| Wanted Dead or Alive · solo | Solo · distorted | Gibson Les Paul Standard (late '50s/early '60s, likely 1959 or 1960, as referenced in interviews and rig rundowns for the era) | Marshall JCM 800 head (studio recording, 1986) | 7 |
| You Give Love a Bad Name · riff | Riff · distorted | Kramer Jersey Star (Richie Sambora signature, 1986, white, Floyd Rose tremolo) | Marshall JCM800 2203 head with Marshall 4x12 cabinet (studio recording, 1986) | 7 |
| Wanted Dead or Alive · riff | Riff · clean | Ovation 1657 Anniversary Acoustic-Electric (12-string, piezo pickup, used for clean intro/riff) | Direct to mixing console (studio), likely with added rack reverb; no evidence of traditional guitar amp used for clean riff section | 0 |
| Bed of Roses · riff | Riff · distorted | Ampeg Dan Armstrong Plexi Electric Guitar | Marshall JCM2000 Dual Super Lead | 6.5 |
| Livin' On a Prayer · riff | Riff · distorted | Kramer Jersey Star (Richie Sambora signature, 1986, with Floyd Rose) | Marshall JCM800 2203 head (studio recording, 1986) | 7 |
| Livin' On a Prayer · solo | Solo · distorted | Kramer Jersey Star (Richie Sambora signature, 1986, with Floyd Rose) | Marshall JCM 800 2203 (100-watt head, likely through 4x12 cabinet) | 7.5 |
| You Give Love a Bad Name · solo | Solo · distorted | Kramer Jersey Star (Richie Sambora signature, 1986, Floyd Rose, DiMarzio pickups) | Marshall JCM800 2203 head with Marshall 4x12 cabinet (studio recording, 1986) | 7 |
| Always · solo | Solo · distorted | Fender Stratocaster (likely early 1990s, as used by Richie Sambora in studio for 'Always' solo) | Marshall JCM2000 Dual Super Lead | 7 |
| Bed of Roses · solo | Solo · distorted | Gibson Les Paul Standard (1960s, likely sunburst, as referenced by Sambora for this era) | Marshall JCM2000 Dual Super Lead | 7 |
| This Ain't a Love Song · solo | Solo · distorted | Fender Stratocaster (Richie Sambora Signature, likely with Floyd Rose and DiMarzio pickups) | Marshall JCM800 2203 head with Marshall 4x12 cabinet (studio recording, 1995) | 7 |
| This Ain't a Love Song · riff | Riff · distorted | Gibson Les Paul Standard (early 90s, likely Richie's main studio guitar for this era) | Marshall JCM800 2203 head with Marshall 4x12 cabinet (studio recording, 1994-1995) | 6 |
| It's My Life · riff | Riff · distorted | Gibson Les Paul Standard 1960 (Richie Sambora, studio recording) | Marshall JCM 2000 Dual Super Lead 100-watt head (studio), Mesa/Boogie Dual Rectifier (doubled in studio) | 7 |
| Runaway · riff | Riff · distorted | Yamaha SG2000 | Marshall JCM800 2203 | 7 |
| Always · riff | Riff · distorted | Gibson Les Paul Custom (likely late 80s/early 90s, as used by Richie Sambora in studio for 'Always') | Marshall JCM2000 Dual Super Lead Head (100W), 4x12 Marshall cabinet | 7 |
| Bad Medicine · riff | Riff · distorted | 1987 Kramer Jersey Star (Richie Sambora signature, HSS configuration, Floyd Rose tremolo) | Marshall JCM 800 2203 (100-watt head) into Marshall 4x12 cabinet | 7.5 |
| Bad Medicine · solo | Solo · distorted | Kramer Baretta Special | Marshall JCM800 2203 | 7 |
| Bed of Roses · riff | Riff · clean | Fender Stratocaster (Richie Sambora Signature, likely with Floyd Rose, maple neck, 1992-1993 studio version) | Marshall JCM800 2203 head with 4x12 cabinet (studio recording, 1992) | 0 |
| Blood On Blood · solo | Solo · distorted | Fender Stratocaster Richie Sambora Signature (likely US model, Floyd Rose-equipped, maple neck, DiMarzio pickups) | Marshall JCM800 2203 head into Marshall 4x12 cabinet | 6.5 |
| Everyday · riff | Riff · distorted | Gibson Les Paul (likely 1977, as used by Phil X and Jon Bon Jovi in this era) | Friedman Amplifier (model unknown, but Friedman amps are confirmed for Phil X in Bon Jovi studio/live use in 2000s/2010s) | 6 |
| Have a Nice Day · solo | Solo · distorted | Kramer Jersey Star (triple humbucker, white finish) | Marshall JCM2000 Dual Super Lead | 7 |
| Have a Nice Day · riff | Riff · distorted | Kramer Jersey Star | Marshall JCM2000 Dual Super Lead | 7 |
| I'll Be There For You · solo | Solo · distorted | Ampeg Dan Armstrong Plexi Electric Guitar | Marshall JCM 2000 head | 7 |
| I'll Be There For You · riff | Riff · distorted | Gibson Les Paul Custom (Richie Sambora's main studio guitar, late 80s) | Marshall JCM800 2203 head with 4x12 cabinet (studio recording, 1988) | 6.5 |
| In These Arms · solo | Solo · distorted | Gibson Les Paul Standard '60s | Marshall JCM2000 Dual Super Lead (DSL100) head (studio), possibly blended with Mesa/Boogie Rectifier | 6.5 |
| It's My Life · distorted | Distorted · distorted | Fender Precision Bass (likely 5-string, possibly custom or modified for low notes) | Ampeg SVT (classic tube head, likely with matching 8x10 cab) | 6 |
| It's My Life · solo | Solo · distorted | Gibson Les Paul Standard '60s (2000) | Marshall JCM800 2203 | 6.5 |
| It's My Life · solo | Solo · clean | Fender Stratocaster Richie Sambora Signature (White, Floyd Rose) | Marshall JCM800 2203 | 0 |
| Keep the Faith · solo | Solo · distorted | Fender Stratocaster Richie Sambora Signature (White, Floyd Rose) | Marshall JCM800 2203 100-watt head | 7 |
| Let It Rock · riff | Riff · distorted | 1983-1986 Kramer Pacer (Richie Sambora's main studio guitar for Slippery When Wet era) | Marshall JCM800 2203 | 7 |
| Lie To Me · riff | Riff · clean | Fender Stratocaster (likely American Standard or similar, mid-90s studio session) | Fender Twin Reverb (likely studio amp for clean tones, based on era and genre conventions; no direct source for this song, but Bon Jovi used Fender amps for cleans in the 90s) | 0 |
| Lie To Me · riff | Riff · distorted | Gibson Les Paul Standard '60s | Marshall JCM800 2203 | 6 |
| Livin' On a Prayer · clean | Clean · clean | 1960s Fender Precision Bass | Ampeg SVT (likely, based on era and genre standards) | 0 |
| Livin' On a Prayer · riff | Riff · clean | 1983 Fender Stratocaster (Richie Sambora's main studio Strat, likely with Floyd Rose and DiMarzio pickups) | Marshall JCM800 2203 head with 4x12 cabinet (studio recording, 1986) | 0 |
| Raise Your Hands · riff | Riff · distorted | 1986 Kramer Pacer Custom I | Marshall JCM800 2203 | 7 |
| Red, White and Jersey · riff | Riff · distorted | Kramer Jersey Star | Marshall JCM2000 Dual Super Lead | 6.5 |
| This Ain't a Love Song · riff | Riff · clean | Gibson Les Paul Standard (early 90s, likely 1994-95 studio model) | Marshall amplifier (likely JCM800 or JCM900, as used by Richie Sambora in studio for this album) | 0 |
| Wanted Dead or Alive · riff | Riff · distorted | Ampeg Dan Armstrong Plexi Electric Guitar | Marshall JCM2000 Dual Super Lead Head | 6 |
| Wanted Dead Or Alive (Acoustic Version) · riff | Riff · clean | Ovation 1657 Anniversary 12-String Acoustic-Electric | Direct to mixing console (studio), possible use of acoustic DI/preamp | 0 |
| Wild Is the Wind · solo | Solo · distorted | Kramer Jersey Star | Marshall JCM800 2203 | 6 |
| You Give Love a Bad Name · distorted | Distorted · distorted | Fender Precision Bass (likely mid-70s or early 80s, possibly with P/J configuration) | Ampeg SVT (classic tube head, likely with matching 8x10 cab) | 5.5 |
| You Give Love a Bad Name · riff | Riff · clean | Fender Stratocaster (likely 1980s American Standard, Richie Sambora signature not yet released) | Marshall JCM800 2203 head with Marshall 4x12 cabinet (studio recording, 1986) | 0 |