Solo Tone
Faster (Live)
Third Eye Blind
Guitarrock2010s+
Original Gear
GuitarGibson SG
AmpFender Twin Reverb (live setup, as per Guitar Chalk and multiple rig rundowns)
PickupsHumbuckers (stock Gibson SG pickups, likely 490R/498T or similar for live era)
Amp Settings
gain6.5
bass5
mid6.5
treble6.5
reverb3
presence5.5
Effects & Signal Chain
overdriveFulltone Fulltone OCD Overdrive
delayLine 6 Line 6 DL4 Delay Modeler
Notes
Live performance, 2010s era. Kryz Reid is the primary guitarist for this era. Guitar Chalk and Premier Guitar both reference the SG and Twin Reverb for live tones. Pedalboard is extensive and includes delay and overdrive for solos.
Tone Character(10)
crunchy and mid-heavybright but full-bodiedarticulate lead linessinging sustain in solotouch-sensitive responseambient delay trailsclear note separationslightly compressed attackwarmth with claritydynamic and responsive to picking
Difficulty
The solo requires intermediate to advanced lead technique, including fast picking, expressive phrasing with delay, and dynamic control of overdrive. The player must manage sustain and clarity at high volume in a live context.
Sources
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarGibson SG
AmpFender Twin Reverb (live setup, as per Guitar Chalk and multiple rig rundowns)
PickupsHumbuckers (stock Gibson SG pickups, likely 490R/498T or similar for live era)
Amp Settings
gain6.5
bass5
mid6.5
treble6.5
reverb3
presence5.5
Effects & Signal Chain
overdriveFulltone Fulltone OCD Overdrive
delayLine 6 Line 6 DL4 Delay Modeler
Notes
Live performance, 2010s era. Kryz Reid is the primary guitarist for this era. Guitar Chalk and Premier Guitar both reference the SG and Twin Reverb for live tones. Pedalboard is extensive and includes delay and overdrive for solos.
Tone Character(10)
crunchy and mid-heavybright but full-bodiedarticulate lead linessinging sustain in solotouch-sensitive responseambient delay trailsclear note separationslightly compressed attackwarmth with claritydynamic and responsive to picking
Difficulty
The solo requires intermediate to advanced lead technique, including fast picking, expressive phrasing with delay, and dynamic control of overdrive. The player must manage sustain and clarity at high volume in a live context.
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