Riff Tone
Diminished to B
Necrophagist
Guitarmetal2000s
Original Gear
GuitarIbanez RG550 (likely, as used by Muhammed Suiçmez on Epitaph era studio recordings)
AmpPeavey 5150 (studio recording, Epitaph album era)
PickupsDiMarzio Evolution (bridge humbucker, stock or aftermarket as per Epitaph-era interviews)
Amp Settings
gain9
bass5.5
mid6
treble7
reverb0
presence6.5
Effects & Signal Chain
noise_gateUnknown Noise gate (model unknown)
Notes
Studio recording, Epitaph album (2004). Gear inferred from era and artist interviews; no direct source for Diminished to B but consistent with Epitaph sessions.
Tone Character(10)
tight and percussiverazor-sharp attackscooped but present midshigh-gain saturationarticulate note separationcrushing low endminimal ambiencedry, focused soundaggressive palm mutingfast alternate picking clarity
Difficulty
This riff is expert-level due to its high speed, intricate picking patterns, and the need for extreme precision and stamina typical of technical death metal.
Sources
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Original Gear
GuitarIbanez RG550 (likely, as used by Muhammed Suiçmez on Epitaph era studio recordings)
AmpPeavey 5150 (studio recording, Epitaph album era)
PickupsDiMarzio Evolution (bridge humbucker, stock or aftermarket as per Epitaph-era interviews)
Amp Settings
gain9
bass5.5
mid6
treble7
reverb0
presence6.5
Effects & Signal Chain
noise_gateUnknown Noise gate (model unknown)
Notes
Studio recording, Epitaph album (2004). Gear inferred from era and artist interviews; no direct source for Diminished to B but consistent with Epitaph sessions.
Tone Character(10)
tight and percussiverazor-sharp attackscooped but present midshigh-gain saturationarticulate note separationcrushing low endminimal ambiencedry, focused soundaggressive palm mutingfast alternate picking clarity
Difficulty
This riff is expert-level due to its high speed, intricate picking patterns, and the need for extreme precision and stamina typical of technical death metal.
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