Cab
- Marshall 1960B 4x12
- Pickup
- Neck pickup
- Guitar knobs
- Tone 6 · Volume 5
Line 6 Helix Floor / LT / Rack knobs
- Gain
- 1.5
- Bass
- 5
- Mid
- 5
- Treble
- 5
Amp block
- Drive
- 3
- Master
- 7
- Bass
- 5
- Mid
- 8
- Treble
- 6.5
- Presence
- 5.5
Effects chain
- 1overdriveKinky Boost (EP-3)Drive 3 · Tone 5 · Level 6
- 2compressionDeluxe CompLevel 6 · Ratio 3 · Attack 5 · Release 5
- 3reverbDynamic RoomMix 3 · Decay 4
- 4modulation70s ChorusMix 3 · Rate 3 · Depth 4
Playing tips
- Use a light touch for expressive dynamics.
- Incorporate subtle finger vibrato for added warmth.
- Focus on smooth transitions between notes for a singing quality.
The original rig
What Gary Moore used on the recording, for reference. ToneAdapt translates this to the controls your Line 6 Helix Floor / LT / Rack actually has.
- Guitar
- 1959 Gibson Les Paul Standard
- Amp
- Marshall JTM45 reissue prototype (1989) with Marshall 1960B 4x12 cabinet (Electro-Voice EVM12L speakers)
- Gain
- 6.5
- Bass
- 5
- Mid
- 8
- Treble
- 6.5
- Presence
- 5.5
- Reverb
- 3.5
Different guitar or pedals? Get Still Got the Blues (For You) [Live] adapted to your exact rig
These settings were generated for the gear named above. ToneAdapt adapts Gary Moore's tone to your own guitar, pickups, amp and pedals in seconds.
Frequently asked questions
What amp model should I use on the Line 6 Helix Floor / LT / Rack for Still Got the Blues (For You) [Live]?
Use the Brit J45 Brt (Marshall JTM45) (lead channel) with Drive 7, Master 7, Bass 6, Mid 8, Treble 6, Presence 5.5, followed by Kinky Boost (EP-3), Valve Driver (Tube Driver), Dynamic Room, Simple Delay.
Which pickup should I use for Still Got the Blues (For You) [Live]?
Neck pickup, with the guitar's tone at 6 and volume at 10.
What gear did Gary Moore use on Still Got the Blues (For You) [Live]?
Guitar: 1959 Gibson Les Paul Standard. Amp: Marshall JTM45 reissue prototype (1989) with Marshall 1960B 4x12 cabinet (Electro-Voice EVM12L speakers).
Will these settings work with my guitar?
These settings were adapted for a Gibson Les Paul. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.
Popular songs on the Line 6 Helix Floor / LT / Rack
- Sweet Child O' Mine · Guns N' Roses
- Master of Puppets · Metallica
- Hotel California · Eagles
- Walk · Pantera
- Enter Sandman · Metallica
- Back in Black · AC/DC
- Welcome to the Jungle · Guns N' Roses
- Highway to Hell · AC/DC
- Crazy Train · Ozzy Osbourne
- Stairway to Heaven · Led Zeppelin
- Raining Blood · Slayer
- Smells Like Teen Spirit · Nirvana
Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.