| Layla · riff | Riff · distorted | 1960 Fender Stratocaster 'Brownie' | Fender Champ (1957, tweed, combo, 5W tube amp) | 6.5 |
| Pretending · solo | Solo · distorted | Eric Clapton Signature Fender Stratocaster (mid-80s, Lace Sensor Gold pickups, mid-boost circuit) | Soldano SLO-100 Super Lead Overdrive Head into Music Man 412-GS Cabinet | 6 |
| Cocaine · riff | Riff · distorted | Fender Stratocaster (likely 1970s, possibly with Lace Sensor pickups and mid-boost circuit as per late '70s Clapton setup) | Music Man HD-130 Reverb Head into Music Man 412-GS cabinet | 5.5 |
| Layla · solo | Solo · distorted | Fender Stratocaster 'Brownie' (1960, alder body, maple neck) | Fender Tweed Champ (1957, 5-watt combo, tube amp) | 6.5 |
| Layla (Live at the Staples Center, Los Angeles, August 2001) · riff | Riff · distorted | Fender Stratocaster (Eric Clapton Signature, 2001, likely stock Lace Sensor pickups) | Fender Vibro King CSR4 Stack (2001, live rig at Staples Center) | 4.5 |
| Wonderful Tonight · riff | Riff · clean | Fender Stratocaster 'Blackie' | Fender Custom Series '57 Bandmaster combo | 0 |
| Autumn Leaves · solo | Solo · clean | Fender Stratocaster (likely 1950s or 1960s model, as used by Clapton for jazz/blues standards in the 1990s-2000s) | Fender Tweed Twin (EC Twinolux or similar, as per Clapton's jazz/blues setup in this era) | 0 |
| Layla (Live at the Staples Center, Los Angeles, August 2001) · solo | Solo · distorted | Fender Eric Clapton Signature Stratocaster | Fender Custom Shop Tweed Twin Amp (1957 Tweed Reissue) | 4.5 |
| My Father's Eyes · riff | Riff · distorted | Fender Eric Clapton Signature Stratocaster (Lace Sensor pickups, mid-boost circuit) | Fender Tweed Twin (likely original or reissue, as used by Clapton in this era) | 5 |
| Old Love · riff | Riff · distorted | Eric Clapton Signature Fender Stratocaster (1988-1989, Lace Sensor Gold pickups, mid-boost circuit) | Soldano SLO-100 (custom, modded by Pete Cornish, used in studio for Journeyman album) | 4 |
| Sweet Home Chicago · riff | Riff · distorted | Fender Stratocaster (likely 1950s or 1960s, sunburst, maple neck) | Fender Tweed Twin (studio recording, 1994 From the Cradle album version) | 4.5 |
| I Can't Stand It · riff | Riff · distorted | Fender Stratocaster (likely 1970s hardtail, black finish, maple neck) | Soldano SLO-100 (studio recording, 1980/81 era, Compass Point Studios, Bahamas) | 4.5 |
| After Midnight · riff | Riff · distorted | Fender Stratocaster (likely 1970s, 'Blackie' or similar, maple neck) | Fender Twin Reverb (likely late 1960s/early 1970s silverface, possibly modded by Cesar Diaz) | 5 |
| Bad Love · riff | Riff · distorted | Eric Clapton Signature Fender Stratocaster (mid-80s, Lace Sensor Gold pickups, active mid-boost circuit) | Soldano SLO-100 Super Lead Overdrive head into Marshall 4x12 cabinet (studio recording, 1989/1990) | 6 |
| Bad Love · solo | Solo · distorted | Eric Clapton Signature Fender Stratocaster (1988-1989, Lace Sensor Gold pickups, mid-boost circuit) | Soldano SLO-100 Super Lead Overdrive head into Marshall 4x12 cabinet (studio recording, 1989) | 6 |
| Cajun Moon · riff | Riff · distorted | Fender Eric Clapton Signature Stratocaster | Fender Tweed Twin-Amp (5F8-A, late 1950s, Cesar Diaz modded) | 4.5 |
| Cocaine · distorted | Distorted · distorted | Fender Precision Bass | Fender Bassman (likely silverface or blackface era) | 5 |
| Cocaine · solo | Solo · distorted | Fender Eric Clapton Signature Stratocaster | Fender Custom Series '57 Bandmaster (hand-wired, modified by Alexander Dumble for Clapton) | 5 |
| Crossroads (Live Version) · solo | Solo · distorted | Gibson 1964 Firebird I | Marshall JTM45 (KT66 tubes) into 4x12 cabinet | 6 |
| Don't Think Twice, It's All Right (Live 10/16/1992) · solo | Solo · distorted | Fender Stratocaster (Eric Clapton Signature, mid-1992, likely with Lace Sensor pickups and mid-boost circuit) | Soldano SLO-100 head (modified by Pete Cornish, used live in 1992 for this era) | 5 |
| Forever Man · solo | Solo · distorted | Fender Stratocaster 'Blackie' or 'Brownie' | Marshall JCM800 50-watt head | 6.5 |
| Further On Up the Road (Live) · riff | Riff · distorted | 2009 Gibson Byrdland Custom | Fender '57 Twin-Amp reissue | 5 |
| Have You Ever Loved a Woman (Live at the Fillmore, San Francisco, 1994) · riff | Riff · distorted | Gibson ES-335 (likely 1964, cherry red, used by Clapton in this era for blues numbers) | Soldano SLO-100 Super Lead Overdrive head into Marshall 4x12 cabinet | 5 |
| I Shot the Sheriff · riff | Riff · distorted | Fender Stratocaster (likely 1956, sunburst, maple neck) | Fender Vibroverb (1963, 2x10, blackface, likely used on 461 Ocean Boulevard sessions) | 4 |
| I Shot the Sheriff (Live At Hammersmith Odeon) · solo | Solo · distorted | Fender Stratocaster (likely Blackie or early EC Signature Strat, maple neck, 3 single-coil pickups) | Music Man HD-130 Reverb 2x12 Combo (live amp used by Clapton in 1974-75 era) | 5 |
| I'm Tore Down (Live at the Fillmore, San Francisco, 1994) · riff | Riff · distorted | Gibson ES-335TD 1964 (Cherry Red) | 1958 Fender Twin Amp (Tweed, Cesar Diaz modified) | 5 |
| It's in the Way That You Use It · riff | Riff · distorted | Fender Eric Clapton Signature Stratocaster (mid-boost circuit, Lace Sensor Gold pickups) | Soldano SLO-100 Super Lead Overdrive | 4.5 |
| Key to the Highway (Live) · solo | Solo · distorted | 1956 Fender Stratocaster ('Brownie') | Fender Champ (silverface, late 1960s/early 1970s, live version likely similar small Fender combo) | 5 |
| Lay Down Sally · riff | Riff · clean | Fender Stratocaster 'Blackie' (1970s, maple neck, single-coil pickups) | Fender Champ (silverface, late 1960s/early 1970s, tube combo) | 0 |
| Layla (Acoustic Live) · riff | Riff · clean | Martin 000-42 acoustic guitar | Direct to PA (no traditional guitar amp; acoustic DI box likely used) | 0 |
| Layla (Live) · riff | Riff · distorted | Fender Stratocaster 'Brownie' (alder body, maple neck, single coil pickups) | Fender Vibro Champ or Tweed Princeton (live era, small combo amp, 5-12 watts) | 5.5 |
| Layla (Live) · solo | Solo · distorted | Eric Clapton Signature Fender Stratocaster (mid-80s, Blackie or similar, maple neck, stock pickups) | 1988 Soldano/Cornish Guitar Routing System into 1958 Fender Twin 5F8-4 (Tweed Twin, Cesar Diaz modded) | 6 |
| Layla lead tone · riff | Riff · distorted | 1960 Gibson Les Paul Standard | Marshall JTM45 (cranked, no master volume) | 7 |
| Layla lead tone · solo | Solo · distorted | Fender Stratocaster 'Brownie' (1956 Sunburst Maple Neck) | Fender Tweed Champ and Fender Tweed Princeton (alternating, studio recording) | 6.5 |
| Let It Grow · riff | Riff · distorted | Fender Stratocaster 'Blackie' (1970s, maple neck) | Fender Champ (silverface, early 1970s, studio recording) | 4.5 |
| Let It Rain · solo | Solo · distorted | Fender Stratocaster (likely 1960s, possibly 'Brownie' or 'Blackie') | Fender Dual Showman (blackface, 1969-1970 studio recording era) | 5.5 |
| Let It Rain · riff | Riff · distorted | Fender Stratocaster 'Brownie' (1960 sunburst, maple neck, stock single-coil pickups) | Fender Dual Showman (blackface, 1960s, 2x15 cab, no master volume) | 5.5 |
| Old Love · riff | Riff · clean | Fender Eric Clapton Signature Stratocaster (1988-89, Lace Sensor Gold pickups, mid-boost circuit, maple neck) | Soldano SLO-100 (custom, part of Soldano/Cornish routing system) | 3 |
| Old Love · solo | Solo · distorted | Eric Clapton Signature Fender Stratocaster (1988-1990, Lace Sensor Gold pickups, mid-boost circuit, maple neck) | 1958 Fender Twin 5F8-4 (Tweed Twin, Cesar Diaz modded, used in studio and live 1989-1990) | 5 |
| Reconsider Baby · solo | Solo · distorted | 1956 Gibson Byrdland | Unknown exact model; likely Fender Tweed or similar era-appropriate tube amp (no direct source for amp model on this recording) | 4 |
| Someday After a While (Live at the Fillmore, San Francisco, 1994) · riff | Riff · distorted | Fender Custom Shop Eric Clapton Stratocaster | Fender '57 Bandmaster Custom (Dumble-modded for Clapton) | 5.5 |
| Tears In Heaven · solo | Solo · clean | Fender Stratocaster (likely 'Blackie' or 'Brownie') | Marshall JCM 800 50-watt head | 0 |
| Tears In Heaven · riff | Riff · clean | 1977 Juan Alvarez Classical Guitar | 1958 Fender Twin 5F8-4 (Tweed Twin, modified by Cesar Diaz) | 0 |
| Tears In Heaven (Acoustic Live) · riff | Riff · clean | 1939 Martin 000-42 Acoustic | None (direct mic'd acoustic guitar, no guitar amp used for MTV Unplugged performance) | 0 |
| The Core · riff | Riff · distorted | Fender Stratocaster (likely 1974-1975, maple neck, stock single coils) | Fender Tweed Twin (5F8-A, late 1950s, likely Cesar Diaz-modded, used in studio for Slowhand 1977 sessions) | 5 |
| Wonderful Tonight · solo | Solo · clean | Fender Stratocaster 'Blackie' (mid-50s, maple neck, single-coil pickups) | Music Man HD 130 head with open-back Music Man cabinet | 4.5 |
| Wonderful Tonight (Live at the Staples Center, Los Angeles, August 2001) · solo | Solo · clean | Fender Stratocaster (likely Custom Shop, mid-90s to early 2000s, Clapton signature model highly probable) | Fender '57 Twin-Amp Reissue (Eric Clapton's main live amp in early 2000s, known from tour photos and interviews) | 0 |
| Wonderful Tonight (Live) · riff | Riff · clean | Fender Stratocaster 'Blackie' | Fender Twin Reverb (Silverface era, live setup) | 3 |
| Worried Life Blues (Live) · riff | Riff · distorted | Fender Stratocaster (likely Eric Clapton Signature or similar, mid-2000s live rig) | Fender '57 Twin-Amp Reissue (tweed, live rig, no built-in effects loop) | 6 |