Riff Tone
Somebody To Love (Live At The Montreal Forum / November 1981)
Queen
Guitarrock1980s
Original Gear
GuitarRed Special (Brian May's handmade guitar)
AmpVox AC30 (multiple, cranked, with treble booster in front)
PickupsTri-Sonic single-coil pickups (Burns, modified wiring for phase and series/parallel options)
Amp Settings
gain6
bass6
mid7
treble7.5
reverb2.5
presence6.5
Effects & Signal Chain
boostUnknown Treble Booster (model unknown, likely custom or Dallas Rangemaster type)
Notes
Live performance, Montreal Forum, November 1981. Brian May is known for using his Red Special into a treble booster and Vox AC30s for Queen's classic rock era live shows. No evidence of additional pedals for the riff section. Year: 1981.
Tone Character(10)
British cruncharticulate attackrich harmonicsslightly compressedsinging sustaintight and percussive rhythmclear note separationmidrange-forwardwarm and full-bodiedslight natural amp breakup
Difficulty
The riff section features complex, gospel-inspired chord voicings, syncopated rhythms, and requires precise muting and dynamic control at a fast tempo, making it challenging for most guitarists.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarRed Special (Brian May's handmade guitar)
AmpVox AC30 (multiple, cranked, with treble booster in front)
PickupsTri-Sonic single-coil pickups (Burns, modified wiring for phase and series/parallel options)
Amp Settings
gain6
bass6
mid7
treble7.5
reverb2.5
presence6.5
Effects & Signal Chain
boostUnknown Treble Booster (model unknown, likely custom or Dallas Rangemaster type)
Notes
Live performance, Montreal Forum, November 1981. Brian May is known for using his Red Special into a treble booster and Vox AC30s for Queen's classic rock era live shows. No evidence of additional pedals for the riff section. Year: 1981.
Tone Character(10)
British cruncharticulate attackrich harmonicsslightly compressedsinging sustaintight and percussive rhythmclear note separationmidrange-forwardwarm and full-bodiedslight natural amp breakup
Difficulty
The riff section features complex, gospel-inspired chord voicings, syncopated rhythms, and requires precise muting and dynamic control at a fast tempo, making it challenging for most guitarists.
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