Solo Tone
Buddy Holly
Weezer
Guitarrock1990s
Original Gear
GuitarGibson SG (early 1970s, likely Standard or Special)
AmpMesa/Boogie Mark I (1977-78, 60-watt head, 'Mesa Engineering' faceplate)
PickupsGibson humbuckers (stock, early 70s SG)
Amp Settings
gain7
bass6
mid7
treble6.5
reverb2
presence6
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Big Muff Pi
modulationUnknown Harmonizer/Octave pedal (model unknown)
Notes
Studio recording, 1994 Blue Album session. Guitar and amp confirmed by Equipboard and multiple interviews. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
fuzzed-out and saturatedsynth-like harmonicsthick, compressed sustainaggressive and biting attackmid-heavy focustight low endsinging, vocal-like leadslightly nasal upper midsharmonizer/octave doubling effectstudio-polished clarity
Difficulty
The solo requires intermediate-level control of timing and phrasing, accurate bends, and managing a high-gain fuzz tone with harmonizer/octave effects for clarity.
Sources
This tone has been researched 7 times by the community
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson SG (early 1970s, likely Standard or Special)
AmpMesa/Boogie Mark I (1977-78, 60-watt head, 'Mesa Engineering' faceplate)
PickupsGibson humbuckers (stock, early 70s SG)
Amp Settings
gain7
bass6
mid7
treble6.5
reverb2
presence6
Effects & Signal Chain
fuzzElectro-Harmonix Electro-Harmonix Big Muff Pi
modulationUnknown Harmonizer/Octave pedal (model unknown)
This tone has been researched 7 times by the community
Notes
Studio recording, 1994 Blue Album session. Guitar and amp confirmed by Equipboard and multiple interviews. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
fuzzed-out and saturatedsynth-like harmonicsthick, compressed sustainaggressive and biting attackmid-heavy focustight low endsinging, vocal-like leadslightly nasal upper midsharmonizer/octave doubling effectstudio-polished clarity
Difficulty
The solo requires intermediate-level control of timing and phrasing, accurate bends, and managing a high-gain fuzz tone with harmonizer/octave effects for clarity.
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