Guitar tone · punk

Good Charlotte guitar tone: gear & amp settings

The gear and amp settings behind 6 Good Charlotte songs, researched from rig rundowns, interviews and gear forums. The rig that shows up most: PRS Billy Martin Signature (likely SE or CE 24, humbuckers, as seen in era-appropriate interviews and live videos) into Mesa/Boogie Dual Rectifier (most commonly cited for Good Charlotte's debut album era, especially for heavy rhythm tones).

Guitars Good Charlotte used

PRS Billy Martin Signature (likely SE or CE 24, humbuckers, as seen in era-appropriate interviews and live videos)1 song
PRS Custom 24 (likely 2000s model, as used by Billy Martin in studio and live during this era)1 song
PRS Billy Martin SE (Paul Reed Smith Billy Martin signature model)1 song
Gibson Les Paul Standard (likely, based on era, genre, and artist's typical studio use)1 song
PRS SE Standard 221 song
Paul Reed Smith SE Billy Martin Signature1 song
Ernie Ball Music Man Silhouette Special1 song

Amps Good Charlotte used

Mesa/Boogie Dual Rectifier (most commonly cited for Good Charlotte's debut album era, especially for heavy rhythm tones)1 song
Mesa/Boogie Dual Rectifier (studio recording, 2007 era, as per typical Good Charlotte studio setup and Billy Martin's known rig for this album)1 song
Mesa/Boogie Dual Rectifier1 song
Marshall JCM2000 DSL100 (likely, based on pop-punk studio conventions and Good Charlotte's era/genre; no explicit source for this song)1 song
Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head1 song
Soldano SLO-100 (studio, likely era-correct for 2002-2003 recording)1 song
Marshall JCM900 (likely, based on era, genre, and typical Good Charlotte studio setup)1 song

7 Good Charlotte tones

Song	Part	Guitar	Amp	Gain
The Anthem · riff	Riff · distorted	Ernie Ball Music Man Silhouette Special	Marshall JCM900 (likely, based on era, genre, and typical Good Charlotte studio setup)	7
Break Apart Her Heart · riff	Riff · distorted	PRS Custom 24 (likely 2000s model, as used by Billy Martin in studio and live during this era)	Mesa/Boogie Dual Rectifier (studio recording, 2007 era, as per typical Good Charlotte studio setup and Billy Martin's known rig for this album)	7
Hold On · riff	Riff · distorted	PRS SE Standard 22	Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head	7
Hold On · riff	Riff · clean	Paul Reed Smith SE Billy Martin Signature	Soldano SLO-100 (studio, likely era-correct for 2002-2003 recording)	0
I Don't Wanna Be In Love (Dance Floor Anthem) · riff	Riff · distorted	Gibson Les Paul Standard (likely, based on era, genre, and artist's typical studio use)	Marshall JCM2000 DSL100 (likely, based on pop-punk studio conventions and Good Charlotte's era/genre; no explicit source for this song)	7.5
Little Things · riff	Riff · distorted	PRS Billy Martin Signature (likely SE or CE 24, humbuckers, as seen in era-appropriate interviews and live videos)	Mesa/Boogie Dual Rectifier (most commonly cited for Good Charlotte's debut album era, especially for heavy rhythm tones)	7.5
Predictable · riff	Riff · distorted	PRS Billy Martin SE (Paul Reed Smith Billy Martin signature model)	Mesa/Boogie Dual Rectifier	7.5

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Frequently asked questions

What amp did Good Charlotte use?

Across 6 researched songs, the amps that come up most are Mesa/Boogie Dual Rectifier (most commonly cited for Good Charlotte's debut album era, especially for heavy rhythm tones) (1 song), Mesa/Boogie Dual Rectifier (studio recording, 2007 era, as per typical Good Charlotte studio setup and Billy Martin's known rig for this album) (1 song), Mesa/Boogie Dual Rectifier (1 song), Marshall JCM2000 DSL100 (likely, based on pop-punk studio conventions and Good Charlotte's era/genre; no explicit source for this song) (1 song).

What guitar did Good Charlotte use?

Most often: PRS Billy Martin Signature (likely SE or CE 24, humbuckers, as seen in era-appropriate interviews and live videos) (1 song), PRS Custom 24 (likely 2000s model, as used by Billy Martin in studio and live during this era) (1 song), PRS Billy Martin SE (Paul Reed Smith Billy Martin signature model) (1 song), Gibson Les Paul Standard (likely, based on era, genre, and artist's typical studio use) (1 song).

How do I get Good Charlotte's tone on my amp?

Open any Good Charlotte song below to see the original gear and settings, then use ToneAdapt to adapt them to your own guitar, amp, pickups and pedals.