| Faint · riff | Riff · distorted | PRS Custom 24 | Mesa/Boogie Dual Rectifier | 6 |
| Given Up · riff | Riff · distorted | PRS Standard 24 | Mesa Boogie Dual Rectifier | 8 |
| One Step Closer · riff | Riff · distorted | PRS CE24 (1999, mahogany body, maple neck, rosewood fretboard) | Mesa/Boogie Dual Rectifier (Rackmount, Revision G, c. 1999-2000) | 8.5 |
| In the End · riff | Riff · distorted | PRS Custom 24 (Mike Shinoda's main studio guitar for Hybrid Theory era) | Mesa/Boogie Dual Rectifier (studio recording, Hybrid Theory era) | 8 |
| Lying from You · riff | Riff · distorted | PRS Standard 24 | Mesa Boogie Dual Rectifier | 5.5 |
| Somewhere I Belong · riff | Riff · distorted | PRS Custom 24 Hybrid Theory Soldier | Mesa/Boogie Dual Rectifier | 8 |
| What I've Done · riff | Riff · distorted | PRS Custom 24 (likely 2000s model, as used by Brad Delson in studio) | Mesa/Boogie Dual Rectifier | 7.5 |
| Figure.09 · riff | Riff · distorted | PRS Custom 24 (likely 2000s model, as used by Brad Delson on Meteora sessions) | Mesa/Boogie Dual Rectifier Solo Head (100W, 3-channel, Multi-Watt) into Mesa/Boogie Rectifier 4x12 cabinet | 8 |
| Papercut · riff | Riff · distorted | Ibanez RG470 | Mesa/Boogie Dual Rectifier | 8 |
| The Emptiness Machine (Instrumental) · riff | Riff · distorted | Fender Stratocaster Electric Guitar | Crate G20 Guitar Amplifier | 8 |
| Numb · riff | Riff · distorted | PRS Custom 24 (likely 2001-2002 model, used by Brad Delson in studio for 'Numb') | Mesa/Boogie Dual Rectifier (studio recording amp for 'Numb') | 8 |
| QWERTY · riff | Riff · distorted | PRS Custom 24 | Mesa/Boogie Dual Rectifier | 6 |
| Don't Stay · riff | Riff · distorted | Ibanez RG470XL Baritone Electric Guitar | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head | 8.5 |
| No More Sorrow · riff | Riff · distorted | PRS Standard 24 | Mesa Boogie Dual Rectifier | 6.5 |
| Over Each Other · riff | Riff · distorted | Fender Stratocaster (red, possibly baritone neck, tuned to drop Bb) | Fractal Axe-FX III (studio amp modeling, likely Mesa Boogie Dual/Triple Rectifier or Orange model) | 8 |
| Waiting for the End · riff | Riff · distorted | Ibanez Prestige RGT3120 (with DiMarzio D-Sonic bridge pickup) | Hiwatt Lead 100 through Marshall 1960A cabinet (studio recording) | 7 |
| A Place for My Head · riff | Riff · distorted | PRS CE24 (likely, as used by Brad Delson on Hybrid Theory era recordings) | Mesa/Boogie Dual Rectifier (studio recording, Hybrid Theory era) | 8.5 |
| Forgotten · riff | Riff · distorted | PRS Standard 24 | Mesa Boogie Dual Rectifier | 8 |
| Good Things Go (Instrumental) · riff | Riff · distorted | PRS Custom 24 (likely, based on Linkin Park studio rig for this era) | Fractal Axe-Fx III (Randall cabinet IR, studio profile) | 7.5 |
| In the End · solo | Solo · distorted | PRS Custom 24 (special-made for Brad Delson, likely used in studio for Hybrid Theory era) | Hiwatt Lead 100 head into Marshall 1960A cabinet (studio recording, Hybrid Theory era) | 7.5 |
| Over Each Other · solo | Solo · distorted | PRS Custom 24 | Mesa Boogie Dual Rectifier | 7 |
| Somewhere I Belong · riff | Riff · clean | PRS Custom 24 | Mesa/Boogie Dual Rectifier | 0 |
| What I've Done · solo | Solo · distorted | PRS Custom 24 (likely 2000s model, as used by Brad Delson on Minutes to Midnight sessions) | Soldano SLO-100 (primary studio amp for Minutes to Midnight, including 'What I've Done') | 6.5 |
| With You · riff | Riff · distorted | PRS Standard 24 | Mesa/Boogie Dual Rectifier | 6 |
| A Line In the Sand · solo | Solo · distorted | PRS Custom 24 (likely USA Core or SE variant, exact model for studio not confirmed) | Unknown high-gain amp (likely Mesa/Boogie Dual Rectifier or similar, based on Linkin Park's studio history and genre) | 7.5 |
| A Line In the Sand · riff | Riff · distorted | PRS Custom 24 (likely 2010s model, as used by Brad Delson on The Hunting Party sessions) | Mesa/Boogie Dual Rectifier (studio recording, as used on The Hunting Party era) | 8 |
| A Place for My Head · riff | Riff · clean | PRS Custom 24 | Mesa Boogie Dual Rectifier | 0 |
| A Place for My Head · solo | Solo · distorted | PRS Custom 24 | Bogner Twin Jet | 8.5 |
| A Place for My Head (Live In Texas) · riff | Riff · clean | PRS Custom 24 (Hybrid Theory-era, Drop C# tuning, live 2003) | Mesa/Boogie Dual Rectifier (live rig, 2003 tour) | 0 |
| A.06 · riff | Riff · distorted | PRS Custom 24 | Mesa/Boogie Dual Rectifier | 7.5 |
| A6 (Meteoral20 Demo) · riff | Riff · distorted | PRS Custom 24 | Mesa/Boogie Dual Rectifier | 8.5 |
| And One (Hybrid Theory EP) · riff | Riff · distorted | PRS CE 24 | Mesa/Boogie Dual Rectifier | 9.5 |
| Bleed It Out · riff | Riff · distorted | PRS Custom 24 (likely, as used by Brad Delson on Minutes to Midnight era studio recordings) | Mesa/Boogie Dual Rectifier (studio recording, Minutes to Midnight era) | 8 |
| Breaking the Habit · riff | Riff · distorted | PRS Custom 24 (likely, but not confirmed for this track) | Mesa/Boogie Dual Rectifier with Mesa/Boogie Rectifier 4x12 cabinet | 6 |
| By Myself · riff | Riff · distorted | PRS CE24 (1998, black, stock pickups) or Ibanez RG (exact model unconfirmed, but PRS is most documented for Hybrid Theory era) | Mesa/Boogie Dual Rectifier (Rackmount, Revision G, 1990s) | 8 |
| CASTLE OF GLASS · riff | Riff · distorted | PRS Custom 24 | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head with Mesa/Boogie Rectifier 4x12 Cabinet | 6 |
| Casualty · riff | Riff · distorted | Fractal Audio FC-12 (used as effects processor/controller, not a guitar); no explicit guitar model confirmed for 'Casualty' riff section | Unknown (no explicit amp model confirmed for 'Casualty' riff section; Fractal Audio FC-12 likely controlling amp modeling or digital amp sim) | 8.5 |
| Crawling · riff | Riff · distorted | PRS Custom 24 | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head | 8 |
| Cuidado (Lying From You Demo) · riff | Riff · distorted | Ibanez RG 470XL Baritone (7-string, likely tuned to B standard or drop B for demo) | Mesa/Boogie Dual Rectifier (likely Rev F or early 2000s model, studio recording) | 9.5 |
| Cut the Bridge · riff | Riff · distorted | PRS Custom 24 (likely, as used by Brad Delson during Hybrid Theory era) | Mesa Boogie Dual Rectifier (Red Channel / Modern mode) | 8 |
| Don't Stay (Live In Texas) · riff | Riff · distorted | Ibanez RG470XL Baritone | Marshall JCM800 2203 | 8 |
| Easier to Run · riff | Riff · clean | Fender Custom Shop 1962 Stratocaster (built by Jason Smith) | Chandler GAV19T | 0 |
| Faint · solo | Solo · distorted | PRS CE 24 (studio, likely for solo section; Ibanez RG7421 also cited as similar for tone matching) | Mesa/Boogie Dual Rectifier (studio, paired with Peavey 5150 on Meteora sessions; 5150 also cited as alternative) | 9 |
| Faint · clean | Clean · clean | Ernie Ball Music Man StingRay (4-string, likely 2000s model) | Ampeg SVT (modelled via Fractal Axe-Fx III, Ampeg 4x10 IRs) | 0 |
| Faint · riff | Riff · clean | PRS Custom 24 | Marshall Plexi 1959SLP (studio, Meteora sessions) | 0 |
| Fighting Myself · riff | Riff · distorted | PRS Custom 24 (likely, based on Brad Delson's Meteora/One More Light era studio use) | Mesa/Boogie Dual Rectifier (likely, based on Linkin Park's studio amp choices for heavy riffing) | 8 |
| Final Masquerade · solo | Solo · distorted | PRS Custom 24 (2008, Drop C# tuning, D'Addario NYXL .010-.052) | Fractal Axe-Fx III (using IRs of Randall cabinet, studio profile for 'The Hunting Party' era) | 7 |
| Final Masquerade · riff | Riff · clean | PRS Custom 24 (likely 2010s model, as used by Brad Delson in studio for The Hunting Party) | Fractal Axe-Fx II (studio, with Randall cabinet IRs captured by FOH engineer Pooch, as per Premier Guitar rig rundown) | 0 |
| Final Masquerade · riff | Riff · distorted | PRS Custom 24 (likely 2010s model, as used by Brad Delson on The Hunting Party sessions) | Fractal Axe-Fx II (studio), using custom IRs of Randall cabinets | 7.5 |
| Forgotten · riff | Riff · clean | PRS Custom 24 (early 2000s, custom for Brad Delson) | Mesa/Boogie Dual Rectifier (early 2000s studio recording) | 0 |
| From the Inside · riff | Riff · distorted | PRS Custom 24 (Hybrid Theory Soldier or similar, used in Meteora era studio sessions) | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head | 8 |
| From the Inside · riff | Riff · clean | PRS Custom 24 Hybrid Theory Soldier | Mesa/Boogie Dual Rectifier (studio, likely clean channel for clean parts) | 0 |
| Given Up · clean | Clean · clean | Ernie Ball Music Man StingRay 4 | Ampeg SVT-4 PRO with Ampeg 8x10 cabinet | 0 |
| Given Up · solo | Solo · distorted | PRS Custom 24 | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head (Multi-Watt) into Mesa/Boogie Rectifier 4x12 cabinet | 8 |
| Given Up · distorted | Distorted · distorted | Music Man StingRay (Dave “Phoenix” Farrell’s touring bass for Minutes to Midnight era) | Ampeg SVT-CL head through Ampeg 8x10 cabinets | 7.5 |
| Given Up · riff | Riff · clean | PRS Custom 24 | Mesa/Boogie Dual Rectifier | 0 |
| Given Up (Third Encore Session) · riff | Riff · distorted | PRS Custom 24 (likely, as used by Brad Delson in Linkin Park's Minutes to Midnight/Third Encore era) | Fractal Axe-Fx III (modeling a high-gain amp, IRs from Randall cabinet, as per 2024-2025 Linkin Park rig) | 8.5 |
| Given Up (Third Encore Session) · solo | Solo · distorted | PRS Custom 24 (likely, based on Linkin Park's Brad Delson studio choices for Minutes to Midnight era and visible in live/session photos) | Mesa/Boogie Dual Rectifier (typical for Linkin Park heavy tones in this era; no explicit source for Third Encore Session, but this is the most likely studio amp for this sound) | 8.5 |
| Good Things Go (Instrumental) · riff | Riff · clean | PRS Custom 24 (likely, based on Brad Delson's known studio guitars for this era) | Mesa/Boogie Dual Rectifier (studio recording, clean channel) | 0 |
| Heavy Is the Crown · riff | Riff · distorted | Unknown 6-string electric guitar (likely PRS or ESP, model not confirmed for this song/section) | Unknown mid-gain amp (likely Marshall Plexi, Hiwatt, or Vox AC30, as referenced for Dirty Boy Ball Buster pedal use, but not confirmed for this specific recording) | 8 |
| Heavy Is the Crown · solo | Solo · distorted | PRS Custom 24 (2008 replica, Drop C# tuning, likely used for modern LP solos) | Marshall 1960BX (cabinet, likely paired with Marshall head, model not specified) | 7.5 |
| Hit the Floor · riff | Riff · distorted | PRS Custom 24 (2002-2003, likely with stock pickups) | Mesa/Boogie Dual Rectifier (2002-2003 revision, likely with Mesa 4x12 cabinet) | 8.5 |
| IGYEIH · riff | Riff · distorted | PRS Custom 24 (likely, based on Brad Delson's modern studio use and heavy riff context) | Mesa/Boogie Dual Rectifier (likely, based on Linkin Park's historic and modern heavy tones) | 8.5 |
| In Pieces · solo | Solo · clean | PRS Custom 24 | Mesa/Boogie Dual Rectifier | 0 |
| In Pieces · riff | Riff · clean | Ibanez RG Baritone (likely RG470XL or similar, as used by Brad Delson on Minutes to Midnight era) | Mesa/Boogie Dual Rectifier (studio recording, clean channel) | 0 |
| Interrogation (Easier To Run Demo) · riff | Riff · clean | Ibanez RG Baritone (likely RG470XL or similar, as used by Brad Delson on Meteora demos) | Mesa/Boogie Dual Rectifier (studio recording, early 2000s revision) | 0 |
| Leave Out All the Rest · riff | Riff · distorted | PRS Custom 24 (likely 2000s model, as used by Brad Delson in studio) | Mesa/Boogie Dual Rectifier (studio recording amp for Minutes to Midnight era) | 5 |
| Let You Fade · riff | Riff · distorted | PRS SE Mark Holcomb (Drop A tuning, as seen in multiple covers and tabs for this song) | Mesa/Boogie Dual Rectifier (most consistent with Linkin Park's nu-metal era studio tones, confirmed for similar tracks and era) | 8 |
| Lost · riff | Riff · distorted | PRS Custom 24 (Hybrid Theory-era, double cutaway, drop C# tuning) | Mesa/Boogie Dual Rectifier Solo Head (100W, 3-channel, Multi-Watt) | 8 |
| Lying from You · solo | Solo · distorted | PRS Custom 24 (early 2000s model, likely with HFS/Vintage Bass pickups) | Mesa/Boogie Dual Rectifier (with Mesa/Boogie Rectifier 4x12 cabinet) | 8 |
| Massive · riff | Riff · distorted | PRS Custom 24 | Bogner Twin Jet | 8 |
| More the Victim · riff | Riff · distorted | PRS Custom 24 (Drop C tuning, as seen in studio and live for Meteora-era heavy tracks) | Marshall JCM800 2203 (studio recording, Meteora sessions) | 9 |
| New Divide · riff | Riff · distorted | PRS Custom 24 (likely 2008 or 2009 model, as used by Brad Delson in this era) | Mesa Boogie Dual Rectifier (studio recording, as per multiple forum and Reddit sources) | 8 |
| No More Sorrow · solo | Solo · distorted | PRS SE Custom 24 Electric Guitar | Mesa Boogie Dual Rectifier (likely Rev. G or Triple Rectifier 150W for studio) | 9.5 |
| Numb · solo | Solo · distorted | PRS Custom 24 (likely 2002-2003 model, as used by Brad Delson in studio) | Mesa/Boogie Dual Rectifier (studio recording era, used on Meteora sessions) | 7.5 |
| Numb · solo | Solo · clean | PRS Custom 24 (likely 2002-2003 model, as used by Brad Delson on Meteora sessions) | Mesa/Boogie Dual Rectifier (clean channel) into Mesa/Boogie Rectifier 4x12 cabinet | 0 |
| One More Light · riff | Riff · distorted | Fender Custom Shop Cardboard Chaos Stratocaster | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head (Multi-Watt) | 4 |
| One More Light · riff | Riff · clean | Fender Custom Shop Cardboard Chaos Stratocaster | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head (Multi-Watt) | 3.5 |
| One More Light (Instrumental) · riff | Riff · clean | PRS Custom 24 (likely, based on Brad Delson's studio use in this era) | Fractal Axe-Fx III (used for all studio and live tones, with IRs of Randall cabinet) | 0 |
| One Step Closer · solo | Solo · clean | PRS Custom 24 (Drop D tuning, as used by Brad Delson for 'One Step Closer') | Mesa/Boogie Dual Rectifier (studio recording, Hybrid Theory era) | 0 |
| One Step Closer · riff | Riff · clean | PRS CE 24 (likely, as used by Brad Delson on Hybrid Theory era recordings) | Mesa/Boogie Dual Rectifier (with Mesa/Boogie Rectifier 4x12 cabinet) | 0 |
| One Step Closer · solo | Solo · distorted | PRS Standard 24 | Mesa/Boogie Dual Rectifier with Mesa/Boogie Rectifier 4x12 cabinet | 8 |
| Papercut · solo | Solo · distorted | PRS CE24 (1990s/early 2000s, likely with stock PRS humbuckers) | Mesa/Boogie Dual Rectifier (through Mesa/Boogie Rectifier 4x12 cabinet) | 7.5 |
| Pepper (Meteora Demo) · riff | Riff · clean | PRS Custom 24 (early 2000s model, likely used by Brad Delson on Meteora sessions) | Marshall JCM800 2203 head into Mesa/Boogie Rectifier 4x12 cabinet | 0 |
| Pictureboard · riff | Riff · clean | PRS Custom 24 (likely 1999-2000 model, as used by Brad Delson on early Linkin Park demos and Hybrid Theory era) | Mesa/Boogie Dual Rectifier with Mesa/Boogie Rectifier 4x12 cabinet | 0 |
| Plaster 2 (Figure.09 Demo) · riff | Riff · distorted | PRS Custom 24 | Bogner Uberschall or Marshall JCM800 2203 (likely Bogner for demo/Hybrid Theory/Meteora era heavy tones) | 8.5 |
| Points of Authority · riff | Riff · distorted | PRS CE24 (1990s/early 2000s, likely with stock pickups) | Mesa/Boogie Dual Rectifier (early 2000s revision, studio recording) | 8.5 |
| Pushing Me Away · solo | Solo · clean | Ibanez RG470XL Baritone (likely, as used by Brad Delson on Hybrid Theory/Meteora clean sections) | Mesa/Boogie Dual Rectifier (clean channel) into Mesa/Boogie Rectifier 4x12 cabinet | 0 |
| Pushing Me Away · riff | Riff · distorted | PRS Custom 24 (likely 2000s model, double humbucker, used by Brad Delson on Hybrid Theory sessions) | Mesa/Boogie Dual Rectifier (used for heavy rhythm on Hybrid Theory, including 'Pushing Me Away') | 8 |
| Pushing Me Away · riff | Riff · clean | PRS Custom 24 | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head (Multi-Watt) into Mesa/Boogie Rectifier 4x12 cabinet | 0 |
| Runaway · riff | Riff · distorted | PRS CE 24 (likely 2000 model, as used by Brad Delson on Hybrid Theory) | Mesa/Boogie Dual Rectifier with Mesa/Boogie Rectifier 4x12 cabinet | 8 |
| Shadow of the Day · riff | Riff · clean | Paul Reed Smith Custom 24 (PRS Custom 24) | Vox AC30 (vintage, studio recording) | 0 |
| Somewhere I Belong · solo | Solo · clean | Ibanez RG Baritone (likely RG470XL, as used by Brad Delson on Meteora era) | Mesa/Boogie Dual Rectifier (clean channel), 4x12 Mesa/Boogie cabinet | 0 |
| Step Up (Hybrid Theory EP) · riff | Riff · clean | PRS Custom 24 (Hybrid Theory era, likely 1999-2000 model) | Mesa/Boogie Dual Rectifier with Mesa/Boogie Rectifier 4x12 cabinet | 0 |
| Talking to Myself · riff | Riff · distorted | PRS Custom 24 (likely 2010s model, as used by Brad Delson in this era) | Fractal Axe-Fx III (using Orange Dual Dark 100 and/or Mesa Boogie Dual Rectifier amp models, as profiled for studio/live use) | 7 |
| The Emptiness Machine (Instrumental) · clean | Clean · clean | Fender Custom Shop Precision Bass | Ampeg SVT-810E 8x10 Bass Cabinet (likely with Ampeg SVT head) | 0 |
| The Emptiness Machine (Instrumental) · solo | Solo · distorted | PRS Custom 24 (likely, based on Linkin Park's studio choices for modern era solos) | Hiwatt DR103 (likely, based on Mike Shinoda/Brad Delson's use on MTM/ATS era and modern studio recordings) | 7 |
| The Emptiness Machine (Instrumental) · distorted | Distorted · distorted | Fender Custom Shop Precision Bass | Ampeg SVT-810E 8x10 Bass Cabinet (likely paired with Ampeg SVT head) | 6.5 |
| Unshatter · riff | Riff · distorted | PRS Custom 24 (special-made for Brad Delson, likely with humbuckers) | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head (Multi-Watt) into Mesa/Boogie Rectifier 4x12 cabinet | 8 |
| Waiting for the End · solo | Solo · distorted | Ibanez Prestige RGT3120 (with DiMarzio D-Sonic bridge pickup) | Hiwatt Lead 100 (into Marshall 1960A cab, studio); Mesa/Boogie Dual Rectifier (live, but not for this studio solo) | 6.5 |
| What I've Done · solo | Solo · clean | PRS Custom 24 | Marshall 1959SLP Plexi Super Lead Reissue | 0 |
| With You · clean | Clean · clean | Unknown | Unknown | 0 |