Solo Tone
The Forgotten, Pt. 2
Joe Satriani
Guitarrock1980s
Original Gear
GuitarIbanez JS1 (Joe Satriani Signature, likely Chrome Boy or JS1 model, as used on 'Flying in a Blue Dream')
AmpFender Silverface Pro Reverb
PickupsDiMarzio FRED (bridge), DiMarzio PAF Pro (neck), both humbuckers
Amp Settings
gain7
bass6
mid6
treble6.5
reverb4
presence5.5
Effects & Signal Chain
distortionBoss Boss DS-1 Distortion
delayBoss Boss DM-2 Delay
Notes
Studio recording, 1989. Satriani confirmed use of a Silverface Fender Pro Reverb with a Boss DS-1 Distortion pedal for the 'Flying in a Blue Dream' album, which includes 'The Forgotten, Pt. 2'. Microphone: AKG C12-A. No evidence of live rig or other amps for this studio solo.
Tone Character(10)
singing sustainsmooth and fluid leadwarm midrangeclear note articulationtouch-sensitive responsemoderate gain saturationambient delay trailsslightly compressed attackbright but not harsh top endfull-bodied solo presence
Difficulty
The solo requires advanced legato technique, expressive bends, and dynamic control to achieve the singing sustain and fluid phrasing characteristic of Satriani's style.
Sources
This tone has been researched 2 times by the community
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Create Free AccountGuitarrock1980s
Original Gear
GuitarIbanez JS1 (Joe Satriani Signature, likely Chrome Boy or JS1 model, as used on 'Flying in a Blue Dream')
AmpFender Silverface Pro Reverb
PickupsDiMarzio FRED (bridge), DiMarzio PAF Pro (neck), both humbuckers
Amp Settings
gain7
bass6
mid6
treble6.5
reverb4
presence5.5
Effects & Signal Chain
distortionBoss Boss DS-1 Distortion
delayBoss Boss DM-2 Delay
This tone has been researched 2 times by the community
Notes
Studio recording, 1989. Satriani confirmed use of a Silverface Fender Pro Reverb with a Boss DS-1 Distortion pedal for the 'Flying in a Blue Dream' album, which includes 'The Forgotten, Pt. 2'. Microphone: AKG C12-A. No evidence of live rig or other amps for this studio solo.
Tone Character(10)
singing sustainsmooth and fluid leadwarm midrangeclear note articulationtouch-sensitive responsemoderate gain saturationambient delay trailsslightly compressed attackbright but not harsh top endfull-bodied solo presence
Difficulty
The solo requires advanced legato technique, expressive bends, and dynamic control to achieve the singing sustain and fluid phrasing characteristic of Satriani's style.
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