Guitar tone · punk, rock

All Time Low guitar tone: gear & amp settings

The gear and amp settings behind 9 All Time Low songs, researched from rig rundowns, interviews and gear forums. The rig that shows up most: Gibson Les Paul Standard (likely 2000s model, as used by Jack Barakat in studio) into Mesa Boogie Mark V.

Guitars All Time Low used

Gibson Les Paul Standard (likely 2000s model, as used by Jack Barakat in studio)2 songs
Fender American Professional II Stratocaster1 song
Gibson Les Paul Standard (likely 2000s model, as used by Jack Barakat in early All Time Low recordings)1 song
Fender Precision Bass1 song
Gibson Les Paul Standard (likely, based on era and band history; not explicitly confirmed for this song/section)1 song
Gibson Les Paul Standard (likely 2000s reissue, as used by Jack Barakat on All Time Low studio recordings in the 2010s)1 song
Gibson SG Standard1 song
Gibson Les Paul Standard (likely, based on era and band member's gear for studio recordings)1 song

Amps All Time Low used

Mesa Boogie Mark V1 song
Marshall JCM2000 DSL100 (typical for early/mid 2000s pop punk recordings, no direct source for this song but consistent with genre/era/artist)1 song
Ampeg SVT Classic (or similar high-headroom tube amp, likely Ampeg based on genre/era inference)1 song
Orange Micro Dark hybrid head (suggested by fan forum as a good match for ATL pop punk tone, but not confirmed as used on the actual recording)1 song
Marshall JCM2000 DSL100 (typical for All Time Low studio rhythm tones, 2010s era)1 song
Mesa/Boogie Dual Rectifier (studio recording amp for heavy ATL tones, 2012 era)1 song
Budda Superdrive Series II 30W Combo Amp1 song
Marshall JCM800 (classic high-gain British amp, typical for All Time Low's studio rhythm tones in this era)1 song

10 All Time Low tones

Song	Part	Guitar	Amp	Gain
Dear Maria, Count Me In · riff	Riff · distorted	Gibson SG Standard	Budda Superdrive Series II 30W Combo Amp	7.5
Dear Maria, Count Me In · solo	Solo · distorted	ESP Eclipse II (custom, Jack Barakat signature, bridge pickup only, Seymour Duncan JB)	Budda Superdrive Series II 30W Combo Amp (studio, profiled for recording)	7
Falling For Strangers · riff	Riff · distorted	Gibson Les Paul Standard (likely, based on era and band member's gear for studio recordings)	Marshall JCM900 4100	7
Jasey Rae · riff	Riff · distorted	Gibson Les Paul Standard (likely 2000s model, as used by Jack Barakat in early All Time Low recordings)	Marshall JCM2000 DSL100 (typical for early/mid 2000s pop punk recordings, no direct source for this song but consistent with genre/era/artist)	6.5
Longview · distorted	Distorted · distorted	Fender Precision Bass	Ampeg SVT Classic (or similar high-headroom tube amp, likely Ampeg based on genre/era inference)	6
Remembering Sunday · riff	Riff · clean	Fender American Professional II Stratocaster	Mesa Boogie Mark V	3
Six Feet Under The Stars (Rerecorded) · riff	Riff · distorted	Gibson Les Paul Standard (likely 2000s reissue, as used by Jack Barakat on All Time Low studio recordings in the 2010s)	Marshall JCM2000 DSL100 (typical for All Time Low studio rhythm tones, 2010s era)	7
Somewhere in Neverland · riff	Riff · distorted	Gibson Les Paul Standard (likely 2000s model, as used by Jack Barakat in studio)	Mesa/Boogie Dual Rectifier (studio recording amp for heavy ATL tones, 2012 era)	7.5
The Irony of Choking on a Lifesaver · riff	Riff · distorted	Gibson Les Paul Standard (likely 2000s model, as used by Jack Barakat in studio)	Marshall JCM800 (classic high-gain British amp, typical for All Time Low's studio rhythm tones in this era)	7
To Live and Let Go · riff	Riff · distorted	Gibson Les Paul Standard (likely, based on era and band history; not explicitly confirmed for this song/section)	Orange Micro Dark hybrid head (suggested by fan forum as a good match for ATL pop punk tone, but not confirmed as used on the actual recording)	7

All Time Low songs on popular amps

Exact settings ToneAdapt players use for these songs on their own amps.

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Frequently asked questions

What amp did All Time Low use?

Across 9 researched songs, the amps that come up most are Mesa Boogie Mark V (1 song), Marshall JCM2000 DSL100 (typical for early/mid 2000s pop punk recordings, no direct source for this song but consistent with genre/era/artist) (1 song), Ampeg SVT Classic (or similar high-headroom tube amp, likely Ampeg based on genre/era inference) (1 song), Orange Micro Dark hybrid head (suggested by fan forum as a good match for ATL pop punk tone, but not confirmed as used on the actual recording) (1 song).

What guitar did All Time Low use?

Most often: Gibson Les Paul Standard (likely 2000s model, as used by Jack Barakat in studio) (2 songs), Fender American Professional II Stratocaster (1 song), Gibson Les Paul Standard (likely 2000s model, as used by Jack Barakat in early All Time Low recordings) (1 song), Fender Precision Bass (1 song).

How do I get All Time Low's tone on my amp?

Open any All Time Low song below to see the original gear and settings, then use ToneAdapt to adapt them to your own guitar, amp, pickups and pedals.