Solo Tone
Gas Panic!
Oasis
Guitarrock1990s
Original Gear
GuitarEpiphone Sheraton
AmpMarshall JCM900
PickupsPAF-style humbuckers
Amp Settings
gain6
bass5.5
mid7
treble6.5
reverb2.5
presence5
Effects & Signal Chain
overdriveIbanez Ibanez TS9 Tube Screamer
wahDunlop Dunlop Cry Baby Wah
delayBoss Boss DD-3 Digital Delay
compressionUnknown Compressor pedal (model unknown)
Notes
Studio recording, year 2000 (Standing on the Shoulder of Giants sessions). Guitar and amp confirmed for era and song by multiple sources. Some sources mention Vox AC30 as a secondary amp, but JCM900 is most consistently cited for this period and track. Effects chain includes overdrive, wah, and delay for solo section.
Tone Character(10)
midrange-forwardwarm and smoothcrunchy breakupsinging sustainslightly boosted trebletight and punchydynamic responsesubtle ambiencewah sweep in soloshort delay repeats
Difficulty
The solo requires intermediate technique, including expressive wah use, dynamic picking, and precise timing with delay. While not technically virtuosic, it demands good control of effects and phrasing.
Sources
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Create Free AccountGuitarrock1990s
Original Gear
GuitarEpiphone Sheraton
AmpMarshall JCM900
PickupsPAF-style humbuckers
Amp Settings
gain6
bass5.5
mid7
treble6.5
reverb2.5
presence5
Effects & Signal Chain
overdriveIbanez Ibanez TS9 Tube Screamer
wahDunlop Dunlop Cry Baby Wah
delayBoss Boss DD-3 Digital Delay
compressionUnknown Compressor pedal (model unknown)
Notes
Studio recording, year 2000 (Standing on the Shoulder of Giants sessions). Guitar and amp confirmed for era and song by multiple sources. Some sources mention Vox AC30 as a secondary amp, but JCM900 is most consistently cited for this period and track. Effects chain includes overdrive, wah, and delay for solo section.
Tone Character(10)
midrange-forwardwarm and smoothcrunchy breakupsinging sustainslightly boosted trebletight and punchydynamic responsesubtle ambiencewah sweep in soloshort delay repeats
Difficulty
The solo requires intermediate technique, including expressive wah use, dynamic picking, and precise timing with delay. While not technically virtuosic, it demands good control of effects and phrasing.
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