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Solo Tone

Company

Third Eye Blind

Guitarrock1990s

Original Gear

GuitarGibson ES-335
Amp1965 Marshall Plexi (with 6L6s, through Mesa 4x12 cab with Celestion Vintage 30s)
PickupsGibson humbuckers (stock, likely '57 Classics or similar for this era)

Amp Settings

gain6.5
bass6
mid7
treble6.5
reverb2.5
presence6

Effects & Signal Chain

distortionBoss Keeley-modded Boss DS-1 Distortion
fuzzWay Huge Way Huge Swollen Pickle
wahDunlop Dunlop Cry Baby Rack Wah
delayStrymon Strymon TimeLine
compressionKeeley Keeley 4-Knob Compressor
reverbStrymon Strymon BlueSky Reverberator

Notes

Studio recording, 1997 album era. Kryz Reid's main distorted tone for solos used the Marshall Plexi head through a Mesa 4x12 cab. Guitar is confirmed as a Gibson ES-335 for this era and song. Effects and pedal order confirmed by Premier Guitar and YouTube rig rundown. Settings estimated based on typical Marshall Plexi usage for modern rock and available rig details.

Tone Character(10)
singing sustaintight, focused lead toneharmonic-rich overdrivearticulate attackmodern rock solo claritypunchy midrange presencesmooth, saturated distortiondynamic pick responsecutting through the mixcontrolled feedback in solo

Difficulty

The solo requires intermediate to advanced control of expressive techniques (wah, bends, vibrato), fast melodic lines, and dynamic picking, but does not reach shred-level technicality.

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