Riff Tone
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Megadeth
Guitarmetal1990s
Original Gear
GuitarJackson Kelly KE1 (Marty Friedman signature, 1990s, likely used for clean parts on Youthanasia)
AmpSoldano SLO-100 (custom rackmount, studio use on Youthanasia, clean channel for clean parts)
PickupsSeymour Duncan TB-4 JB (bridge), Seymour Duncan SH-1 '59 (neck) humbuckers
Amp Settings
gain0
bass5.5
mid4.5
treble7
reverb1.5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1994 (Youthanasia album). Friedman used the Soldano SLO-100 in the studio for both rhythm and clean parts. No evidence of live rig or alternate guitars for the clean section.
Tone Character(10)
clear and bell-likewarm with slight brightnessarticulate and presentslightly compressedno audible breakupsubtle reverb ambiencedistinct note separationnot scooped, mids presentstudio-polished cleanno modulation or chorus
Difficulty
The clean riff requires careful picking and dynamic control to maintain clarity and separation, but does not involve advanced techniques or fast passages.
Sources
This tone has been researched 3 times by the community
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarJackson Kelly KE1 (Marty Friedman signature, 1990s, likely used for clean parts on Youthanasia)
AmpSoldano SLO-100 (custom rackmount, studio use on Youthanasia, clean channel for clean parts)
PickupsSeymour Duncan TB-4 JB (bridge), Seymour Duncan SH-1 '59 (neck) humbuckers
Amp Settings
gain0
bass5.5
mid4.5
treble7
reverb1.5
presence5.5
Effects & Signal Chain
No effects used for this tone
This tone has been researched 3 times by the community
Notes
Studio recording, 1994 (Youthanasia album). Friedman used the Soldano SLO-100 in the studio for both rhythm and clean parts. No evidence of live rig or alternate guitars for the clean section.
Tone Character(10)
clear and bell-likewarm with slight brightnessarticulate and presentslightly compressedno audible breakupsubtle reverb ambiencedistinct note separationnot scooped, mids presentstudio-polished cleanno modulation or chorus
Difficulty
The clean riff requires careful picking and dynamic control to maintain clarity and separation, but does not involve advanced techniques or fast passages.
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