| Blue Sky · riff | Riff · distorted | Gibson Les Paul Standard (1957 Goldtop, converted to humbuckers, Dickey Betts' guitar) | Marshall JMP 50-watt head with Marshall 4x12 cabinet (circa 1971, studio recording) | 4.5 |
| Jessica · riff | Riff · distorted | Gibson Les Paul Standard (1957 Goldtop or early 1970s Standard, humbuckers) | Marshall Plexi 1959SLP head into Marshall 4x12 cabinet with JBL D120F speakers | 4 |
| You Don't Love Me (Live at the Fillmore East, 1971) · riff | Riff · distorted | 1957 Gibson Les Paul Goldtop (converted to humbuckers, aka 'Hot 'Lanta') | Marshall 50-watt Plexi (model 1987, non-master volume, likely with open-back 4x12 cab) | 6 |
| Blue Sky · solo | Solo · distorted | Gibson Les Paul Standard (Duane Allman) or Gibson Les Paul Goldtop (Dickey Betts) | Fender Brownface Super Amp | 4.5 |
| Black Hearted Woman · riff | Riff · distorted | 1959 Gibson Les Paul Standard Cherry Sunburst | Marshall 1987 50-watt Plexi head into Marshall 4x12 cabinet (Celestion or JBL D120 speakers, exact speaker model debated) | 6 |
| Don't Want You No More · solo | Solo · distorted | 1959 Gibson Les Paul Standard Cherry Sunburst | Marshall 50-watt Plexi (model 1987, non-master volume, 1969 era) | 5.5 |
| Dreams · riff | Riff · distorted | 1957 Gibson Les Paul Goldtop | Marshall 50-watt Plexi (model 1987, likely with 4x12 cabinet) | 5.5 |
| Dreams · clean | Clean · clean | Modified 1972 Fender Jazz Bass (nicknamed 'The Tractor') | Likely Ampeg flip‑top bass amp (e.g., Ampeg SVT style) | 0 |
| Dreams · solo | Solo · distorted | 1957 Gibson Les Paul Goldtop | Marshall 50-watt Plexi (model 1987, likely with 4x12 cabinet) | 5.5 |
| In Memory of Elizabeth Reed · riff | Riff · distorted | Gibson Les Paul Standard '60s (1970) | Marshall 1959SLP Plexi Super Lead Reissue | 4 |
| In Memory of Elizabeth Reed (Live at the Fillmore East, 1971) · riff | Riff · distorted | Gibson Les Paul Standard (1959 Cherry Sunburst, Duane Allman) and Gibson SG Standard (Dickey Betts) | Marshall 50-watt Plexi (model 1987, Super Lead) into Marshall 4x12 cabinet (Duane Allman and Dickey Betts) | 5 |
| In Memory of Elizabeth Reed (Live at the Fillmore East/1971/First Show) · riff | Riff · distorted | 1959 Gibson Les Paul Standard (Cherry Sunburst, PAF pickups, Duane Allman) | Marshall 50-watt Plexi (JTM50 or JMP50, half-open back 4x12 cab, Celestion speakers) | 5.5 |
| It's Not My Cross to Bear · solo | Solo · distorted | 1961 Gibson Les Paul SG | 1968 Marshall JMP 50-watt head with 4x12 cabinet | 5 |
| Jessica · solo | Solo · distorted | Gibson Les Paul Standard (1970s, Dickey Betts' main guitar for studio recording) | Marshall Plexi (likely 100-watt, studio recording) | 4.5 |
| Melissa · riff | Riff · distorted | Gibson Les Paul Standard (likely 1957-1959, used by Dickey Betts) | Marshall 100-watt Super Lead head (Plexi, late 1960s/early 1970s) | 3.5 |
| Melissa · solo | Solo · distorted | Gibson Les Paul Standard (early 1970s, likely 1957-1959 model or similar reissue) | Marshall 50-watt Plexi (model 1987 or similar, early 1970s studio recording) | 4 |
| Melissa · solo | Solo · clean | Gibson ES-335 | Fender Twin Reverb (blackface, early 1970s) | 2.5 |
| Midnight Rider · solo | Solo · distorted | Gibson Les Paul Standard (Duane Allman, slide solo) | Fender Twin Reverb (blackface, 1960s/early 1970s studio model) | 4 |
| Midnight Rider · riff | Riff · clean | Gibson J-200 (acoustic, likely with pickup for studio recording) | Vox Super Beatle V1141 / V1142 (as listed for Allman Brothers Band era, but not confirmed for this exact track; acoustic may have been DI or through amp for color) | 2.5 |
| Mountain Jam (Live at the Fillmore East: Second Show, Pt. 2, 1971) · solo | Solo · distorted | 1957 Gibson Les Paul Goldtop (with PAF humbuckers, likely swapped to cherry sunburst Les Paul by March 1971) | Marshall 50-watt Plexi (model 1987, through Marshall 4x12 cabinet with Celestion speakers) | 5.5 |
| One Way Out (Live at the Fillmore East, 1971) · riff | Riff · distorted | 1957 Gibson Les Paul Goldtop | 1969 Marshall Super Bass (Plexi, 100-watt, through 4x12 cabinet, no master volume) | 5.5 |
| One Way Out (Live at the Fillmore East, 1971) · riff | Riff · clean | 1961 Gibson SG Standard | Marshall 50-watt Plexi (model 1987) head with Marshall 4x12 cabinet | 2.5 |
| Ramblin' Man · riff | Riff · distorted | Gibson Les Paul Standard '60s (1973) | Marshall 1959SLP Plexi Super Lead Reissue | 4 |
| Soulshine · solo | Solo · distorted | Gibson ES-335 'Huddie' (Warren Haynes signature, used on studio Soulshine solo) | Soldano SLO-100 (modded for more low-mids) into Marshall 4x12 with Celestion speakers | 5 |
| Southbound · riff | Riff · distorted | Gibson Les Paul Standard '59 or '60 (PAF pickups) | Marshall 1959SLP Plexi Super Lead | 4.5 |
| Statesboro Blues · riff | Riff · distorted | 1957 Gibson Les Paul Goldtop (converted to humbuckers, slide setup, open E tuning) | 1968 Marshall 50-watt Plexi (model 1987, likely with 4x12 cabinet, no master volume) | 5.5 |
| Statesboro Blues (Live at the Fillmore East, 1971) · solo | Solo · distorted | 1958 Gibson Les Paul Standard (Tobacco Sunburst, PAF pickups, slide setup, open E tuning) | Marshall 50-watt Plexi Bass Head (model 1986) into Marshall 4x12 cabinet with JBL D120F speakers (half-open back, live rig) | 6 |
| Statesboro Blues (Live at the Fillmore East, 1971) · riff | Riff · distorted | 1958 Gibson Les Paul Standard (tobacco sunburst, slide setup) | Marshall Plexi 50-watt head with 4x12 Marshall cabinets | 5.5 |
| Stormy Monday (Live at the Fillmore East, 1971) · riff | Riff · distorted | Gibson Les Paul Standard | Marshall 50-watt head with 4x12 cabinet | 5 |
| Trouble No More · solo | Solo · distorted | 1961 Gibson SG (Les Paul SG Standard with Sideways Vibrola) | 1969 Marshall Super Bass (100 watt, likely Marshall 1987XL or similar for studio) | 6 |
| Whipping Post · riff | Riff · distorted | Gibson Les Paul Standard (1957 Goldtop, Duane Allman) or 1958/59 Les Paul Standard (Dickey Betts) | Marshall JMP 50-watt Plexi (model 1987, 1969 era, likely 4x12 cab, Duane Allman); Marshall JMP 50-watt or 100-watt Plexi (Dickey Betts); possible Fender Twin Reverb for some parts | 5.5 |
| Whipping Post · solo | Solo · distorted | 1958 Gibson Les Paul Standard (tobacco sunburst, Duane Allman's main guitar at Fillmore East) | Marshall Plexi 50-watt head into two Marshall 4x12 cabinets (Celestion speakers likely, possibly JBL-D120 or Cerwin-Vega as per era sources) | 6 |
| Whipping Post (Live at the Fillmore East, 1971) · distorted | Distorted · distorted | Fender Jazz Bass ('Tractor Bass' with added Guild pickup) | Ampeg SVT (early 1970s, 300W tube head) with 8x10 cab | 5 |
| Whipping Post (Live at the Fillmore East, 1971) · riff | Riff · distorted | 1959 Gibson Les Paul Standard | Marshall 50-watt Bass Head (model 1986) through Marshall 4x12 cabinet | 6 |