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Solo Tone

Papercut

LINKIN PARK

Guitarmetal2000s

Original Gear

GuitarPRS CE24 (1990s/early 2000s, likely with stock PRS humbuckers)
AmpMesa/Boogie Dual Rectifier (through Mesa/Boogie Rectifier 4x12 cabinet)
PickupsPRS HFS Treble (bridge) and Vintage Bass (neck) humbuckers

Amp Settings

gain7.5
bass6
mid5.5
treble7
reverb1.5
presence6.5

Effects & Signal Chain

noise_gateUnknown Noise gate (model unknown)

Notes

Studio recording, 2000. Brad Delson used PRS CE24 and Mesa/Boogie Dual Rectifier for Hybrid Theory album. No direct evidence of pedal use in solo, but amp/cab confirmed. Settings estimated based on genre, era, and amp type.

Tone Character(10)
tight and percussivesaturated high-gainarticulate pick attackaggressive palm mutingmodern nu-metal claritychunky low endslightly scooped midscompressed sustainclear note separationcontrolled feedback

Difficulty

The solo section is rhythmically tight and requires fast alternate picking and palm muting, but does not involve advanced lead techniques or complex phrasing.

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Papercut settings for your amp

Exact settings ToneAdapt players use on these amps.

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Papercut by LINKIN PARK — Solo Tone Settings | ToneAdapt