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Marshall DSL40CR settings

Seek & Destroy settings for Marshall DSL40CR

Metallica · adapted 3 times on ToneAdapt

To get the Metallica "Seek & Destroy" riff tone on a Marshall DSL40CR, set Gain 8.5, Bass 6, Mid 2, Treble 8, Presence 6, Resonance 6. Use the bridge pickup with your guitar's tone on 8-10 and volume on 10.

Riff settings

Adapted for a Fender Stratocaster · updated 2026-11-10

Pickup
Bridge pickup
Guitar knobs
Tone 8-10 · Volume 10

Marshall DSL40CR knobs

Gain
8.5
Bass
6
Mid
2
Treble
8
Presence
6
Resonance
6
Reverb
0
Tone shift
1
Output power
1

Playing tips

  • Focus on tight palm muting for percussive chugs.
  • Use aggressive picking to enhance articulation.
  • Maintain a steady rhythm for staccato riffing.

The original rig

What Metallica used on the recording, for reference. ToneAdapt translates this to the controls your Marshall DSL40CR actually has.

Guitar
1981 Gibson Flying V
Amp
Marshall JMP 2203 (modified, 100W head)
Gain
8.5
Bass
7
Mid
2.5
Treble
8
Presence
6
Reverb
0
Full Seek & Destroy tone breakdown, effects and sources →

Different guitar or pedals? Get Seek & Destroy adapted to your exact rig

These settings were generated for the gear named above. ToneAdapt adapts Metallica's tone to your own guitar, pickups, amp and pedals in seconds.

Frequently asked questions

What are the best Marshall DSL40CR settings for Seek & Destroy?

Set Gain 8.5, Bass 6, Mid 2, Treble 8, Presence 6, Resonance 6.

Which pickup should I use for Seek & Destroy?

Bridge pickup, with the guitar's tone at 8-10 and volume at 10.

What gear did Metallica use on Seek & Destroy?

Guitar: 1981 Gibson Flying V. Amp: Marshall JMP 2203 (modified, 100W head).

Will these settings work with my guitar?

These settings were adapted for a Fender Stratocaster. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.

Popular songs on the Marshall DSL40CR

All 153 songs for the Marshall DSL40CR →

Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.