| Bohemian Rhapsody · solo | Solo · distorted | Brian May Red Special | Vox AC30 (1970s, likely Top Boost model, studio recording) | 6.5 |
| Killer Queen · solo | Solo · distorted | Homemade Red Special (Brian May's Red Special) | Vox AC30 (Top Boost, cranked), plus John Deacon's 'Deacy' amp for layered harmonies | 6 |
| Bohemian Rhapsody · riff | Riff · distorted | Brian May Red Special (homemade, original 1960s build) | Vox AC30 (1960s Top Boost, non-master volume, Celestion Alnico Blue speakers) | 6 |
| Another One Bites the Dust · riff | Riff · clean | Fender Precision Bass (for main riff), Brian May's Red Special (for guitar noise/fx overdubs only) | Unknown bass amp (likely a Music Man or Fender Bassman for Deacon's bass), Vox AC30 (for Brian May's guitar overdubs only) | 0 |
| Don't Stop Me Now · solo | Solo · distorted | Homemade 'Red Special' (Brian May's original, 24-inch scale, chambered body, three Burns Tri-Sonic single-coil pickups wired in series with individual on/off and phase switches) | Deacy Amp (studio, for solo section on 'Don't Stop Me Now') | 7 |
| We Will Rock You · solo | Solo · distorted | Homemade 'Red Special' (Brian May's original, 1960s build) | Vox AC30 (likely 1970s Top Boost, three-amp wet/dry/wet setup, center dry, sides wet) | 8 |
| Ogre Battle (Live At The Hammersmith Odeon, London / 1975) · riff | Riff · distorted | Brian May Red Special (original, handmade by Brian May and his father) | Vox AC30 (Normal channel, cranked, no reverb/tremolo circuits, live modded version) | 6 |
| Another One Bites the Dust · riff | Riff · distorted | Homemade Red Special (Brian May's Red Special) | Vox AC30 (1960s Top Boost, studio modded, no reverb/tremolo) | 4.5 |
| Another One Bites the Dust · clean | Clean · clean | Music Man StingRay (late 1970s/early 1980s, 4-string, maple neck, passive electronics at the time) | Acoustic 370 (likely, based on era and Deacon's known rig; Ampeg SVT possible but less likely for this track) | 0 |
| Brighton Rock · solo | Solo · distorted | Brian May Red Special (homemade, 1960s-70s original) | Vox AC30 (Top Boost, 1970s, multiple amps in parallel) | 7 |
| Hammer to Fall (Single Version) · riff | Riff · distorted | Brian May Red Special (original, handmade by Brian May and his father) | Vox AC30 (multiple amps, cranked, studio recording) | 7 |
| I Want to Break Free · riff | Riff · distorted | Brian May Red Special | Vox AC30/6 (Top Boost, 1980s model, cranked for overdrive) | 6 |
| It's Late · riff | Riff · distorted | Homemade 'Red Special' (Brian May's original, semi-hollow, 24-inch scale, three Burns Tri-Sonic single-coil pickups wired in series) | Vox AC30 (mid-1960s, Normal channel, Celestion Alnico Blue speakers) | 7.5 |
| Killer Queen · riff | Riff · distorted | Homemade Red Special (Brian May's original, 1960s-70s build) | Vox AC30 (Top Boost, 1970s, cranked, non-master volume) | 5 |
| Somebody to Love · solo | Solo · distorted | Brian May Red Special (homemade, original) | Vox AC30 (1960s/1970s Top Boost, cranked, no master volume) | 7.5 |
| We Will Rock You · riff | Riff · distorted | Brian May Red Special (original, homemade, semi-hollow, 1960s build) | Vox AC30/6 (Normal channel, cranked, no master volume, 1970s JMI model) | 7.5 |
| '39 · solo | Solo · distorted | Homemade 'Red Special' (Brian May's original, with Burns Tri-Sonic pickups) | Vox AC30 (mid-1960s, Normal channel, Celestion Alnico Blue speakers, no reverb/tremolo circuits) | 6 |
| '39 · riff | Riff · clean | Ovation 1658 Legend Custom 12-String | JMI Vox AC30/6 Bass | 0 |
| Another One Bites the Dust · solo | Solo · clean | Brian May Red Special | Vox AC30 (Normal Channel, cranked, studio recording) | 0 |
| Bijou · solo | Solo · distorted | Brian May Red Special (original, handmade by Brian May and his father) | Vox AC30 (likely 1970s/80s model, cranked, with KAT Treble Booster in front) | 6.5 |
| Bohemian Rhapsody · solo | Solo · clean | Brian May Red Special | Vox AC30 (Top Boost, 1970s, studio version) | 0 |
| Bohemian Rhapsody (Live Aid) · solo | Solo · distorted | Brian May Red Special (original, handmade by Brian May and his father) | Vox AC30 (multiple, cranked, Live Aid 1985 setup) | 6.5 |
| Brighton Rock · riff | Riff · distorted | Homemade Red Special (Brian May's original, 1960s build) | Vox AC30 (Top Boost, 1960s/early 70s, non-master volume, cranked) | 6.5 |
| Cool Cat · riff | Riff · clean | Brian May Red Special | Vox AC30 (likely Top Boost model, as used by Brian May in studio in early 1980s) | 0 |
| Cool Cat · clean | Clean · clean | Fender Precision Bass (general use by John Deacon) | Unknown (Hiwatt / Acoustic used in era, but not confirmed for this track) | 0 |
| Crazy Little Thing Called Love · riff | Riff · distorted | 1970s Fender Telecaster | Vox AC30/6 (JMI, late 1960s/early 1970s, non-top boost, no reverb/tremolo circuits) | 5 |
| Crazy Little Thing Called Love · solo | Solo · distorted | Fender Telecaster (likely 1970s, possibly black or blonde, used for solo section) | Vox AC30 (likely 1970s Top Boost, studio recording) | 4 |
| Death On Two Legs (Dedicated To...) · solo | Solo · distorted | Brian May Red Special (homemade, original 1960s build) | Vox AC30 (likely Top Boost, 1970s model, cranked for overdrive) | 6.5 |
| Don't Stop Me Now · riff | Riff · distorted | Brian May Red Special | Vox AC30 (Top Boost, late 1970s studio model) | 6.5 |
| Dragon Attack · solo | Solo · distorted | Brian May Red Special | Vox AC30 (1970s model, cranked, studio recording) | 6.5 |
| Fat Bottomed Girls (Single Version) · riff | Riff · distorted | Brian May Red Special (original, hand-built by Brian May and his father) | Vox AC30 (Normal channel, 1970s model, likely 6-input Top Boost version, studio use) | 5.5 |
| Flick of the Wrist (Live at the Rainbow, London / November 1974) · riff | Riff · distorted | Homemade 'Red Special' electric guitar | Vox AC30 (1960s, likely Top Boost model, cranked for overdrive) | 6.5 |
| Gimme the Prize (Kurgan's Theme) · solo | Solo · distorted | Homemade 'Red Special' (Brian May's original, semi-hollow, 24" scale, three Burns Tri-Sonic single-coil pickups wired in series with phase switches) | Vox AC30/6 (mid-1980s, likely Normal channel, cranked, no built-in effects) | 8.5 |
| Gimme the Prize (Kurgan's Theme) · riff | Riff · distorted | Brian May Red Special | Vox AC30 (multiple, cranked, likely 1980s model with EL84s) | 8 |
| I Want It All · solo | Solo · distorted | Homemade 'Red Special' (Brian May's original, 1964 build) | Vox AC30 (Normal channel, cranked, no reverb/tremolo circuits, Celestion Alnico Blue speakers) | 8.5 |
| I Want It All · riff | Riff · distorted | Brian May Red Special | Vox AC30 (Normal channel, modded, no reverb/tremolo circuits) | 7 |
| I Want It All (Single Version) · riff | Riff · distorted | Brian May Red Special (original, handmade, semi-hollow, 24-fret, 24" scale, mahogany body, oak neck, Burns Tri-Sonic pickups, custom switching) | Vox AC30/6 (Normal channel, cranked, no reverb/tremolo, triple amp wet-dry-wet setup) | 8 |
| I Want to Break Free · solo | Solo · distorted | Brian May Red Special | Vox AC30 (likely Top Boost, multiple amps in parallel, studio recording) | 6.5 |
| In the Lap of the Gods...Revisited (Live At Wembley Stadium / July 1986) · riff | Riff · clean | Brian May Red Special (original, handmade, 3 Burns Tri-Sonic pickups, custom switching) | Vox AC30/6 (multiple, with Celestion Alnico Blue speakers) | 0 |
| Innuendo · riff | Riff · distorted | Brian May Red Special (homemade electric guitar) | Vox AC30/6 (Normal channel, likely 1990s model, no built-in effects) | 5.5 |
| Keep Yourself Alive (Live at The Rainbow) · riff | Riff · distorted | Homemade Red Special (Brian May's Red Special) | Vox AC30/6 (Top Boost, 1970s, three amps in live rig) | 6.5 |
| Love Of My Life · riff | Riff · clean | Homemade Brian May Red Special | Vox AC30 (Normal Channel, cranked, studio version) | 0 |
| Now I'm Here (Live At The Hammersmith Odeon, London / 1975) · riff | Riff · distorted | Brian May Red Special (original, handmade by Brian May and his father) | Vox AC30/6 (JMI, 1960s, three amps in wet-dry-wet configuration, center dry, sides with delay) | 6.5 |
| One Vision · riff | Riff · distorted | Brian May Red Special | Vox AC30 (likely 1970s/1980s Top Boost, multiple in parallel, cranked) | 7.5 |
| One Vision (Live At Wembley Stadium / Friday July 11th 1986) · riff | Riff · distorted | Brian May Red Special (original, handmade by Brian May and his father) | Vox AC30/6 (JMI, 1960s, three amps in parallel, center dry, sides wet) | 6.5 |
| One Vision (Live At Wembley Stadium, July 11th 1986) · riff | Riff · distorted | Brian May Red Special | Vox AC30 (multiple, 1960s/70s models, Top Boost channel) | 6.5 |
| One Vision (Single Version) · riff | Riff · distorted | Brian May Red Special | Vox AC30 (likely 1980s model, non-top boost, cranked, studio recording) | 7 |
| Somebody to Love · riff | Riff · distorted | Brian May Red Special (homemade, semi-hollow, 24-fret, mahogany, Burns Tri-Sonic pickups, custom wiring) | Vox AC30 (1960s Top Boost, cranked, no master volume) | 7.5 |
| Somebody To Love (Live At The Montreal Forum / November 1981) · riff | Riff · distorted | Red Special (Brian May's handmade guitar) | Vox AC30 (multiple, cranked, with treble booster in front) | 6 |
| The Millionaire Waltz · solo | Solo · distorted | Brian May Red Special (homemade electric guitar) | Vox AC30 (likely with Deacy amp for layered harmonies) | 5.5 |
| The Show Must Go On · riff | Riff · distorted | Brian May Red Special (original, homemade) | Vox AC30/6 (mid-1960s, Normal channel, Celestion Alnico Blue speakers) | 7 |
| Tie Your Mother Down · riff | Riff · distorted | Homemade 'Red Special' (Brian May's original, chambered body, 24-inch scale, three Burns Tri-Sonic single-coil pickups wired in series with phase switches) | Mid-1960s Vox AC30 (Normal channel, two Celestion G12 Alnico 'Blue' speakers) with Dallas-Arbiter Rangemaster treble booster | 7.5 |
| Tie Your Mother Down · solo | Solo · distorted | Homemade 'Red Special' (Brian May original, chambered body, 24-inch scale, three Burns Tri-Sonic single-coil pickups, custom wiring) | Mid-1960s Vox AC30 (Normal channel, two Celestion G12 Alnico 'Blue' 12-inch speakers, no master volume, no reverb) | 8 |
| Was It All Worth It (Remastered 2011) · riff | Riff · distorted | Red Special (Brian May's handmade guitar) | Vox AC30 (likely multiple, cranked, as per Queen's 1980s studio rig) | 7 |
| We Are the Champions · riff | Riff · distorted | Brian May Red Special | Vox AC30 (Normal channel, cranked, no master volume, 1970s model) | 7 |
| You Take My Breath Away · riff | Riff · distorted | Brian May Red Special | Vox AC30 (Normal channel, cranked, 1970s model) | 6 |