Riff Tone
Entre Caníbales
Soda Stereo
Guitarrock1990s
Original Gear
GuitarEpiphone FT-165
AmpUnknown acoustic amp or direct to PA/console (studio recording, likely direct input or mic'd acoustic)
PickupsPiezo pickup (acoustic, under-saddle, stock on FT-165)
Amp Settings
gain0
bass5.5
mid6.5
treble7
reverb3
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1990 (Canción Animal album). All available sources and live footage from the era show Cerati using an Epiphone FT-165 12-string acoustic for the riff section. No evidence of electric guitar or specific amp model for the riff. Likely recorded direct or with minimal amplification.
Tone Character(10)
bright and shimmeringfull-bodied midrangeclear and articulatenatural acoustic resonanceairy top endopen and ringing chordsslight warmthgentle dynamic responseminimal colorationsubtle reverb ambience
Difficulty
The riff requires clean, even strumming on a 12-string acoustic, with open chord voicings and attention to dynamics. While not technically advanced, the 12-string setup and clarity demand intermediate control.
Sources
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Create Free AccountGuitarrock1990s
Original Gear
GuitarEpiphone FT-165
AmpUnknown acoustic amp or direct to PA/console (studio recording, likely direct input or mic'd acoustic)
PickupsPiezo pickup (acoustic, under-saddle, stock on FT-165)
Amp Settings
gain0
bass5.5
mid6.5
treble7
reverb3
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1990 (Canción Animal album). All available sources and live footage from the era show Cerati using an Epiphone FT-165 12-string acoustic for the riff section. No evidence of electric guitar or specific amp model for the riff. Likely recorded direct or with minimal amplification.
Tone Character(10)
bright and shimmeringfull-bodied midrangeclear and articulatenatural acoustic resonanceairy top endopen and ringing chordsslight warmthgentle dynamic responseminimal colorationsubtle reverb ambience
Difficulty
The riff requires clean, even strumming on a 12-string acoustic, with open chord voicings and attention to dynamics. While not technically advanced, the 12-string setup and clarity demand intermediate control.
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