| Let It Be · solo | Solo · distorted | 1968 Fender Rosewood Telecaster | Fender Silverface Twin Reverb + Leslie 147RV rotating speaker cabinet | 4.5 |
| Something · solo | Solo · distorted | 1964 Gibson SG Standard | Vox UL730/7120 hybrid amp or Vox Conqueror (solid-state preamp/tube power amp, 2x12 cabinet) | 5.5 |
| Revolution · riff | Riff · distorted | 1965 Epiphone Casino E-230TD | REDD.47 line amplifier (used as a guitar preamp, direct to console) | 8 |
| Day Tripper · riff | Riff · distorted | Epiphone Casino (1965, likely John Lennon's or George Harrison's, semi-hollow, P-90 pickups) | Vox AC30 | 4.5 |
| While My Guitar Gently Weeps · solo | Solo · distorted | 1957 Gibson Les Paul Standard 'Lucy' | 1966 Fender Deluxe Reverb | 5.5 |
| Don't Let Me Down · riff | Riff · distorted | 1968 Fender Rosewood Telecaster | Fender Twin Reverb (blackface, 85-watt combo) | 4.5 |
| And Your Bird Can Sing · riff | Riff · distorted | 1962 Epiphone Casino (sunburst, trapeze tailpiece, stock P-90s, Paul McCartney and George Harrison both played matching models on this track) | Vox AC30 (JMI, 1960s, non-top boost, likely with Celestion Alnico Blue speakers) | 3.5 |
| Blackbird · riff | Riff · clean | Martin D-28 acoustic | None (recorded direct with microphone, no amplifier used) | 0 |
| Helter Skelter · riff | Riff · distorted | Epiphone Casino (1965, sunburst, Paul McCartney's main guitar for this track) | Vox Conqueror (solid-state, with built-in distortion circuit) | 7 |
| Here Comes the Sun · riff | Riff · clean | 1968 Fender Rosewood Telecaster | Fender Deluxe Reverb (Blackface, studio recording) | 0 |
| I Want You (She's So Heavy) · riff | Riff · distorted | Epiphone Casino | Fender Twin Reverb (Blackface, cranked) | 4.5 |
| Drive My Car · solo | Solo · distorted | Fender Stratocaster (likely 'Rocky' Strat, as used by George Harrison on Rubber Soul sessions) | Vox UL730 | 3.5 |
| Hey Jude · riff | Riff · clean | 1962 Gibson J-160E | Direct Injection (DI) to EMI REDD.51 mixing console (no amp used for clean rhythm/riff section) | 2 |
| I Want to Tell You · riff | Riff · distorted | 1962 Gibson SG Standard | Vox Conqueror (solid-state, 2x12 cabinet, Brilliant channel) | 4 |
| I've Got a Feeling · riff | Riff · distorted | 1968 Fender Rosewood Telecaster | Fender Twin Reverb (late-1960s blackface, 85-watt combo) | 5 |
| Something · riff | Riff · distorted | Gibson Les Paul Standard (1957 Goldtop, likely refinished), or possible 1961 Fender Stratocaster | Vox 7120 hybrid amp (solid-state preamp, tube power amp) | 4 |
| And Your Bird Can Sing · solo | Solo · distorted | Epiphone Casino (1965, sunburst, used by both George Harrison and Paul McCartney for the dual lead/solo) | Fender Showman (blackface, 1x15 cab, studio recording, 1966 Revolver sessions) | 4.5 |
| Don't Let Me Down · riff | Riff · clean | 1968 Fender Rosewood Telecaster | Fender Twin Reverb (Silverface, 85-watt combo, 2x12 speakers) | 2.5 |
| Get Back · riff | Riff · distorted | Epiphone Casino (stripped finish, John Lennon, rhythm riff section) | Fender Twin Reverb (silverface, 85-watt combo, Normal channel) | 4 |
| Hey Jude · riff | Riff · distorted | 1962 Gibson J-160E | Direct Input (EMI REDD.47 mic preamp, overdriven) | 5 |
| I Feel Fine (2023 Mix) · riff | Riff · distorted | 1963 Gretsch 6119 Tennessean | 1964 Vox AC100 head with 4x12 cabinet (Celestion T1088 speakers, Goodmans Midax horns) | 3.5 |
| I Want to Hold Your Hand · riff | Riff · distorted | 1963 Rickenbacker 325 Capri | Vox AC30 | 4 |
| In My Life · riff | Riff · clean | 1962 Gibson J-160E (sunburst, acoustic-electric) | Vox AC30 (1965 studio version, likely with minimal amp reverb) | 0 |
| In My Life · riff | Riff · distorted | Gibson SG Standard | Vox 7120 hybrid amp | 3.5 |
| Octopus's Garden · riff | Riff · clean | Gretsch Country Gentleman | Fender Twin Reverb (Silverface era, late 1960s) | 3 |
| She Loves You (2023 Mix) · riff | Riff · clean | 1962 Gibson J-160E | Vox AC30 (early 1960s model, studio recording) | 3.5 |
| She Loves You (Mono Version) · riff | Riff · distorted | 1962 Höfner 500/1 Violin Bass (Paul McCartney), 1962 Gretsch Duo Jet (George Harrison), 1958 Rickenbacker 325 (John Lennon) | Vox AC30 (all guitars, studio recording) | 3.5 |
| Something · solo | Solo · clean | 1964 Gibson SG Standard | Vox Conqueror (Brilliant channel, 2x12 cabinet with Celestion G12 Alnico silver speakers) | 3 |
| A Day In the Life · riff | Riff · distorted | Gibson J-160E | Vox 7120 hybrid amp | 3.5 |
| A Hard Day's Night · riff | Riff · clean | 1963 Rickenbacker 360/12 electric 12-string | 1963 Vox AC50 Mk I head with 2x12 cabinet (Celestion T530 + Goodmans Midax horn) | 3.5 |
| A Hard Day's Night · solo | Solo · clean | 1963 Rickenbacker 360/12 electric 12-string | 1963 Vox AC50 Mk I head and 2x12 cabinet with Celestion T530 speakers and Goodmans Midax horn | 0 |
| A Taste of Honey · riff | Riff · clean | 1962 Höfner Club 40 | Vox AC15 | 0 |
| Across the Universe · riff | Riff · clean | Epiphone Casino (stripped finish, trapeze tailpiece, sunburst, used by John Lennon) | Fender Silverface Twin Reverb | 0 |
| Across the Universe (2021 Mix) · riff | Riff · clean | Martin D-28 acoustic (1967, likely with nylon strings for this track) | None (directly mic'd in studio, no electric guitar amp used for riff section) | 0 |
| All My Loving · clean | Clean · clean | Höfner 500/1 Violin Bass (Cavern model, 1961-62) | Vox AC30 (studio monitoring only), likely direct to desk (DI) for recording | 0 |
| All My Loving · riff | Riff · clean | 1963 Gibson ES-175D | Vox AC30 | 0 |
| All You Need Is Love · solo | Solo · distorted | Gibson SG Standard | Vox 7120 (hybrid solid-state preamp/tube power amp) | 4 |
| Back In the U.S.S.R. · solo | Solo · distorted | Gibson SG Standard (1964) | Vox 7120 hybrid (solid-state preamp/tube power amp) | 5 |
| Back In the U.S.S.R. · riff | Riff · distorted | Epiphone Casino (stripped finish, likely Lennon's or McCartney's, as per studio notes for White Album sessions) | Vox AC30 (cranked), possibly Fender Twin for McCartney's rhythm part | 6 |
| Back In the U.S.S.R. · distorted | Distorted · distorted | Fender Bass VI | Vox AC30 (likely, based on Beatles' White Album era studio use; no direct amp evidence for this track, but Vox AC30 and Bassman were common at Abbey Road in 1968) | 5.5 |
| Bad Boy · riff | Riff · distorted | 1963 Rickenbacker 325 Capri | Vox AC30 | 4.5 |
| Birthday · riff | Riff · distorted | Epiphone Casino | Vox Conqueror | 5.5 |
| Blackbird · solo | Solo · clean | 1967 Martin D-28 Acoustic | None (recorded direct with microphone, no amplifier used) | 0 |
| Can't Buy Me Love · riff | Riff · clean | Gibson J-160E | Vox AC30 (likely, but not 100% confirmed for this track; Vox tube combo typical for Beatles 1964 studio sessions) | 2 |
| Can't Buy Me Love · riff | Riff · distorted | 1962 Gibson J-160E | Vox AC30 (early 1960s, likely Top Boost, studio recording) | 3.5 |
| Chains · riff | Riff · clean | 1962 Gretsch 6120 Chet Atkins Hollow Body | Vox AC30 | 0 |
| Come Together · riff | Riff · clean | Gibson J-160E (1962 sunburst, Lennon’s, with P90 pickup) | Fender Twin Reverb (Silverface, likely studio backline, cranked clean) | 2.5 |
| Come Together · riff | Riff · distorted | Epiphone Casino | Fender Twin Reverb (Silverface, late 1960s studio model) | 5 |
| Come Together · distorted | Distorted · distorted | Rickenbacker 4001 | Ampeg B-15N Portaflex | 4.5 |
| Come Together · clean | Clean · clean | Höfner 500/1 Violin Bass | Fender Bassman head with 2x10 cabinet | 0 |
| Come Together · solo | Solo · distorted | Epiphone Casino (John Lennon's, likely used for the solo section) | Fender Twin Reverb (Silverface, likely used in Abbey Road sessions) | 4.5 |
| Day Tripper · solo | Solo · distorted | Gibson ES-345TD Stereo 1964 | Vox AC30 | 4.5 |
| Day Tripper · riff | Riff · clean | 1963 Epiphone ES-335 (Casino also possible, but ES-335 cited for riff in video recreation) | Vox AC30 (original studio), Fender Blues Junior (used in modern recreation video) | 2.5 |
| Dear Prudence · riff | Riff · clean | Gibson J-160E (1962 sunburst, acoustic-electric) | Vox AC30 (1960s, studio use) | 0 |
| Dear Prudence · clean | Clean · clean | Fender Jazz Bass (left-handed, 1966, likely with flatwound strings and mute engaged) | Fender Bassman (likely 2x15 cab, mic'd with Neumann U48 or similar) | 0 |
| Dig a Pony · riff | Riff · distorted | Epiphone Casino (1965, sunburst, stock P-90s) | Fender Twin Reverb (silverface, late 1960s, studio recording) | 4.5 |
| Dig a Pony (2021 Mix) · solo | Solo · distorted | 1968 Gibson Les Paul Standard | Fender Twin Reverb (Blackface, late 1960s) | 4 |
| Dig a Pony (2021 Mix) · riff | Riff · distorted | Epiphone Casino (1965, sunburst, trapeze tailpiece) | Vox AC30 (JMI, 1960s, Top Boost) | 4.5 |
| Dig a Pony (The Rooftop Performance) · solo | Solo · distorted | 1968 Fender Rosewood Telecaster | Fender Twin Reverb (Silverface, drip edge, late 1960s) | 4 |
| Dig a Pony (The Rooftop Performance) · riff | Riff · distorted | 1968 Fender Rosewood Telecaster | Fender Twin Reverb Silverface | 4 |
| dig a pony rhythm · riff | Riff · distorted | 1965 Epiphone Casino | Fender Twin Reverb (Silverface) | 4 |
| Do You Want to Know a Secret · riff | Riff · clean | 1962 Gibson J-160E | Vox AC30 | 0 |
| Don't Bother Me · riff | Riff · distorted | 1962 Gretsch Country Gentleman | Vox AC30 | 3.5 |
| Don't Let Me Down · solo | Solo · clean | 1968 Fender Rosewood Telecaster | Fender Twin Reverb (late 1960s silverface) | 3 |
| Don't Let Me Down · clean | Clean · clean | 1963 Höfner 500/1 Violin Bass | 1968 Fender Bassman head with 2x15 cabinet | 0 |
| Don’t let me down · riff | Riff · distorted | Fender Rosewood Telecaster | Fender Twin Reverb | 4 |
| Don’t Let Me Down (First Rooftop Performance) · solo | Solo · distorted | 1968 Fender Rosewood Telecaster | Fender Twin Reverb (Silverface, late 1960s, combo) | 4 |
| Don’t Let Me Down (First Rooftop Performance) · riff | Riff · clean | 1968 Fender Rosewood Telecaster | Fender Twin Reverb (Silverface, 'drip edge') | 3 |
| Don’t Let Me Down (First Rooftop Performance) · riff | Riff · distorted | 1968 Fender Rosewood Telecaster | Fender Twin Reverb (Silverface, 85-watt combo, late 1960s) | 4 |
| Drive My Car · riff | Riff · distorted | 1961 Epiphone Casino (Paul McCartney, rhythm riff section) | Vox AC30 | 4.5 |
| Drive My Car · solo | Solo · clean | 1961 Epiphone Casino | Vox AC30 | 2.5 |
| Drive My Car (2026 Mix) · riff | Riff · distorted | 1961 Epiphone Casino | Vox AC30 | 3.5 |
| Eight Days a Week (2023 Mix) · solo | Solo · clean | Rickenbacker 360/12 (12-string electric) | Vox AC30 | 3.5 |
| Eleanor Rigby · riff | Riff · clean | No guitar used (riff section performed by string quartet) | N/A | 0 |
| Everybody's Got Something to Hide Except Me and My Monkey · riff | Riff · distorted | Epiphone Casino | Direct-in to EMI REDD.47 mic preamp (overdriven console), possibly Vox AC30 or Fender Showman for monitoring | 7 |
| Fixing A Hole (2017 Mix) · solo | Solo · distorted | Fender Esquire (likely 1961, played by George Harrison) | Vox UL730 | 4.5 |
| Get Back · solo | Solo · distorted | Fender Rosewood Telecaster (1968) | Fender Twin Reverb (Silverface, 85-watt, 1968-69) | 4.5 |
| Get Back (2021 Mix) · riff | Riff · clean | Fender Rosewood Telecaster | Fender Twin Reverb (Silverface, late 1960s) | 2.5 |
| Get Back (2021 Mix) · riff | Riff · distorted | Fender Rosewood Telecaster | Fender Twin Reverb (silverface, late 1960s) | 4 |
| Golden Slumbers · riff | Riff · distorted | Epiphone Casino | Vox AC30 | 2 |
| Good Day Sunshine (2022 Mix) · solo | Solo · distorted | Gibson SG Standard | Vox 7120 hybrid (solid-state preamp/tube power amp) | 4.5 |
| Good Morning Good Morning · solo | Solo · distorted | Epiphone Casino (Paul McCartney's, likely sunburst, 1964 model) | Vox AC30 | 6.5 |
| Happiness Is a Warm Gun · riff | Riff · distorted | 1964 Gibson SG Standard | Vox Conqueror (solid-state, with built-in fuzz/MRB circuit) | 4.5 |
| Hello, Goodbye · riff | Riff · clean | Martin D-28 (1965 model, steel-string acoustic) | None (acoustic direct or mic'd, no amp used for riff section in studio) | 0 |
| Help! · riff | Riff · distorted | 1962 Gibson J-160E | 1964 Vox AC100 head with 4x12 cabinet (Celestion T1088 speakers, Goodmans Midax horns) | 3.5 |
| Help! · riff | Riff · clean | 1963 Rickenbacker 360/12 (rhythm), 1961 Fender Stratocaster (overdub fills) | 1964 Vox AC100 head with 4x12 cabinet (Celestion T1088 12-inch speakers, Goodmans Midax horns) | 2.5 |
| Help! · clean | Clean · clean | Höfner 500/1 Violin Bass (early 1960s model) | Fender Bassman Blonde (early 1960s head + cab) | 0 |
| Helter Skelter (2018 Mix) · riff | Riff · distorted | Epiphone Casino (1965, sunburst, fully hollow, stock P-90s) | Fender Bassman (likely 6G6-B Blonde or Blackface, 1x15" cab), possibly Vox Conqueror or Fender Showman for additional layers | 7 |
| Helter Skelter (2018 Mix) · solo | Solo · distorted | Epiphone Casino | Fender Deluxe Reverb (Blackface, 1960s) | 8 |
| Her Majesty · riff | Riff · clean | 1962 Martin D-28 acoustic guitar | None (direct mic'd acoustic, no amp used) | 0 |
| Here Comes the Sun · clean | Clean · clean | Höfner 500/1 Violin Bass (circa 1963-67, likely 1967 model) | Fender Bassman (Silverface, tube amp, studio use) | 0 |
| Here, There and Everywhere · riff | Riff · clean | 1964 Epiphone Casino | Vox AC30 | 0 |
| Hey Bulldog · riff | Riff · distorted | 1964 Gibson SG Standard | Vox Conqueror (solid-state, 2x12 cabinet with Celestion G12 Alnico silver speakers) | 5 |
| Hey Bulldog · solo | Solo · distorted | 1964 Gibson SG Standard | Vox Conqueror (Brilliant channel) with 2x12 cabinet (Celestion G12 Alnico silver speakers) | 6.5 |
| Hey Bulldog (2023 Mix) · riff | Riff · distorted | 1964 Gibson SG Standard | Vox Conqueror (Brilliant channel) with 2x12 cabinet (Celestion G12 Alnico silver speakers) | 6.5 |
| I Feel Fine · riff | Riff · clean | 1964 Gibson J-160E | 1964 Vox AC100 head with 4x12 cabinet (Celestion T1088 speakers, Goodmans Midax horns) | 2.5 |
| I Feel Fine · riff | Riff · distorted | 1964 Gibson J-160E | 1964 Vox AC100 head with 4x12 cabinet (Celestion T1088 speakers, Goodmans Midax horns) | 4 |
| I Me Mine · riff | Riff · distorted | Fender Rosewood Telecaster | Vox AC30 | 4.5 |
| I Need You · riff | Riff · clean | Gibson J-160E (1962 sunburst, used as an electric with flatwound strings) | Vox AC30 (early 1960s model, studio use) | 2 |
| I Saw Her Standing There · riff | Riff · clean | 1962 Gibson J-160E | Vox AC30 | 3.5 |
| I Saw Her Standing There · solo | Solo · clean | 1957 Gretsch Duo Jet | Vox AC30 | 2.5 |
| I Saw Her Standing There · clean | Clean · clean | Höfner 500/1 Violin Bass | Vox AC30 (studio bass amp, 1963 era, likely used for this session) | 0 |
| I Saw Her Standing There · riff | Riff · distorted | 1962 Fender Esquire | Vox AC30 | 3.5 |
| I Saw Her Standing There · solo | Solo · distorted | 1962 Fender Esquire | Vox AC30 | 4 |
| I Want to Hold Your Hand · riff | Riff · clean | 1963 Rickenbacker 325 Capri | Vox AC30 | 2.5 |
| I Want to Hold Your Hand · solo | Solo · clean | 1963 Gretsch Country Gentleman | Vox AC30 | 2 |
| I Want You (She's So Heavy) · riff | Riff · clean | 1965 Epiphone Casino | Fender Twin Reverb (Blackface, 1965) | 0 |
| I Want You (She's So Heavy) · solo | Solo · distorted | Fender Rosewood Telecaster (1968-1972) | Fender Twin Reverb (Silverface, late 1960s) | 6 |
| I Want You (She's So Heavy) · clean | Clean · clean | Höfner 500/1 Violin Bass (likely 1963 model, with flatwound strings and nylon tapewound option debated) | Likely Vox UL730 or Vox AC100 (studio context, Abbey Road era); Fender Bassman possible but less likely for this track | 0 |
| I Want You (She's So Heavy) [2019 Mix] · riff | Riff · distorted | Epiphone Casino (1965, sunburst, used by John Lennon) | Fender Twin Reverb (Blackface, cranked) | 7 |
| I Want You (She's So Heavy) [2019 Mix] · distorted | Distorted · distorted | 1963 Hofner 500/1 Violin Bass | 1967 Fender Bassman (blackface head + 2x12 cab, likely studio DI blend) | 5.5 |
| I Will · riff | Riff · clean | Martin D-28 acoustic | None (recorded direct with microphone, no amp used) | 0 |
| I'm Happy Just to Dance with You · riff | Riff · clean | 1963 Rickenbacker 360-12 (12-string electric) | Vox AC50 | 0 |
| I'm Only Sleeping · riff | Riff · clean | Epiphone Casino | Vox AC30 | 3.5 |
| I've Got a Feeling · solo | Solo · distorted | 1968 Fender Rosewood Telecaster | Fender Twin Reverb (Silverface, late 1960s model) | 4.5 |
| I've Got a Feeling (2021 Mix) · solo | Solo · distorted | 1969 Epiphone Casino | Fender Twin Reverb (Blackface, late 1960s) | 5 |
| I've Got a Feeling (2021 Mix) · riff | Riff · distorted | Fender Rosewood Telecaster (George Harrison, main riff); Epiphone Casino (John Lennon, rhythm overdub); 1963 Hofner 500/1 (Paul McCartney, bass) | Fender Twin Reverb (primary amp for Harrison and Lennon during Let It Be sessions, including 'I've Got a Feeling' riff section) | 4.5 |
| I've Just Seen a Face · riff | Riff · clean | Epiphone Texan FT-79 (acoustic) | None (recorded direct with microphone, no amp used on studio recording) | 0 |
| If I Fell · riff | Riff · clean | 1964 Rickenbacker 325 Capri | Vox AC30 | 0 |
| If I Needed Someone · solo | Solo · distorted | Rickenbacker 360/12 | Vox AC30 | 4 |
| If I Needed Someone · riff | Riff · clean | Fender Electric XII 12-String | Vox AC30 (JMI, early 1960s, likely studio backline) | 3 |
| If I Needed Someone (2026 Mix) · riff | Riff · distorted | Rickenbacker 360/12 | Vox AC30 | 3.5 |
| In My Life · solo | Solo · distorted | Gibson ES-345 (likely, or Epiphone Casino; see warnings) | Vox AC30 or Vox AC100 (exact model uncertain; see warnings) | 3.5 |
| It's Only Love · riff | Riff · distorted | 1965 Gibson J-160E (John Lennon) or 1961 Epiphone ES-230TD Casino (John Lennon, likely for electric riff section) | Vox AC30 | 3 |
| Lady Madonna · riff | Riff · distorted | 1964 Gibson SG Standard | Vox AC30 (likely) or Vox Conqueror (possible, but less likely for this track) | 3.5 |
| Let It Be · riff | Riff · distorted | 1968 Fender Rosewood Telecaster | Fender Silverface Twin Reverb | 3.5 |
| Lucy In the Sky with Diamonds · solo | Solo · distorted | Fender Stratocaster (Sonic Blue, 'Rocky') | Vox UL730 (run through Leslie rotating speaker cabinet) | 4.5 |
| Lucy In the Sky with Diamonds · clean | Clean · clean | Höfner 500/1 Violin Bass | Vox UL730 (likely) or Vox AC100 (possible), possibly Fender Bassman (less likely) | 0 |
| Lucy In the Sky with Diamonds · riff | Riff · distorted | Gibson SG Standard | Vox 7120 hybrid amp | 4 |
| Maxwell's Silver Hammer · clean | Clean · clean | Fender Bass VI (six-string bass, likely 1961-1963 model) | Versatone Pan-O-Flex (35-watt combo amp, studio use) | 0 |
| Michelle · solo | Solo · distorted | c. 1963-65 Gibson ES-345 | 1963 Vox AC30 Top Boost combo (two Celestion T530 12-inch speakers) | 3 |
| Misery · riff | Riff · clean | Höfner Club 40 | Vox AC30 | 0 |
| Norwegian Wood (This Bird Has Flown) · solo | Solo · clean | 1962 Gibson J-160E | Vox AC30 | 0 |
| Norwegian Wood (This Bird Has Flown) · riff | Riff · clean | Gibson J-160E (1964 model, acoustic-electric) | None (recorded acoustically, no amp used for main riff section) | 0 |
| Nowhere Man · riff | Riff · clean | 1961 Fender Stratocaster (Sonic Blue, used by both John Lennon and George Harrison) | Vox AC30 (1960s JMI model, studio recording) | 0 |
| Nowhere Man · solo | Solo · clean | 1961 Fender Stratocaster (Sonic Blue, used by both John Lennon and George Harrison, double-tracked in unison) | Vox AC100 or Vox AC30 (studio recording, Rubber Soul sessions, 1965; some sources mention Fender Bassman present in studio but Vox AC100/AC30 most likely for this track) | 3.5 |
| Nowhere Man (2023 Mix) · solo | Solo · clean | Gibson J-160E (1962 sunburst, acoustic-electric) | Vox AC30 (1965 studio model, likely Top Boost circuit) | 2.5 |
| Nowhere Man (2023 Mix) · riff | Riff · clean | 1961 Fender Stratocaster | Vox AC30 (early 1960s model) | 0 |
| Octopus's Garden · solo | Solo · clean | Fender Rosewood Telecaster (1968-1972) | Fender Twin Reverb (Silverface, late 1960s) | 3.5 |
| Octopus's Garden · clean | Clean · clean | 1963 Hofner 500/1 Violin Bass | 1967 Fender Bassman (likely Silverface or late Blackface) | 0 |
| Octopus's Garden (2019 Mix) · riff | Riff · distorted | Fender Telecaster (likely Rosewood, as used by George Harrison on Abbey Road sessions) | Fender Twin Reverb (blackface, late 1960s studio model) | 3.5 |
| Oh! Darling · riff | Riff · distorted | Fender Esquire (likely 1961, as used by George Harrison on Abbey Road sessions) | Fender Tweed Deluxe (5E3, used by Harrison on Abbey Road sessions) | 4.5 |
| Oh! Darling · solo | Solo · clean | 1964 Epiphone Casino | Fender Twin Reverb (Blackface, mid-1960s) | 0 |
| Oh! Darling · riff | Riff · clean | Epiphone Casino (1965, sunburst, hollowbody electric) | Fender Twin Reverb (Blackface, mid-1960s studio model) | 2 |
| One After 909 · riff | Riff · distorted | 1964 Gibson SG Standard | Vox Conqueror (solid-state, 2x12 cabinet with Celestion G12 Alnico silver speakers) | 4 |
| One After 909 (2021 Mix) · solo | Solo · distorted | 1963 Fender Telecaster | Vox AC30 (early 1960s, likely Top Boost model) | 4 |
| One After 909 (2021 Mix) · riff | Riff · distorted | 1968 Fender Rosewood Telecaster | Fender Twin Reverb (Silverface, 85-watt, with vibrato and reverb circuits) | 4 |
| P.S. I Love You · riff | Riff · clean | 1962 Gibson J-160E | 1962 Vox AC15 (likely, possibly AC30; see warnings) | 0 |
| Paperback Writer · riff | Riff · distorted | Epiphone Casino (1965, sunburst, trapeze tailpiece) | Vox UL730 | 4 |
| Paperback Writer (2022 Stereo Mix) · riff | Riff · distorted | Epiphone Casino (1965, sunburst, used by Paul McCartney for riff section) | Vox 7120 (hybrid solid-state/tube amp, used in Revolver sessions) | 5.5 |
| Paperback Writer (2022 Stereo Mix) · clean | Clean · clean | Rickenbacker 4001S | Vox 7120 (hybrid tube/solid-state amp) | 0 |
| Please Mister Postman · riff | Riff · distorted | 1962 Gibson ES-330TD | Vox AC30 | 3.5 |
| Please Please Me · riff | Riff · distorted | 1957 Gretsch 6128 Duo Jet | 1962 Vox AC30 combo with two Celestion T530 12-inch speakers (with retrofitted treble-boost circuit) | 4 |
| Please Please Me · solo | Solo · clean | 1962 Gibson J-160E | Vox AC30 (early 1960s model, non-Top Boost) | 2.5 |
| Revolution · solo | Solo · distorted | 1964 Gibson SG Standard | EMI REDD.47 line amplifier (direct-in, not a guitar amp) | 7.5 |
| Revolution 1 · riff | Riff · distorted | Epiphone Casino | EMI REDD.51 Recording Console | 4 |
| Rock and Roll Music · riff | Riff · distorted | 1958 Rickenbacker 325 Capri | Vox AC30 | 4.5 |
| Roll Over Beethoven · riff | Riff · distorted | 1957 Gretsch 6122 Country Gentleman | Vox AC30 | 4.5 |
| Savoy Truffle (2018 Mix) · riff | Riff · distorted | Gibson Les Paul Standard (1957, 'Lucy') | Direct into EMI REDD.47 preamp (console overdrive), possibly Vox AC30 or Fender amp for monitoring | 7 |
| Sgt. Pepper's Lonely Hearts Club Band · solo | Solo · distorted | 1962 Epiphone Casino E-230TD | 1967 Vox UL730 head, 2x12 cabinet with Celestion T1088 speakers | 6 |
| Sgt. Pepper's Lonely Hearts Club Band (2017 Mix) · solo | Solo · distorted | 1964 Gibson SG Standard | 1967 Vox UL730 head, 2x12 cabinet with Celestion T1088 speakers | 6 |
| She Came In Through the Bathroom Window (2019 Mix) · solo | Solo · distorted | Gibson Les Paul Standard 'Lucy' (1957, refinished red, owned by George Harrison) | Leslie Model 145 Speaker Cabinet (used as amp/speaker for guitar track) | 4 |
| She Came In Through the Bathroom Window (2019 Mix) · riff | Riff · distorted | Fender Stratocaster (likely 1961, as used by George Harrison on Abbey Road sessions) | Fender Twin Reverb (silverface, late 1960s) | 4 |
| She Loves You · solo | Solo · clean | 1963 Gretsch Country Gentleman | Vox AC30 | 0 |
| She Loves You · riff | Riff · clean | Rickenbacker 325 | Vox AC30 | 0 |
| She Said She Said · riff | Riff · distorted | Epiphone Casino | Vox 7120 | 5 |
| She Said She Said · solo | Solo · distorted | Rickenbacker 360/12 (double-tracked with possible Gibson ES-345 overdub) | Vox AC100 (primary), possible Vox AC30 | 3.5 |
| Something · distorted | Distorted · distorted | Höfner 500/1 Violin Bass (aka 'Beatle Bass') | 1967 Fender Bassman (tube amp, likely silverface or transitional blackface/silverface) | 5 |
| Something · riff | Riff · clean | 1961 or 1963 Fender Stratocaster (likely Sonic Blue, rosewood fingerboard, stock single-coil pickups) | Fender Twin Reverb (Blackface, studio recording, Abbey Road 1969) | 2.5 |
| Something · clean | Clean · clean | Höfner 500/1 Violin Bass (circa 1963) | Fender Bassman (likely blackface or blonde era), possibly blended with DI | 0 |
| Strawberry Fields Forever · distorted | Distorted · distorted | 1964 Rickenbacker 4001S | Vox UL730 (studio guitar amp, likely used for bass distortion section) | 5.5 |
| Strawberry Fields Forever (Take 7) · riff | Riff · clean | Epiphone Casino | Vox UL730 | 3.5 |
| Sun King · solo | Solo · clean | Fender Telecaster (likely 1961, as used by George Harrison on Abbey Road sessions) | Fender Twin Reverb (Blackface, studio recording, Abbey Road 1969 sessions) | 2 |
| Sun King · riff | Riff · clean | 1965 Epiphone Casino | Fender Twin Reverb (Silverface, late 1960s) | 3.5 |
| Taxman · riff | Riff · distorted | 1964 Gibson SG Standard | Vox 7120 (hybrid solid-state preamp/tube power amp, 4x12 Celestion T1225 speakers) | 3.5 |
| Taxman · solo | Solo · clean | 1964 Gibson SG Standard | 1966 Vox 7120 (hybrid solid-state/tube head, 4x12 cabinet with Celestion T1225 speakers) | 3.5 |
| Taxman · riff | Riff · clean | 1964 Gibson SG Standard | 1966 Vox 7120 (hybrid solid-state preamp/tube power amp), 4x12 cabinet with Celestion T1225 speakers | 2.5 |
| Taxman · solo | Solo · distorted | 1964 Gibson SG Standard | Vox 7120 (hybrid solid-state preamp/tube power amp), 4x12 cabinet with Celestion T1225 12-inch speakers | 6 |
| Taxman (2022 Mix) · riff | Riff · distorted | 1964 Gibson SG Standard | 1966 Vox 7120 (hybrid solid-state/tube head, 4x12 cabinet with Celestion T1225 speakers) | 5 |
| The End · solo | Solo · distorted | 1968 Fender Rosewood Telecaster | 1966 Fender Deluxe Reverb with Oxford 12K5-6 12-inch speaker | 5.5 |
| The End · riff | Riff · distorted | 1968 Fender Rosewood Telecaster | 1966 Fender Deluxe Reverb with Oxford 12K5-6 12-inch speaker | 5.5 |
| The Long and Winding Road (2021 Mix) · clean | Clean · clean | Fender Jazz Bass (1964, sunburst, likely with flatwound strings) | Fender Bassman (1968 head, 2x15 cabinet) | 0 |
| The Night Before · solo | Solo · distorted | Epiphone Casino (1965, sunburst, as used by Paul McCartney for the solo) | Vox AC30 (JMI, 1965 studio model, likely with spring reverb) | 3 |
| The Night Before · riff | Riff · distorted | Epiphone Casino (1965, sunburst, used by Paul McCartney for main riff; John Lennon and George Harrison also used Casinos on this session) | Vox AC30 (JMI, 1965, studio recording) | 2.5 |
| The Night Before · clean | Clean · clean | Höfner 500/1 Violin Bass (likely) | Fender Bassman 6G6-A (likely) | 0 |
| Ticket to Ride · riff | Riff · clean | Rickenbacker 360-12 (12-string electric) | Vox AC100 (studio recording, 1965) | 3.5 |
| Ticket to Ride · clean | Clean · clean | Höfner 500/1 Violin Bass | Vox AC100 (likely), possibly direct to desk or blended | 0 |
| Ticket to Ride · solo | Solo · clean | 1963 Rickenbacker 360/12 | 1964 Vox AC100 head with 4x12 cabinet (Celestion T1088 speakers, Goodmans Midax horns) | 2.5 |
| Till There Was You · solo | Solo · clean | 1957 Gretsch Country Gentleman | Vox AC30 | 0 |
| Till There Was You · riff | Riff · clean | 1957 Gretsch Country Gentleman | Vox AC30 | 0 |
| Twist and Shout · solo | Solo · distorted | 1961 Gibson ES-335 (George Harrison, solo section) | Vox AC30 | 4.5 |
| Twist and Shout · riff | Riff · distorted | 1963 Rickenbacker 325 Capri | Vox AC30 | 3.5 |
| Twist and Shout · riff | Riff · clean | Gretsch G6128T-GH George Harrison Duo Jet | Vox AC30 C2 | 3.5 |
| Twist and Shout · solo | Solo · clean | Rickenbacker 325 (1958 Capri, short scale, likely with flatwound strings) | Vox AC30 (early 1960s JMI model, non-top boost, no built-in reverb) | 2 |
| Two of Us · solo | Solo · clean | Epiphone Casino (stripped finish, 1965) | Vox AC50 Mk I head with 2x12 cabinet | 0 |
| Two of Us · riff | Riff · clean | Martin D-28 (Paul McCartney, main riff acoustic) | None (acoustic recorded via microphone, no amp used for main riff) | 0 |
| While My Guitar Gently Weeps · solo | Solo · clean | Gibson J-200 (acoustic, capo 2nd fret) | None (recorded direct with microphone, no amp for clean acoustic section) | 0 |
| While My Guitar Gently Weeps · riff | Riff · clean | Gibson J-200 acoustic | Direct to console (no amp), possibly with subtle studio compression/EQ | 3 |
| While My Guitar Gently Weeps · distorted | Distorted · distorted | Fender Jazz Bass (1966-68, likely sunburst, used by Paul McCartney) | Vox Conqueror (studio solid-state amp, White Album era, probable for grit/drive sections) | 5 |
| While My Guitar Gently Weeps · clean | Clean · clean | Fender Jazz Bass (1966, sunburst, likely with flatwound strings) | Fender Bassman (Silverface, likely 1967-68 studio model) | 0 |
| While My Guitar Gently Weeps · riff | Riff · distorted | 1957 Gibson Les Paul Standard 'Lucy' | Marshall JTM45/100 (possible), or Fender Deluxe Reverb (possible); exact amp debated, but Marshall JTM45/100 is most cited for riff section | 5 |
| While My Guitar Gently Weeps (Remastered 2009) · solo | Solo · distorted | 1957 Gibson Les Paul Standard 'Lucy' (refinished cherry red, gifted by Eric Clapton) | 1966 Fender Deluxe Reverb with Oxford 12K5-6 12-inch speaker | 5.5 |
| With A Little Help From My Friends (2017 Mix) · riff | Riff · clean | Fender Esquire | Selmer Thunderbird 50 Mk II combo amp | 0 |
| Words of Love · riff | Riff · clean | 1958 Rickenbacker 325 Capri | Vox AC30 (early 1960s JMI, non-Top Boost) | 0 |
| Yer Blues · riff | Riff · distorted | Epiphone Casino (1965, John Lennon's guitar for 'Yer Blues' riff section) | Vox AC30 (1960s, likely studio backline for White Album sessions) | 4.5 |
| Yer Blues · solo | Solo · distorted | Epiphone Casino | Vox AC30 | 6 |
| Yesterday · riff | Riff · clean | 1962 Gibson J-160E acoustic-electric | Direct to console (EMI REDD.51 desk, possibly with subtle compression); amp not used on studio recording | 0 |
| You Never Give Me Your Money · solo | Solo · distorted | Fender Rosewood Telecaster | Fender 'Silverface' Twin Reverb (1968-69) into Leslie 147RV rotating speaker cabinet | 3.5 |
| You Never Give Me Your Money · riff | Riff · distorted | Epiphone Casino (sunburst, likely 1965 model) | Fender Twin Reverb (blackface, 1967-68 era) | 3.5 |
| You Never Give Me Your Money (2019 Mix) · solo | Solo · distorted | Epiphone Casino (1965, sunburst, as used by George Harrison on Abbey Road sessions) | Fender Twin Reverb (blackface, late 1960s studio model) | 5 |
| You're Going to Lose That Girl · riff | Riff · distorted | 1962 Gibson ES-335TDC | Vox AC30 | 3.5 |
| You've Got to Hide Your Love Away · riff | Riff · clean | Gibson J-160E (acoustic-electric, sunburst, 1962 model) | Vox AC30 (likely, based on Beatles' 1965 studio setup) | 0 |
| Your Mother Should Know · clean | Clean · clean | Höfner 500/1 Violin Bass (likely 1961 or 1963 model) | Unknown (possibly Fender Bassman as commonly used by Beatles) | 0 |