| Dreams · riff | Riff · clean | Ovation Balladeer (acoustic-electric, likely 1111 or similar, as used by Lindsey Buckingham on Rumours) | Direct to console (no amp), possibly through a DI box or preamp (Sony ECM-50 condenser mic also used for acoustic capture) | 0 |
| The Chain · solo | Solo · distorted | 1975 Gibson Les Paul Custom | Fender Showman (silverface, late 1960s/early 1970s) | 4.5 |
| Emerald Eyes · riff | Riff · clean | Fender Stratocaster (early 1970s, likely stock single coils) | Fender amplifier (likely Fender Twin Reverb or similar, era-correct for Fleetwood Mac studio in 1973) | 0 |
| Landslide (Remastered) · solo | Solo · clean | Fender Stratocaster (likely 1970s, with Stratoblaster preamp mod) | Hiwatt Custom 100 (DR103, likely studio version) | 0 |
| Albatross (2018 Master) · riff | Riff · clean | 1959 Gibson Les Paul Standard | Vox AC30 (likely studio amp, classic British clean tone) | 0 |
| Black Magic Woman (2018 Master) · solo | Solo · distorted | 1959 Gibson Les Paul Standard (modded out-of-phase middle position, aka 'Greeny') | Fender Dual Showman | 3 |
| Black Magic Woman (2018 Master) · riff | Riff · clean | Gibson Les Paul Standard 'Burst' (1959, 'Greeny') | Marshall JTM45 (original, late 1960s, likely 4x12 cab) | 2.5 |
| Don't Stop · riff | Riff · distorted | 1975 Gibson Les Paul Custom | Hiwatt DR103 head with Hiwatt 4x12 cabinet | 4 |
| dreams · clean | Clean · clean | Unknown | Unknown | 0 |
| Dreams · riff | Riff · distorted | Fender Stratocaster | Fender Twin Reverb | 2 |
| Dreams · solo | Solo · distorted | 1975 Gibson Les Paul Custom | Mesa/Boogie Mark I | 3.5 |
| Go Your Own Way · solo | Solo · distorted | 1975 Fender Stratocaster (likely natural finish, stock single coils) | Mesa/Boogie Mark I (studio recording, 1976-77 Rumours sessions) | 5.5 |
| Go Your Own Way · riff | Riff · distorted | 1970s Gibson Les Paul Custom (likely 1968 model, pickup covers removed) | Fender Twin Reverb (silverface, studio recording, 1976-77) | 4.5 |
| Landslide (Live) · riff | Riff · clean | Gibson Chet Atkins SST | Fender Acoustasonic (or similar clean amp, e.g., Fender Twin Reverb for live) | 0 |
| Landslide (Remastered) · riff | Riff · clean | Gibson Les Paul Custom (1975, humbuckers) OR Taylor 814ce Acoustic (studio recording likely acoustic) | None (acoustic direct or mic'd in studio); live: Roland JC-120 Jazz Chorus (for electric/acoustic-electric performances) | 0 |
| Little Lies · solo | Solo · distorted | Rick Turner Model 1 | Mesa/Boogie Mark IIC+ (likely, based on Buckingham's 1980s studio rig and era-appropriate amp choice) | 4.5 |
| Need Your Love so Bad · riff | Riff · clean | Fender Stratocaster (mid-late 1960s, likely rosewood board, stock single coils) | Vox AC30 (likely, based on era and typical Peter Green studio use; no direct source for this song, but Selmer and Vox amps were most common for Green in this period) | 3 |
| Need Your Love so Bad (Version #2 [remake]) · solo | Solo · clean | 1959 Gibson Les Paul Standard 'Greeny' | Matamp Series 2000 | 3.5 |
| Need Your Love so Bad (Version #2 [remake]) · riff | Riff · clean | 1959 Gibson Les Paul Standard 'Greeny' | Matamp Series 2000 | 3.5 |
| Oh Well - Pt. I (Mono) [Remastered] · riff | Riff · distorted | 1959 Gibson Les Paul Standard (Peter Green's 'Greeny') | Marshall JTM45 head with 4x12 cabinet | 5.5 |
| Oh Well (Pt. 1) [Bonus Track] · riff | Riff · distorted | 1959 Gibson Les Paul Standard 'Greeny' | 1964 Marshall JTM45 4x10 combo | 4.5 |
| Oh Well (Pt. 1) [Bonus Track] · solo | Solo · distorted | 1959 Gibson Les Paul Standard 'Greeny' | Marshall JTM45 (studio recording, 1969) | 5 |
| Rhiannon · riff | Riff · distorted | 1975 Gibson Les Paul Custom (white, likely stock humbuckers) | Fender Princeton Reverb (studio recording, 1975 Rumours sessions) | 3.5 |
| Rhiannon · riff | Riff · clean | 1975 Gibson Les Paul Custom (white, likely stock humbuckers) | Fender Showman (likely, based on era and Buckingham's known studio amps for clean tones) | 2 |
| Rhiannon (Live at Wembley Arena, London, UK 6/26/80) · solo | Solo · distorted | 1975 Gibson Les Paul Custom (black, likely stock humbuckers) | Hiwatt SE4123 Speaker Cabinets with likely Hiwatt DR103 or Marshall Plexi 1959SLP head | 5 |
| Rhiannon (Live at Wembley Arena, London, UK 6/26/80) · riff | Riff · distorted | 1975 Gibson Les Paul Custom | Fender Showman Reverb (likely Silverface, used by Lindsey Buckingham live 1980) | 4 |
| Silver Springs · solo | Solo · distorted | 1975 Gibson Les Paul Custom | Fender Showman (silverface, late 1960s/early 1970s, studio recording) | 3.5 |
| Silver Springs · riff | Riff · clean | Fender Stratocaster (likely 1970s, as used by Lindsey Buckingham on Rumours sessions) | Fender Twin Reverb (1970s silverface, studio recording) | 0 |
| Silver Springs (Live) · riff | Riff · distorted | Fender Stratocaster (mid-1970s, likely stock) | Fender Showman (likely Silverface, used live in 1997 era) | 3.5 |
| Silver Springs (Live) · solo | Solo · distorted | Rick Turner Model 1 | Mesa Boogie Dual Rectifier (live rig, as per era and rig rundowns) | 4 |
| The Chain · riff | Riff · distorted | Gibson Les Paul Custom | Vox AC30 | 5.5 |
| The Chain · clean | Clean · clean | Fender Precision Bass | Neve 1073 preamp (studio DI), likely no amp or possibly Ampeg B-15 for monitoring | 0 |
| The Chain · riff | Riff · clean | 1975 Turner Model 1 | Fender Princeton Reverb (1970s blackface, studio recording) | 2 |
| The Chain (Live) · riff | Riff · distorted | Rick Turner Model 1 | Mesa/Boogie Dual Rectifier Trem-O-Verb (live electric rig, as per Premier Guitar Rig Rundown) | 4 |
| The Chain (Live) · riff | Riff · clean | Ovation Balladeer (acoustic-electric, likely 1612 or similar) | Hiwatt Custom 100 (DR103) or similar Hiwatt model (used live in late 1970s) | 2.5 |