Riff Tone
Remembering Sunday
All Time Low
Guitarrock2000s
Original Gear
GuitarFender American Professional II Stratocaster
AmpMesa Boogie Mark V
PickupsFender V-Mod II Single-Coil Stratocaster
Amp Settings
gain3
bass6
mid6.5
treble6.5
reverb3
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2007 (from the album 'So Wrong, It's Right'). No direct evidence for pedals or alternate guitars in the riff section; sources indicate Stratocaster and Mesa Boogie Mark V as most used for All Time Low studio recordings of this era. Capo on 2nd fret per multiple chord/tab sources.
Tone Character(9)
warm and naturalarticulate and clearsoft attackminimal compressionbright top end from capoopen chord resonanceno audible drive or breakupslightly scooped midsgentle, expressive dynamics
Difficulty
The riff is easy to intermediate due to its slow tempo and open chord shapes, but requires clean, accurate playing and adaptation to capoed positions.
Sources
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Original Gear
GuitarFender American Professional II Stratocaster
AmpMesa Boogie Mark V
PickupsFender V-Mod II Single-Coil Stratocaster
Amp Settings
gain3
bass6
mid6.5
treble6.5
reverb3
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2007 (from the album 'So Wrong, It's Right'). No direct evidence for pedals or alternate guitars in the riff section; sources indicate Stratocaster and Mesa Boogie Mark V as most used for All Time Low studio recordings of this era. Capo on 2nd fret per multiple chord/tab sources.
Tone Character(9)
warm and naturalarticulate and clearsoft attackminimal compressionbright top end from capoopen chord resonanceno audible drive or breakupslightly scooped midsgentle, expressive dynamics
Difficulty
The riff is easy to intermediate due to its slow tempo and open chord shapes, but requires clean, accurate playing and adaptation to capoed positions.
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