Solo Tone
Cryin'
Joe Satriani
Guitarrock1990s
Original Gear
Guitar1983 Kramer Pacer with rosewood fretboard
AmpEarly Seventies Marshall Model 1959 Super Lead 100-Watt head with Marshall 4x12 cabinet (Celestion G12T-75 speakers)
PickupsSeymour Duncan JB (bridge humbucker)
Amp Settings
gain7
bass5
mid7.5
treble6
reverb1.5
presence6
Effects & Signal Chain
wahDunlop Cry Baby Wah
overdriveChandler Chandler Tube Driver
Notes
Studio recording, 1992 (album: The Extremist). Gear confirmed for studio session, not live. Chandler Tube Driver and Cry Baby wah used for solo tone. Eventide H949 for detune effect. Kramer Pacer used for leads on this album, not Ibanez JS (which came later).
Tone Character(10)
singing sustainupper-midrange punchvoice-like midrange honkthick and articulatefluid legatodynamic wah sweepsslightly detuned/chorus-like effectabrasive textureexpressive phrasingclear note separation
Difficulty
The solo requires advanced legato technique, expressive bending, and precise wah pedal control, making it challenging for most players. The phrasing and sustain demand expert-level touch and control.
Sources
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Original Gear
Guitar1983 Kramer Pacer with rosewood fretboard
AmpEarly Seventies Marshall Model 1959 Super Lead 100-Watt head with Marshall 4x12 cabinet (Celestion G12T-75 speakers)
PickupsSeymour Duncan JB (bridge humbucker)
Amp Settings
gain7
bass5
mid7.5
treble6
reverb1.5
presence6
Effects & Signal Chain
wahDunlop Cry Baby Wah
overdriveChandler Chandler Tube Driver
Notes
Studio recording, 1992 (album: The Extremist). Gear confirmed for studio session, not live. Chandler Tube Driver and Cry Baby wah used for solo tone. Eventide H949 for detune effect. Kramer Pacer used for leads on this album, not Ibanez JS (which came later).
Tone Character(10)
singing sustainupper-midrange punchvoice-like midrange honkthick and articulatefluid legatodynamic wah sweepsslightly detuned/chorus-like effectabrasive textureexpressive phrasingclear note separation
Difficulty
The solo requires advanced legato technique, expressive bending, and precise wah pedal control, making it challenging for most players. The phrasing and sustain demand expert-level touch and control.
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