| Supersonic · riff | Riff · distorted | Epiphone Les Paul Standard (early '90s, Cherry Sunburst) | Watkins/WEM Dominator MK III combo (early '70s, Channel 2 input, Celestion G12H 30-watt 12-inch speaker) | 8 |
| Don't Look Back in Anger (Remastered) · riff | Riff · distorted | Fender Stratocaster (likely 1996-1997 Japanese or Mexican Standard, as used by Noel Gallagher in studio) | Vox AC30 (1963 model, non-Top Boost, as cited for studio recording) | 5 |
| Cigarettes & Alcohol (Remastered) · riff | Riff · distorted | 1989 Gibson Flying V (loaned from Johnny Marr) | Marshall JCM900 4100 head into Marshall 4x12 cabinet | 7 |
| Slide Away · riff | Riff · distorted | Epiphone Sheraton (early 1990s Korean model, as used by Noel Gallagher on 'Definitely Maybe') | Marshall JCM900 4100 Dual Reverb Head into Marshall 4x12 cabinet (studio recording, 1994) | 6.5 |
| Don't Look Back in Anger (Remastered) · solo | Solo · distorted | 1996 Fender Stratocaster Electric Guitar | Marshall JCM900 4100 | 6 |
| Acquiesce (Remastered) · riff | Riff · distorted | Epiphone Sheraton (early 90s, likely Korean-made, as used by Noel Gallagher in the 'Morning Glory' era) | Marshall JCM900 head with Marshall 4x12 cabinet | 6.5 |
| Some Might Say · riff | Riff · distorted | Epiphone Les Paul Standard (early 1990s, likely Korean-made) | Marshall stack (likely JCM900 or similar, as used by Noel Gallagher for early Oasis studio recordings) | 6.5 |
| Live Forever (Remastered) · riff | Riff · distorted | Epiphone Les Paul Standard (Cherry Sunburst, stock, used by Noel Gallagher on 'Definitely Maybe') | Watkins WEM Dominator MKIII 15-Watt Guitar Amplifier | 5.5 |
| Cigarettes & Alcohol (Live at Manchester Academy) · riff | Riff · distorted | Epiphone Les Paul Standard (early '90s, likely bridge pickup) | Marshall JCM900 4100 head with Marshall 4x12 cabinet | 6.5 |
| Live Forever (Remastered) · solo | Solo · distorted | 1960 spec Gibson Les Paul Standard (1952 Goldtop converted to 60 spec, borrowed from Johnny Marr) | Marshall amplifier (exact model not specified, but Marshall stack highly likely for Definitely Maybe era studio recording) | 5.5 |
| Morning Glory (Remastered) · riff | Riff · distorted | Gibson Les Paul Custom | Vox Conqueror (studio recording, main riff section) | 7 |
| Slide Away · solo | Solo · distorted | 1989 Gibson Flying V (loaned from Johnny Marr) | Marshall JCM900 4100 head into Marshall 4x12 cabinet | 6.5 |
| Stand By Me · riff | Riff · distorted | Epiphone Les Paul Standard (mid-90s, likely Korean-made, as used by Noel Gallagher in Be Here Now era) | Marshall JCM900 100W head into Marshall 4x12 cabinet (studio recording, 1997) | 6 |
| Champagne Supernova (Remastered) · solo | Solo · distorted | Gibson ES-355 (1960, cherry red, as used by Noel Gallagher in Oasis studio recordings) | Marshall JCM900 4100 head into Marshall 4x12 cabinet | 6 |
| Fade Away (Remastered) · riff | Riff · distorted | Epiphone Les Paul Standard (early 1990s, likely Korean-made) | WEM/Watkins Dominator MKIII combo (early 1970s, Channel 2 input, Celestion G12H 30-watt 12-inch speaker) | 8 |
| Stand By Me (Live at Wembley Stadium, July 2000) · solo | Solo · distorted | Gibson 1959 Les Paul Custom Historic Electric Guitar (Cherry Sunburst) | Marshall amplifier (exact model not specified, likely Marshall JCM900 or similar, as used by Noel Gallagher live in 2000) | 6 |
| Wonderwall · riff | Riff · clean | Antoria 698M Folk acoustic guitar | Direct to mixing desk (studio); no amp used for main acoustic riff section | 1.5 |
| Acquiesce (Live at Wembley Stadium, July 2000) · riff | Riff · distorted | Gibson 1959 Les Paul Custom Historic Electric Guitar (Cherry Sunburst, likely reissue) | Fender Pro Junior III 15-Watt 1x10 Guitar Combo Amp | 6 |
| Don't Look Back In Anger (Live at Knebworth, 11 August '96) · riff | Riff · distorted | Epiphone Sheraton II (early 90s Korean model, stock mini-humbuckers) | Marshall JCM900 4100 head with Marshall 4x12 cabinet | 6 |
| Some Might Say (Remastered) · riff | Riff · distorted | Epiphone Riviera | Marshall JCM900 4100 head with Marshall 4x12 cabinet | 6.5 |
| Supersonic (Live at Wembley Stadium, July 2000) · riff | Riff · distorted | Epiphone Les Paul Standard (early 1990s, cherry sunburst, bridge pickup) | Marshall JCM900 4100 head with Marshall 4x12 cabinet | 6.5 |
| The Masterplan · riff | Riff · distorted | Epiphone Sheraton (1990s Korean, stock humbuckers) or Gibson Les Paul Standard | Marshall JCM900 100W head with 4x12 cab (studio recording, 1997 era) | 5.5 |
| Cigarettes & Alcohol (Demo) [Remastered] · riff | Riff · distorted | Epiphone Les Paul Standard (early 1990s Korean model, likely with stock humbuckers) | Marshall JCM900 4100 head into Marshall 4x12 cabinet | 6.5 |
| Columbia (Live at Knebworth, 10 August '96) · solo | Solo · distorted | Epiphone Sheraton II | Marshall 4x12 cabinet with Vox AC50 head | 7 |
| Columbia (Live at Knebworth, 10 August '96) · riff | Riff · distorted | Epiphone Sheraton II (Noel Gallagher's main guitar at Knebworth 1996, as seen in documentary and confirmed for live use on this song) | Marshall 4x12 cabinet with Vox AC50 head (as per live rig evidence and forum consensus for Knebworth 1996) | 6.5 |
| D'you Know What I Mean? (Remastered) · riff | Riff · distorted | Epiphone Sheraton (likely 1990s Korean model, as used by Noel Gallagher on 'Be Here Now' era studio recordings) | Matchless Superchief 120 Head (studio recording, 'Be Here Now' era, 1996-1997) | 7.5 |
| I Am The Walrus (Live at Knebworth, 11 August '96) · riff | Riff · distorted | Epiphone Sheraton II (Union Jack finish, semi-hollow, as seen at Knebworth '96) | Marshall JCM900 4100 head with Marshall 4x12 cabinet | 6.5 |
| Married with Children (Remastered) · riff | Riff · distorted | Epiphone Riviera | Watkins WEM Dominator MKIII 15-Watt Guitar Amplifier | 3.5 |
| The Shock Of The Lightning · riff | Riff · distorted | Gibson ES-355 (likely, based on Noel Gallagher's main guitar for 'Dig Out Your Soul' era studio recordings) | Marshall JCM900 (studio recording, as used on 'Dig Out Your Soul' sessions; live rigs show Marshall SV20C and Hiwatt, but no evidence for studio use on this track) | 7 |
| (It's Good) To Be Free (Remastered) · riff | Riff · distorted | Epiphone Les Paul Standard (early 1990s, likely Korean-made) | WEM/Watkins Dominator MK III combo (early 1970s, Channel 2 input, Celestion G12H speaker) | 7.5 |
| Acquiesce · riff | Riff · distorted | Epiphone Sheraton | Marshall JCM900 head with Marshall 4x12 cabinet | 6.5 |
| Acquiesce (Live at Earls Court) · riff | Riff · distorted | Epiphone Sheraton (Noel Gallagher's main guitar for live Oasis in mid-1990s) | Marshall JCM900 4100 head into Marshall 4x12 cabinet | 6.5 |
| Acquiesce (Live at Wembley Stadium, July 2000) · solo | Solo · distorted | Gibson 1959 Les Paul Custom Historic Electric Guitar (Cherry Sunburst, likely bridge pickup) | Marshall JCM900 head with Marshall 4x12 cabinet | 6.5 |
| Alive (8 Track Demo) · riff | Riff · distorted | Epiphone Les Paul Standard (early 90s Korean model, as used by Noel Gallagher on early Oasis demos) | WEM Dominator Mk III (combo amp, as used by Noel Gallagher on early Oasis demos and Definitely Maybe sessions) | 6 |
| All Around The World · riff | Riff · distorted | Epiphone Sheraton (likely original, not reissue) or Gibson Les Paul Standard | Vox AC30 (Top Boost Channel), possibly blended with Marshall JCM900 in studio | 5 |
| Be Here Now (Remastered) · solo | Solo · distorted | Epiphone Sheraton II | Orange OR-120 | 6.5 |
| Be Here Now (Remastered) · riff | Riff · distorted | Epiphone Sheraton | Orange OR-120 | 6.5 |
| Bonehead's Bank Holiday (Remastered) · riff | Riff · distorted | Epiphone Riviera | Marshall JCM900 2x12 combo | 5.5 |
| Bring It on Down · riff | Riff · distorted | Epiphone Les Paul Standard (early '90s) | Watkins/WEM Dominator MK III combo (early '70s, Channel 2 input, Celestion G12H speaker) | 8 |
| Bring It On Down (Live from Edinburgh, 9 August '25) · riff | Riff · distorted | Gibson Les Paul Standard (Noel Gallagher signature, 2025 tour model) | Marshall JCM900 100W head into Marshall 4x12 cabinet | 6.5 |
| Bring It On Down (Remastered) · solo | Solo · distorted | Epiphone Les Paul Standard (early '90s, likely bridge pickup) | WEM/Watkins Dominator MK III combo (early '70s, Celestion G12H speaker) | 8.5 |
| Bring It On Down (Remastered) · riff | Riff · distorted | Epiphone Riviera (Paul 'Bonehead' Arthurs, rhythm guitar on riff section) | Marshall JCM900 4100 (Paul 'Bonehead' Arthurs, main amp for Definitely Maybe era, studio recording) | 7 |
| Champagne Supernova (Live at Wembley Stadium, July 2000) · riff | Riff · distorted | Gibson 1959 Les Paul Custom Historic Electric Guitar (Cherry Sunburst) | Fender Pro Junior III 15-Watt 1x10 Guitar Combo Amp | 6 |
| Champagne Supernova (Remastered) · riff | Riff · distorted | Epiphone Sheraton (Union Jack, mini-humbuckers, as used by Noel Gallagher on (What's the Story) Morning Glory?) | Marshall JCM900 4100 head with Marshall 4x12 cabinet | 5.5 |
| Champagne Supernova (Remastered) · riff | Riff · clean | Epiphone Sheraton (Noel Gallagher's main guitar for clean sections on (What's the Story) Morning Glory?) | Vox AC30 (studio recording, 1995 era, confirmed as Noel's main clean amp for this album) | 3.5 |
| Champagne Supernova (Remastered) · solo | Solo · clean | Epiphone Sheraton (Union Jack, semi-hollow, mini-humbuckers) | Vox AC30 (studio recording, 1995) | 3.5 |
| Cigarettes & Alcohol · riff | Riff · distorted | Gibson Les Paul Standard | Marshall JCM900 | 6.5 |
| Cigarettes & Alcohol (Live at Manchester Academy) · solo | Solo · distorted | Gibson Les Paul Standard (Cherry Sunburst, likely 1953 conversion gifted by Johnny Marr) | Hiwatt Custom 50 combo (paired with Marshall JTM45 combo, live blend) | 5.5 |
| Cigarettes & Alcohol (Remastered) · clean | Clean · clean | Fender Precision Bass (first revision) or Gibson Les Paul Triumph Bass (studio use) | Unknown | 0 |
| Cigarettes & Alcohol (Remastered) · solo | Solo · distorted | 1989 Gibson Flying V (loaned from Johnny Marr) | Marshall JCM900 head with Marshall 4x12 cabinet | 6.5 |
| Cigarettes and alcohol · riff | Riff · distorted | Epiphone Sheraton | Marshall JCM900 4100 head with Marshall 4x12 cabinet | 6 |
| Cloudburst (Remastered) · riff | Riff · distorted | Epiphone Les Paul Standard (early 90s Korean model, as used by Noel Gallagher on Definitely Maybe sessions) | Marshall JCM900 4100 Dual Reverb Head with Marshall 4x12 cabinet (studio recording, 1993-1994 era) | 7 |
| Columbia · solo | Solo · distorted | Epiphone Les Paul Standard (early '90s, cherry sunburst, stock) | WEM/Watkins Dominator MKIII combo (early '70s, Channel 2 input, Celestion G12H 30-watt 12-inch speaker) | 8.5 |
| Columbia (Live) · riff | Riff · distorted | 1992 Epiphone Les Paul Standard | Marshall Valvestate 8080 (Model 8080) + WEM Dominator (1x12 combo), both solid-state | 7.5 |
| Cum on Feel the Noize (Remastered) · riff | Riff · distorted | Gibson SG Standard | Marshall JCM900 head with Marshall 4x12 cabinet | 7 |
| D'You Know What I Mean? · riff | Riff · distorted | 1997 Gibson Flying V (black finish, white pickguard, capo on 2nd fret) | Marshall amplifier (exact model not specified, likely JCM900 or similar as used by Noel Gallagher in studio during 'Be Here Now' era) | 7 |
| Digsy's Dinner · riff | Riff · distorted | Fender Telecaster (likely early 90s, as used by Noel Gallagher on Definitely Maybe) | Marshall JCM900 head with Marshall 4x12 cabinet | 6 |
| Don't Go Away · riff | Riff · distorted | Epiphone Les Paul Standard (likely 1990s Korean model) | Marshall JCM900 4100 head into Marshall 4x12 cabinet | 5.5 |
| Don't Go Away · solo | Solo · distorted | Epiphone Sheraton | Marshall JCM900 4100 | 6 |
| Don't Look Back in Anger · solo | Solo · distorted | Fender Stratocaster (likely 1996 Noel Gallagher's Olympic White Strat) | Vox AC30 (1963, Top Boost circuit, Celestion Blues speakers) | 5.5 |
| Don't Look Back in Anger · riff | Riff · distorted | Fender Stratocaster (early 90s, sunburst, bought from Johnny Marr) | Vox AC30 (with Celestion Blue speakers, 1990s model likely used in studio) | 5.5 |
| Don't Look Back In Anger (Live at Knebworth, 11 August '96) · solo | Solo · distorted | Epiphone Sheraton II | Marshall JCM900 4100 | 6 |
| Don't Look Back in Anger (Remastered) · distorted | Distorted · distorted | Fender Precision Bass | Ampeg SVT (classic tube head, likely 8x10 cab) | 6 |
| Don't Look Back in Anger (Remastered) · riff | Riff · clean | Fender Stratocaster (sunburst, likely early 1960s, USA-made) | Vox AC50 head into Marshall 4x12 cabinet | 0 |
| Gas Panic! · riff | Riff · distorted | Epiphone Sheraton (Noel Gallagher's main semi-hollow for Standing on the Shoulder of Giants era) | Hiwatt Custom 100 (DR103, as used by Noel Gallagher in studio late 1990s) | 5.5 |
| Gas Panic! · solo | Solo · distorted | Epiphone Sheraton | Marshall JCM900 | 6 |
| Gas Panic! · riff | Riff · clean | Epiphone Sheraton (Noel Gallagher's main semi-hollow for Standing on the Shoulder of Giants era) | Hiwatt Custom 100 (DR103) head with matching cab | 0 |
| Gas Panic! (Live at Wembley Stadium, July 2000) · riff | Riff · distorted | Epiphone Sheraton (Bigsby, P90s, as used by Noel Gallagher at Wembley 2000) | Marshall amplifier (likely JCM900 or similar, as used live by Noel Gallagher in 2000) | 6.5 |
| Go Let It Out · riff | Riff · distorted | Epiphone Les Paul Standard | Marshall amplifier (likely Marshall JCM900 or similar, as used by Noel Gallagher in late 1990s/2000 era for studio recording) | 6.5 |
| Half The World Away · solo | Solo · clean | Epiphone Les Paul Standard (early '90s, likely Korean-made) | Watkins/WEM Dominator MKIII combo (early '70s, Channel 2 input, Celestion G12H speaker) | 0 |
| Headshrinker (Remastered) · riff | Riff · distorted | Epiphone Sheraton (likely, based on era and Noel Gallagher's main studio guitar for heavy tracks) | Marshall JCM900 (likely, as used by Noel Gallagher for distorted tones on 'What's The Story Morning Glory?' sessions) | 7 |
| Hello · distorted | Distorted · distorted | Fender Precision Bass (likely, based on era and Oasis bassist Paul 'Guigsy' McGuigan's known gear) | Ampeg SVT (classic 1970s/90s rock standard, inferred from genre/era and typical Britpop bass rigs) | 6 |
| Hello · riff | Riff · distorted | Gibson Les Paul Standard (likely 1990s, possibly Trini Lopez for wall-of-sound parts) | Marshall amplifier (likely JCM900 or similar 1990s Marshall head/cabinet) | 6.5 |
| Hello (Live at Roskilde) · riff | Riff · distorted | Gibson Les Paul Standard (likely 1954 or 1959 reissue, as used by Noel Gallagher live in the 1990s) | Marshall Valvestate 8080 (primary live amp for Oasis in the 1990s, especially for rhythm/riff sections) | 6.5 |
| Hey Now! · riff | Riff · distorted | Epiphone Les Paul Standard (early '90s, likely bridge pickup) | Marshall JCM900 4100 head with Marshall 4x12 cabinet | 6 |
| I Hope, I Think, I Know (Remastered) · riff | Riff · distorted | Epiphone Noel Gallagher Riviera | Marshall JCM900 | 6.5 |
| It's Getting' Better (Man!!) · riff | Riff · distorted | Epiphone Sheraton (Noel Gallagher's main guitar for Be Here Now era studio recordings) | Orange OR-120 head into Orange 4x12 cabinet | 7 |
| killing in the name · riff | Riff · distorted | — | — | 3.5 |
| Listen Up · riff | Riff · distorted | Epiphone Les Paul Standard (early 90s Korean model, likely Samick factory, as used by Noel Gallagher on 'Definitely Maybe' and B-sides era) | WEM Dominator Mk III (studio recording, cranked for rhythm/riff sections) | 7 |
| Little By Little · riff | Riff · distorted | Epiphone Sheraton (Noel Gallagher's main guitar for Heathen Chemistry era studio recordings) | Marshall JCM900 head with Marshall 4x12 cabinet (studio recording, 2001-2002) | 6.5 |
| Little By Little · solo | Solo · distorted | Epiphone Sheraton | Marshall JCM900 4100 head with Marshall 4x12 cabinet | 6.5 |
| Live Forever · riff | Riff · distorted | 1990s Gibson Les Paul Standard | Marshall JCM900 head with Marshall 4x12 cabinet | 4.5 |
| Live Forever · solo | Solo · distorted | Epiphone Les Paul Standard (early 90s Korean model, likely with stock pickups) | Marshall JCM900 head with Marshall 4x12 cabinet | 6 |
| Live Forever (Live at Knebworth, 10 August '96) · riff | Riff · distorted | Epiphone Sheraton (1960s, original, not reissue) | Watkins WEM Dominator Mk III (15-watt all-valve combo, 12-inch speaker) | 6 |
| Live Forever (Remastered) · riff | Riff · clean | Epiphone Les Paul Standard (early 90s Korean, likely Samick factory, as used by Noel Gallagher on 'Definitely Maybe') | Marshall JCM900 head with Marshall 4x12 cabinet (studio recording, 1994) | 0 |
| Live Forever (Remastered) · distorted | Distorted · distorted | Fender Precision Bass (likely 1970s or early 80s, sunburst, rosewood board) | Marshall JCM800 Bass Head + Marshall 4x12 cabinet (studio); possible Fender Bassman in some live contexts | 6 |
| Lyla · riff | Riff · distorted | Epiphone Sheraton (likely, as used by Noel Gallagher on 'Lyla' studio recording; Gem Archer also used semi-hollow guitars, but no explicit studio confirmation for the riff section) | Fender Twin Reverb (likely, based on era and Oasis studio amp preferences; some sources mention Fender Tweed Twin for Gem Archer, but not confirmed for studio recording of 'Lyla') | 5.5 |
| Morning Glory (Remastered) · distorted | Distorted · distorted | Fender Precision Bass '51 Reissue | Hiwatt DR-201 Custom 200W head + Hiwatt SE320 4x12 cabinet | 6 |
| Rock 'n' Roll Star · solo | Solo · distorted | Gibson Les Paul Standard (likely 1990s, used for 'Rock 'n' Roll Star' solo) | Marshall JCM900 2x12 combo (studio recording, 1994) | 6.5 |
| Rock 'n' Roll Star · riff | Riff · distorted | Epiphone Les Paul Standard (early '90s, bridge pickup) | WEM/Watkins Dominator MK III combo (early '70s, Channel 2 input, Celestion G12H 30-watt 12-inch speaker) | 8 |
| Rock 'n' Roll Star (Remastered) · riff | Riff · distorted | Epiphone Riviera (early 1990s, as used by Paul 'Bonehead' Arthurs on Definitely Maybe) | Watkins WEM Dominator MKIII 15-Watt Guitar Amplifier | 7 |
| Rock 'n' Roll Star (Remastered) · solo | Solo · distorted | Epiphone Les Paul Standard (early 90s Korean, likely Samick factory) | Marshall JCM900 4100 Dual Reverb Head | 6.5 |
| Roll It Over · riff | Riff · distorted | Epiphone Les Paul Standard (likely late 90s, bridge pickup) | Marshall JCM900 head with Marshall 4x12 cabinet | 6.5 |
| Roll with It · riff | Riff · distorted | Epiphone Les Paul Standard (early 1990s, bridge pickup) | Watkins/WEM Dominator MK III combo (early 1970s, Celestion G12H speaker) | 6.5 |
| Shakermaker (Remastered) · riff | Riff · distorted | Epiphone Les Paul Standard (early 90s Korean model, as used by Noel Gallagher on Definitely Maybe) | Marshall JCM900 4100 Dual Reverb Head into Marshall 4x12 cab (studio recording, 1994) | 6 |
| She's Electric · riff | Riff · distorted | Epiphone Les Paul Standard (early 1990s, likely bridge pickup) | Marshall amplifier (likely JCM900 or similar, as used on (What's the Story) Morning Glory? sessions) | 5.5 |
| She's Electric · riff | Riff · clean | Epiphone Riviera (1984, semi-hollow, humbuckers) | Vox AC30 (1990s, likely Top Boost model, studio recording) | 0 |
| She's Electric (Remastered) · riff | Riff · distorted | Epiphone Sheraton | Vox AC30 (Top Boost Channel) | 4.5 |
| Slide Away (Live at Knebworth, 11 August '96) · riff | Riff · distorted | Epiphone Sheraton II | Marshall JCM900 head with Marshall 4x12 cabinet | 6.5 |
| Slide Away (Live at Knebworth, 11 August '96) · solo | Solo · distorted | Epiphone Sheraton II | Marshall JCM900 4100 | 6.5 |
| Slide Away (Live from Cardiff, 4 July '25) · riff | Riff · distorted | Gibson ES-355 (Noel Gallagher, live 2025 reunion tour) | Marshall JCM900 (Noel Gallagher, live 2025 reunion tour) | 6.5 |
| Some Might Say · riff | Riff · clean | Epiphone Les Paul Standard (early '90s) | Watkins/WEM Dominator MK III combo (early '70s, Channel 2 input, Celestion G12H 30-watt 12-inch speaker) | 0 |
| Some Might Say · solo | Solo · distorted | Epiphone Sheraton (1990s Korean, likely stock pickups) | Marshall JCM900 (studio recording, 1995 era) | 6.5 |
| Some Might Say (Live at Knebworth, 11 August '96) · riff | Riff · distorted | Epiphone Sheraton (1960s, Sunburst, likely with mini-humbuckers) | Marshall JCM900 4100 head into Marshall 4x12 cabinet | 6.5 |
| Some Might Say (Remastered) · solo | Solo · distorted | Epiphone Sheraton II Pro | Marshall JCM900 4100 Dual Reverb | 6 |
| Stand By Me · solo | Solo · distorted | Epiphone Sheraton II | Marshall JCM900 4100 | 6 |
| Stand By Me (Live at Wembley Stadium, July 2000) · riff | Riff · distorted | Gibson 1959 Les Paul Custom Historic Electric Guitar | Fender Pro Junior III 15-Watt 1x10 Guitar Combo Amp | 6 |
| Stay Young · riff | Riff · distorted | Epiphone Sheraton (red, mini-humbuckers, Noel Gallagher's, as used in Oasis studio era) | Fender '57 Twin Reissue | 6 |
| Stop Crying Your Heart Out · riff | Riff · distorted | Gibson ES-355 | Marshall JCM900 (studio recording, 2002 era) | 5.5 |
| Sunday Morning Call · riff | Riff · distorted | Epiphone Sheraton (likely Korean-made, as used by Noel Gallagher in late 1990s studio sessions) | Marshall JCM900 (paired with Hiwatt Custom 100 in studio blend) | 6 |
| Supersonic · solo | Solo · clean | Epiphone Les Paul Standard (early '90s, cherry sunburst) | Watkins/WEM Dominator MK III combo (early '70s, Channel 2 input, Celestion G12H 30-watt 12-inch speaker) | 0 |
| Supersonic · solo | Solo · distorted | Early 1990s Epiphone Les Paul Standard | Early 1970s Watkins/WEM Dominator MK III combo (Celestion G12H 30-watt 12-inch speaker) | 7.5 |
| Supersonic · riff | Riff · clean | Epiphone Les Paul Standard '60s (c. 1992-1994) | WEM/Watkins Dominator MK III combo (early '70s, Channel 2 input, Celestion G12H 30-watt 12-inch speaker) | 4 |
| Talk Tonight (Remastered) · riff | Riff · clean | Epiphone EJ-200 Acoustic | None (acoustic direct or mic'd, no electric amp used for riff section) | 1 |
| The Girl In The Dirty Shirt (Remastered) · riff | Riff · distorted | Epiphone Sheraton (Noel Gallagher's main guitar for Be Here Now era studio recordings) | Marshall JCM900 (studio recording, Be Here Now era) | 6 |
| The Hindu Times · riff | Riff · distorted | Epiphone Les Paul Standard (likely 1990s/early 2000s, as used by Noel Gallagher in this era) | Marshall amplifier (exact model not confirmed for studio, but Marshall stacks are widely cited for Oasis studio tones in this era; some live use of Marshall JCM900/JCM2000 and Marshall Origin series in later years, but studio model for 'The Hindu Times' is not explicitly confirmed in sources) | 6.5 |
| The Importance of Being Idle · solo | Solo · distorted | Epiphone Riviera (likely 1990s/2000s, semi-hollow, humbuckers) | Marshall amplifier (likely JCM 900 or similar, as used by Noel Gallagher in studio during this era) | 5 |
| The Masterplan · riff | Riff · clean | Epiphone Sheraton (1990s Korean, as used by Noel Gallagher in studio) | Marshall JCM900 head with Marshall 4x12 cab (studio recording, 1997) | 0 |
| Turn Up the Sun · riff | Riff · distorted | Epiphone Riviera (likely Bonehead signature, as used by Gem Archer on this era's recordings) | Marshall amplifier (exact model unknown, likely JCM900 or similar as per Oasis studio rig for Don't Believe the Truth era) | 6 |
| Up In The Sky (Remastered) · riff | Riff · distorted | Epiphone Les Paul Standard (1990s Korean model, as used by Noel Gallagher on Definitely Maybe) | Marshall JCM900 4100 Dual Reverb Head into Marshall 4x12 cabinet (1990s studio setup) | 6.5 |
| Where Did It All Go Wrong? · riff | Riff · distorted | Epiphone Sheraton II | Marshall Valvestate 8080 | 6 |
| Who Feels Love? · riff | Riff · distorted | Rickenbacker 330 Electric Guitar (Mapleglo finish, rosewood neck) | Marshall JCM900 4100 | 5 |
| Wonderwall · solo | Solo · clean | Epiphone EJ-200 Acoustic-Electric | Direct Input (DI) or possible Marshall JCM900 (for any electric overdubs, but solo is acoustic) | 0 |
| Wonderwall · riff | Riff · distorted | Epiphone EJ-200 acoustic-electric | Marshall JCM900 (studio recording, 1995) | 3.5 |
| Wonderwall · solo | Solo · distorted | Epiphone Les Paul Standard (early '90s) | Marshall JCM900 head with Marshall 4x12 cabinet | 5 |
| Wonderwall (Live at Wembley Stadium, July 2000) · riff | Riff · distorted | Epiphone Riviera (Mapleglo finish, rosewood neck) | Marshall JCM900 head with Marshall 4x12 cabinet | 4.5 |
| Wonderwall (Remastered) · riff | Riff · distorted | Epiphone EJ-200 acoustic-electric | Marshall JCM900 (studio recording, likely DI or mic'd acoustic into Marshall for 'crunch') | 4 |