Solo Tone
Columbia (Live at Knebworth, 10 August '96)
Oasis
Guitarrock1990s
Original Gear
GuitarEpiphone Sheraton II
AmpMarshall 4x12 cabinet with Vox AC50 head
PickupsEpiphone mini-humbuckers (stock, likely Alnico V)
Amp Settings
gain7
bass6.5
mid7.5
treble7
reverb2.5
presence6
Effects & Signal Chain
delayBoss Boss DD-5 Digital Delay
wahVox Vox V847 Wah
compressionBoss Boss CS-3 Compression Sustainer
Notes
Live performance at Knebworth, 10 August 1996. Gear confirmed by pedalboard documentary footage and forum consensus for this era/live show. No evidence of studio gear used. Pedalboard visible in documentary.
Tone Character(10)
thick and saturatedsinging sustaincranked British amp crunchtight, compressed attackpronounced upper midrange biteslight delay trailsrich harmonic overtonesaggressive pick attackwall-of-sound layeringlive stadium ambience
Difficulty
The solo requires confident use of bends, vibrato, and expressive wah pedal sweeps, but does not involve advanced speed or complex runs. Delay timing and dynamic control are important for the live sound.
Sources
This tone has been researched 2 times by the community
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Create Free AccountGuitarrock1990s
Original Gear
GuitarEpiphone Sheraton II
AmpMarshall 4x12 cabinet with Vox AC50 head
PickupsEpiphone mini-humbuckers (stock, likely Alnico V)
Amp Settings
gain7
bass6.5
mid7.5
treble7
reverb2.5
presence6
Effects & Signal Chain
delayBoss Boss DD-5 Digital Delay
wahVox Vox V847 Wah
compressionBoss Boss CS-3 Compression Sustainer
This tone has been researched 2 times by the community
Notes
Live performance at Knebworth, 10 August 1996. Gear confirmed by pedalboard documentary footage and forum consensus for this era/live show. No evidence of studio gear used. Pedalboard visible in documentary.
Tone Character(10)
thick and saturatedsinging sustaincranked British amp crunchtight, compressed attackpronounced upper midrange biteslight delay trailsrich harmonic overtonesaggressive pick attackwall-of-sound layeringlive stadium ambience
Difficulty
The solo requires confident use of bends, vibrato, and expressive wah pedal sweeps, but does not involve advanced speed or complex runs. Delay timing and dynamic control are important for the live sound.
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