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Marshall 1959 Super Lead settings

Enter Sandman settings for Marshall 1959 Super Lead

Metallica · adapted 2 times on ToneAdapt

To get the Metallica "Enter Sandman" riff tone on a Marshall 1959 Super Lead, set Gain 0, Bass 5.5, Mid 4.5, Treble 7, Presence 5, Volume 1 5. Use the bridge pickup with your guitar's tone on 10 and volume on 10.

Riff settings

Adapted for a Gibson Les Paul · updated 2026-10-20

Pickup
Bridge pickup
Guitar knobs
Tone 10 · Volume 10

Marshall 1959 Super Lead knobs

Gain
0
Bass
5.5
Mid
4.5
Treble
7
Presence
5
Volume 1
5
Volume 2
0

Playing tips

  • Use tight palm muting for chugging sections.
  • Focus on articulate picking to maintain clarity in the riff.
  • Employ aggressive strumming for a percussive attack.

The original rig

What Metallica used on the recording, for reference. ToneAdapt translates this to the controls your Marshall 1959 Super Lead actually has.

Guitar
ESP MX-220 (black finish)
Amp
Mesa/Boogie Mark IIC++
Gain
8
Bass
5.5
Mid
4.5
Treble
7
Presence
4.5
Reverb
0
Full Enter Sandman tone breakdown, effects and sources →

Different guitar or pedals? Get Enter Sandman adapted to your exact rig

These settings were generated for the gear named above. ToneAdapt adapts Metallica's tone to your own guitar, pickups, amp and pedals in seconds.

Frequently asked questions

What are the best Marshall 1959 Super Lead settings for Enter Sandman?

Set Gain 0, Bass 5.5, Mid 4.5, Treble 7, Presence 5, Volume 1 5.

Which pickup should I use for Enter Sandman?

Bridge pickup, with the guitar's tone at 10 and volume at 10.

What gear did Metallica use on Enter Sandman?

Guitar: ESP MX-220 (black finish). Amp: Mesa/Boogie Mark IIC++.

Will these settings work with my guitar?

These settings were adapted for a Gibson Les Paul. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.

Popular songs on the Marshall 1959 Super Lead

All 12 songs for the Marshall 1959 Super Lead →

Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.