Solo Tone
Another Brick In the Wall, Pt. 1
Pink Floyd
Guitarrock1970s
Original Gear
GuitarFender Stratocaster (Black Strat, late 1960s/early 1970s, maple neck, rosewood board, custom electronics)
AmpHiwatt DR103 Custom 100 Head into WEM Super Starfinder 200 4x12 cabinet (Fane Crescendo speakers), Yamaha RA-200 rotary speaker (blended in studio)
PickupsCustom-wound single-coil pickups (likely original Fender or Seymour Duncan SSL-1 in neck/middle, custom wound bridge)
Amp Settings
gain3.5
bass6.5
mid7
treble6.5
reverb3
presence5.5
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Big Muff Pi (Triangle or Ram's Head, era-correct)
delayBinson Binson Echorec (or studio tape delay, era-correct)
compressionMXR or Cornish Compressor pedal (likely MXR Dyna Comp or Cornish custom)
Notes
Studio recording, 1979. Gear confirmed for The Wall sessions. Pete Cornish 'Wall Board' pedalboard used. Yamaha RA-200 rotary speaker used for modulation/ambience in studio. Not to be confused with live rigs or Part 2 solo setup.
Tone Character(10)
smooth and liquid sustainslightly overdriven edge-of-breakupwarm and roundedairy and spaciousmodulated shimmer (rotary speaker)clear note separationtouch-sensitive dynamicsmild compressionnot heavily saturatedsinging lead voice
Difficulty
The solo requires intermediate technique with expressive bends, vibrato, and dynamic control to achieve Gilmour's signature sustain and phrasing. While not fast, the feel and articulation demand precision and musicality.
This tone has been researched 2 times by the community
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Original Gear
GuitarFender Stratocaster (Black Strat, late 1960s/early 1970s, maple neck, rosewood board, custom electronics)
AmpHiwatt DR103 Custom 100 Head into WEM Super Starfinder 200 4x12 cabinet (Fane Crescendo speakers), Yamaha RA-200 rotary speaker (blended in studio)
PickupsCustom-wound single-coil pickups (likely original Fender or Seymour Duncan SSL-1 in neck/middle, custom wound bridge)
Amp Settings
gain3.5
bass6.5
mid7
treble6.5
reverb3
presence5.5
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Big Muff Pi (Triangle or Ram's Head, era-correct)
delayBinson Binson Echorec (or studio tape delay, era-correct)
compressionMXR or Cornish Compressor pedal (likely MXR Dyna Comp or Cornish custom)
This tone has been researched 2 times by the community
Notes
Studio recording, 1979. Gear confirmed for The Wall sessions. Pete Cornish 'Wall Board' pedalboard used. Yamaha RA-200 rotary speaker used for modulation/ambience in studio. Not to be confused with live rigs or Part 2 solo setup.
Tone Character(10)
smooth and liquid sustainslightly overdriven edge-of-breakupwarm and roundedairy and spaciousmodulated shimmer (rotary speaker)clear note separationtouch-sensitive dynamicsmild compressionnot heavily saturatedsinging lead voice
Difficulty
The solo requires intermediate technique with expressive bends, vibrato, and dynamic control to achieve Gilmour's signature sustain and phrasing. While not fast, the feel and articulation demand precision and musicality.
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