Clean Tone
Something
The Beatles
Bassrock1960s
Original Gear
BassHöfner 500/1 Violin Bass (circa 1963)
AmpFender Bassman (likely blackface or blonde era), possibly blended with DI
PickupsDual single-coil pickups (neck and bridge, passive)
Amp Settings
gain0
bass7
mid5.5
treble4
presence4
compression4.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, Abbey Road Studios, 1969
Tone Character(9)
deep and thumpywarm, rounded lowsmuted attackslightly hollow midrangesoft, pillowy note envelopevery compressed and evenno audible grit or driveclassic late-60s Beatles bass soundstudio-polished clarity
Difficulty
The part is melodically interesting but technically straightforward, relying on a steady pick technique, palm muting, and dynamic control to achieve the iconic muted, compressed tone.
Sources
How to get that late Beatles Paul McCartney sound?How Can I achieve Paul Mccartney’s bass sound without using his gear (rickenbacker, hofner etc) by just using eq, pedals? Specifically i want to sound my bass on songs like “oh!darling”, “rain”, and “something” by the beatles.How to get McCartney bass tone?Paul McCartney bass tone
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Create Free AccountBassrock1960s
Original Gear
BassHöfner 500/1 Violin Bass (circa 1963)
AmpFender Bassman (likely blackface or blonde era), possibly blended with DI
PickupsDual single-coil pickups (neck and bridge, passive)
Amp Settings
gain0
bass7
mid5.5
treble4
presence4
compression4.5
Effects & Signal Chain
No effects used for this tone
Sources
How to get that late Beatles Paul McCartney sound?How Can I achieve Paul Mccartney’s bass sound without using his gear (rickenbacker, hofner etc) by just using eq, pedals? Specifically i want to sound my bass on songs like “oh!darling”, “rain”, and “something” by the beatles.How to get McCartney bass tone?Paul McCartney bass tone
Notes
Studio recording, Abbey Road Studios, 1969
Tone Character(9)
deep and thumpywarm, rounded lowsmuted attackslightly hollow midrangesoft, pillowy note envelopevery compressed and evenno audible grit or driveclassic late-60s Beatles bass soundstudio-polished clarity
Difficulty
The part is melodically interesting but technically straightforward, relying on a steady pick technique, palm muting, and dynamic control to achieve the iconic muted, compressed tone.
Something settings for your amp
Exact settings ToneAdapt players use on these amps.
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