Riff Tone
Still Got the Blues (For You) [Live]
Gary Moore
Guitarblues1990s
Original Gear
Guitar1959 Gibson Les Paul Standard
AmpMarshall JTM45 reissue prototype (1989) with Marshall 1960B 4x12 cabinet (Electro-Voice EVM12L speakers)
PickupsPAF-style humbuckers
Amp Settings
gain6.5
bass5
mid8
treble6.5
reverb3.5
presence5.5
Effects & Signal Chain
distortionMarshall Marshall The Guv'nor
overdriveIbanez Ibanez TS10 Tube Screamer Classic
chorusBoss or Roland Chorus pedal (model unknown, likely Boss CE-2 or Roland Dimension D)
Notes
Live performance, early 1990s; riff section uses neck pickup, amp set clean with gain from pedals; Guv'nor pedal provides main overdrive. Settings and pedal use confirmed for live era.
Tone Character(10)
warm and smoothsinging sustaintouch-sensitivefat, sustaining tonesrich and fullstrong midrange emphasisrolled-off treblesubtle chorus shimmerexpressive phrasingdynamic response
Difficulty
The riff requires intermediate-level control of vibrato, bends, and dynamic picking, as well as sensitivity to tone and sustain, but does not involve advanced speed or complex chord voicings.
Sources
Amp Settings for Still Got the Blues by Gary Moore (guitar and amp) - Guitar ChalkGary Moore's tone on Still Got the Blues: how he got his sound | Guitar World14 of Gary Moore's finest guitars, amps and effects - in pictures | MusicRadarGary Moore's Les Pauls, Guitar Gear, Pedalboard & Amps | EquipboardStill Got The Blues Solo Cover | Getting That Gary Moore Tone
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Create Free AccountGuitarblues1990s
Original Gear
Guitar1959 Gibson Les Paul Standard
AmpMarshall JTM45 reissue prototype (1989) with Marshall 1960B 4x12 cabinet (Electro-Voice EVM12L speakers)
PickupsPAF-style humbuckers
Amp Settings
gain6.5
bass5
mid8
treble6.5
reverb3.5
presence5.5
Effects & Signal Chain
distortionMarshall Marshall The Guv'nor
overdriveIbanez Ibanez TS10 Tube Screamer Classic
chorusBoss or Roland Chorus pedal (model unknown, likely Boss CE-2 or Roland Dimension D)
Sources
Amp Settings for Still Got the Blues by Gary Moore (guitar and amp) - Guitar ChalkGary Moore's tone on Still Got the Blues: how he got his sound | Guitar World14 of Gary Moore's finest guitars, amps and effects - in pictures | MusicRadarGary Moore's Les Pauls, Guitar Gear, Pedalboard & Amps | EquipboardStill Got The Blues Solo Cover | Getting That Gary Moore Tone
Notes
Live performance, early 1990s; riff section uses neck pickup, amp set clean with gain from pedals; Guv'nor pedal provides main overdrive. Settings and pedal use confirmed for live era.
Tone Character(10)
warm and smoothsinging sustaintouch-sensitivefat, sustaining tonesrich and fullstrong midrange emphasisrolled-off treblesubtle chorus shimmerexpressive phrasingdynamic response
Difficulty
The riff requires intermediate-level control of vibrato, bends, and dynamic picking, as well as sensitivity to tone and sustain, but does not involve advanced speed or complex chord voicings.
Still Got the Blues (For You) [Live] settings for your amp
Exact settings ToneAdapt players use on these amps.
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