Riff Tone
The Grey
Movements
Guitarrock2010s+
Original Gear
GuitarEpiphone Les Paul Standard (likely, based on artist's known gear for this era, but not 100% confirmed for this specific track)
AmpOrange Amplifier (exact model unknown, but Orange amps are confirmed as used on the album; likely Rockerverb or similar)
PickupsEpiphone humbuckers (stock or similar, likely Alnico, but exact model not confirmed for this recording)
Amp Settings
gain7
bass6
mid6
treble7
reverb2.5
presence6
Effects & Signal Chain
delayJHS JHS Panther Cub Analog Delay
chorusMXR MXR M234 Analog Chorus
overdriveJ. Rockett J. Rockett Archer
reverbStrymon Strymon Flint
Notes
Studio recording, 2020 album 'No Good Left to Give'. Multiple amps and guitars were used for doubles, but Orange amps and Epiphone Les Paul are most likely for the main riff. No direct evidence of live rig for this song section.
Tone Character(10)
chimey and articulatetight, modern crunchclear note separationslightly compressed attackmodulation shimmer (chorus)ambient, slightly wet soundmedium gain saturationdynamic and expressivenot overly scooped midspresent, but not harsh treble
Difficulty
The riff requires tight rhythmic playing, clean articulation with moderate gain and effects, and dynamic control to maintain clarity, making it intermediate in difficulty.
Sources
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarEpiphone Les Paul Standard (likely, based on artist's known gear for this era, but not 100% confirmed for this specific track)
AmpOrange Amplifier (exact model unknown, but Orange amps are confirmed as used on the album; likely Rockerverb or similar)
PickupsEpiphone humbuckers (stock or similar, likely Alnico, but exact model not confirmed for this recording)
Amp Settings
gain7
bass6
mid6
treble7
reverb2.5
presence6
Effects & Signal Chain
delayJHS JHS Panther Cub Analog Delay
chorusMXR MXR M234 Analog Chorus
overdriveJ. Rockett J. Rockett Archer
reverbStrymon Strymon Flint
Notes
Studio recording, 2020 album 'No Good Left to Give'. Multiple amps and guitars were used for doubles, but Orange amps and Epiphone Les Paul are most likely for the main riff. No direct evidence of live rig for this song section.
Tone Character(10)
chimey and articulatetight, modern crunchclear note separationslightly compressed attackmodulation shimmer (chorus)ambient, slightly wet soundmedium gain saturationdynamic and expressivenot overly scooped midspresent, but not harsh treble
Difficulty
The riff requires tight rhythmic playing, clean articulation with moderate gain and effects, and dynamic control to maintain clarity, making it intermediate in difficulty.
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