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Riff Tone

Burn

The Cure

Guitarrock1990s

Original Gear

GuitarSchecter UltraCure VI (Robert Smith signature, likely standard UltraCure for riff section)
AmpVox AC30 (studio recording, 1993-94 era, based on Robert Smith's known studio amps for this period)
PickupsSeymour Duncan Jaguar single-coils (UltraCure VI), likely standard UltraCure with Duncan Designed HB-102 humbuckers for main riff

Amp Settings

gain5
bass6
mid7
treble7
reverb3
presence6

Effects & Signal Chain

chorusBoss Boss CE-2 Chorus (or similar chorus pedal)
flangerBoss Boss BF-2 Flanger (or similar flanger pedal)
overdriveUnknown Overdrive pedal (model unknown, medium gain)

Notes

Studio recording, 1993-94. Robert Smith used the Schecter UltraCure (or UltraCure VI for lower parts), with Boss pedals and Vox AC30 amps in the studio. No evidence of live/touring gear or other amp models for this recording. Pickup type inferred from signature model and era.

Tone Character(10)
shimmery modulationbright and articulatemedium overdrive edgeclear note separationlush chorus/flanger movementslightly compressed attackambient but not washed outtight low endsubtle reverbdistinct Cure shimmer

Difficulty

The riff requires intermediate skill due to its syncopated rhythm, the need for precise picking to maintain clarity with modulation effects, and clean articulation to preserve the song's signature shimmer.

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Burn by The Cure — Riff Tone Settings | ToneAdapt