Solo Tone
Oh Well (Pt. 1) [Bonus Track]
Fleetwood Mac
Guitarblues1960s
Original Gear
Guitar1959 Gibson Les Paul Standard 'Greeny'
AmpMarshall JTM45 (studio recording, 1969)
PickupsOriginal PAF humbuckers (neck pickup magnet reversed for out-of-phase sound)
Amp Settings
gain5
bass6.5
mid7
treble6.5
reverb1
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1969. Guitar: Peter Green's iconic 'Greeny' Les Paul with out-of-phase neck pickup. Amp: Marshall JTM45 is widely documented for Peter Green's Fleetwood Mac era. No evidence of pedals or additional effects in solo section. No evidence of live rig or alternate gear for this solo.
Tone Character(10)
warm and smoothslightly hollow, nasal out-of-phase tonetouch-sensitive and dynamicsinging sustainclear note separationmild breakupvintage British blues-rock crunchno audible reverb or delaysmooth, vocal-like phrasingresponsive to picking attack
Difficulty
The solo requires intermediate-level phrasing, expressive bends, and dynamic touch to capture Peter Green's vocal-like style and the unique out-of-phase tone. While not technically fast, the feel and articulation are challenging.
Sources
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Create Free AccountGuitarblues1960s
Original Gear
Guitar1959 Gibson Les Paul Standard 'Greeny'
AmpMarshall JTM45 (studio recording, 1969)
PickupsOriginal PAF humbuckers (neck pickup magnet reversed for out-of-phase sound)
Amp Settings
gain5
bass6.5
mid7
treble6.5
reverb1
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1969. Guitar: Peter Green's iconic 'Greeny' Les Paul with out-of-phase neck pickup. Amp: Marshall JTM45 is widely documented for Peter Green's Fleetwood Mac era. No evidence of pedals or additional effects in solo section. No evidence of live rig or alternate gear for this solo.
Tone Character(10)
warm and smoothslightly hollow, nasal out-of-phase tonetouch-sensitive and dynamicsinging sustainclear note separationmild breakupvintage British blues-rock crunchno audible reverb or delaysmooth, vocal-like phrasingresponsive to picking attack
Difficulty
The solo requires intermediate-level phrasing, expressive bends, and dynamic touch to capture Peter Green's vocal-like style and the unique out-of-phase tone. While not technically fast, the feel and articulation are challenging.
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