Riff Tone
Hold On
Good Charlotte
Guitarpunk2000s
Original Gear
GuitarPRS SE Standard 22
AmpMesa/Boogie Dual Rectifier 100W 3-channel Solo Head
PickupsPRS-designed humbuckers
Amp Settings
gain7
bass6
mid5.5
treble7
reverb2
presence6
Effects & Signal Chain
compressionBoss Boss CS-3 Compression Sustainer
overdriveMXR MXR ZW44 Zakk Wylde Overdrive
Notes
Studio recording, 2002-2003 era. Guitarist Billy Martin is confirmed to use PRS SE Standard 22 with stock humbuckers and a Mesa/Boogie Dual Rectifier for the heavy riff sections. No direct evidence of alternate guitars or amps for this song's riff in the studio. No evidence of live-only substitutions.
Tone Character(10)
tight and percussiveaggressive and saturatedarticulate attackfull-bodied low endmodern punk crunchmidrange punchslight compressionpresent treblecontrolled feedbackclear note separation
Difficulty
The riff is based on power chords with tight palm muting and requires a steady, aggressive right-hand technique, but does not involve advanced lead or complex chord voicings.
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Create Free AccountGuitarpunk2000s
Original Gear
GuitarPRS SE Standard 22
AmpMesa/Boogie Dual Rectifier 100W 3-channel Solo Head
PickupsPRS-designed humbuckers
Amp Settings
gain7
bass6
mid5.5
treble7
reverb2
presence6
Effects & Signal Chain
compressionBoss Boss CS-3 Compression Sustainer
overdriveMXR MXR ZW44 Zakk Wylde Overdrive
Notes
Studio recording, 2002-2003 era. Guitarist Billy Martin is confirmed to use PRS SE Standard 22 with stock humbuckers and a Mesa/Boogie Dual Rectifier for the heavy riff sections. No direct evidence of alternate guitars or amps for this song's riff in the studio. No evidence of live-only substitutions.
Tone Character(10)
tight and percussiveaggressive and saturatedarticulate attackfull-bodied low endmodern punk crunchmidrange punchslight compressionpresent treblecontrolled feedbackclear note separation
Difficulty
The riff is based on power chords with tight palm muting and requires a steady, aggressive right-hand technique, but does not involve advanced lead or complex chord voicings.
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