Riff Tone

Deep Red

Movements

Guitarrock2010s+

Original Gear

GuitarFender Jazzmaster (exact model not specified, but confirmed in live/studio photos and interviews for this era)

AmpFender '65 Twin Reverb, Fender '59 Twin, and Fender '68 Princeton (multiple amps used for double-tracking, but all Fender tube amps per studio interview)

PickupsFender Jazzmaster single-coil pickups

Amp Settings

gain6.5

bass5.5

mid5.5

treble7

reverb3

presence5.5

Effects & Signal Chain

delayJHS JHS Panther Cub Analog Delay

Notes

Studio recording, 2020 (recorded for the album 'No Good Left to Give'). Multiple Fender amps were used for double-tracking rhythm parts. Guitarist is the only guitarist in the band and tracked all parts. Settings estimated based on typical Jazzmaster into Fender Twin/Princeton for modern emo/post-hardcore rhythm tones. No evidence of live rig for this specific song/section.

Tone Character(10)

tight and punchyslightly gritty edgeclear, articulate chord voicingsdynamic and responsivefull-bodied midrangebright but not harshmodern emo/post-hardcore crunchstudio double-trackedpresent attackcontrolled low end

Difficulty

The riff requires intermediate-level technique due to syncopated chord changes, dynamic picking, and the need for tight double-tracking to match the studio sound.

Sources

Movements: “I really put my heart into the guitar parts for this band ...

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