| De Música Ligera · riff | Riff · distorted | Fender Electric XII 12-String | Vox AC-50 | 4.5 |
| Persiana Americana · riff | Riff · clean | Fender Telecaster (likely 1970s, as used by Gustavo Cerati in the Signos era) | Roland Jazz Chorus-120 | 0 |
| Prófugos · riff | Riff · distorted | Jackson Soloist San Dimas | Roland JC-120 Jazz Chorus | 4.5 |
| Luna Roja · riff | Riff · distorted | Fender Stratocaster (likely Japanese or American Standard, early 90s, as used by Cerati on Dynamo) | Marshall JCM800 (most likely, as used by Cerati during Dynamo era, no evidence of other amp for this song/era) | 5.5 |
| Juegos de Seducción (Me Verás Volver Gira 2007) · riff | Riff · distorted | Jackson Soloist San Dimas Custom 1985 | Vox AC-50 | 6 |
| Luna Roja (En Vivo) · riff | Riff · distorted | Fender Stratocaster (likely 1980s-90s, as used by Cerati live in this era) | Marshall JCM800 (most likely, as used by Cerati live with Soda Stereo in the late 90s) | 5.5 |
| Persiana Americana · riff | Riff · distorted | Jackson Soloist San Dimas Custom 1985 | Seymour Duncan Convertible 100 | 5 |
| (En) el Séptimo Día · riff | Riff · distorted | Fender Stratocaster MIM | Roland JC-120 Jazz Chorus | 5 |
| Cuando Pase el Temblor · riff | Riff · clean | Jackson Soloist SL1 (blue, mid-80s, as used on 'Signos' era and referenced for classic Soda Stereo sound) | Roland JC-120 Jazz Chorus | 3.5 |
| En la Ciudad de la Furia (Me Verás Volver Gira 2007) · riff | Riff · distorted | Fender Electric XII 12-String | Bogner Shiva EL34 | 5.5 |
| Lo Que Sangra (La Cúpula) · riff | Riff · clean | 1986 Kramer Ferrington KFT-1 Acoustic-Electric Guitar | Unknown (no explicit source for amp model used on studio recording of 'Lo Que Sangra (La Cúpula)') | 3.5 |
| Luna Roja · riff | Riff · clean | Fender Stratocaster (likely Japanese or American, early 90s, as used by Cerati on Dynamo) | Roland JC-120 Jazz Chorus | 3 |
| Mundo de Quimeras · riff | Riff · distorted | Jackson Soloist San Dimas (likely SL1, blue, as used by Cerati in late 80s/early 90s) | Tech 21 SansAmp Classic (studio direct, as used by Cerati for recording in late 80s/early 90s) | 6 |
| Sobredosis de T.V. · riff | Riff · distorted | Fender Stratocaster (likely 1970s-early 1980s, as used by Gustavo Cerati in this era) | Roland Jazz Chorus-120 (JC-120) (most commonly used by Cerati in studio and live in mid-1980s, especially for clean/modulated tones) | 4 |
| Cuando Pase el Temblor (Me Verás Volver Gira 2007) · riff | Riff · distorted | Jackson Soloist San Dimas Custom 1985 | Bogner Ecstasy 101B | 6 |
| De Música Ligera · solo | Solo · distorted | PRS Multifoil Special Model SE-24 | Vox AC-50 head with Marshall cabinet | 5.5 |
| De Música Ligera · riff | Riff · clean | Fender Electric XII 12-String | Vox AC-50 | 3 |
| De Música Ligera (En Vivo) · riff | Riff · distorted | Fender Electric XII 12-String | Music Man 210-HD 130-Watt Combo Amp | 5 |
| Dietético · riff | Riff · distorted | Jackson Soloist San Dimas Custom 1985 | Seymour Duncan Convertible 100 | 5 |
| Disco Eterno · riff | Riff · distorted | Jackson Soloist San Dimas | Roland GP-8 (rack multi-effects/preamp) into power amp (likely Marshall or similar, but not confirmed for studio recording) | 5.5 |
| Disco Eterno · riff | Riff · clean | Gibson ES-335 Bigsby | Bogner Shiva EL34 | 3 |
| El Rito · riff | Riff · distorted | Fender Stratocaster (likely 1970s or 1980s, as used by Gustavo Cerati in the 'Signos' era) | Seymour Duncan Convertible 100 | 5 |
| El Rito · riff | Riff · clean | Gibson Les Paul Standard (likely 1970s-80s, as used by Gustavo Cerati in studio recordings of this era) | Marshall JCM800 (studio recording, typical for Cerati in mid-1980s) | 0 |
| Ella Usó Mi Cabeza Como un Revólver · riff | Riff · distorted | Fender Stratocaster (likely 1980s/1990s Japanese or American Standard, as used by Gustavo Cerati in studio) | Marshall JCM800 (studio recording, as used by Cerati in the 'Sueño Stereo' era) | 5.5 |
| Ella Uso Mi Cabeza Como un Revolver Unplugged · riff | Riff · distorted | Gibson Les Paul | Marshall JCM800 | 8 |
| En la Ciudad de la Furia · solo | Solo · distorted | Gibson ES-335 Double Pickguard (customized, as used by Gustavo Cerati in studio on Doble Vida) | Marshall JCM800 (studio recording, Doble Vida era, 1988) | 6 |
| En la Ciudad de la Furia · riff | Riff · clean | Fender Electric XII 12-String | Unknown (likely Roland JC-120 or similar clean solid-state amp, but not confirmed for studio recording) | 4 |
| En Remolinos · riff | Riff · clean | Fender Stratocaster (likely late 80s/early 90s Japanese or American Standard, as used by Gustavo Cerati on Dynamo era) | Roland Jazz Chorus JC-120 | 3.5 |
| En Remolinos · solo | Solo · distorted | Fender Telecaster (likely 1980s-early 1990s, as used by Gustavo Cerati on Dynamo sessions) | Marshall JCM800 (studio recording, Dynamo era typical amp for Cerati) | 6.5 |
| En Remolinos · riff | Riff · distorted | Fender Stratocaster (likely late 80s/early 90s Japanese or US Standard, as used by Gustavo Cerati in Dynamo era) | Marshall JCM800 (most probable for Dynamo studio sessions, based on era and genre, no direct citation for this song but consistent with Cerati's known studio use in 1992-93) | 5 |
| Entre Caníbales · riff | Riff · clean | Epiphone FT-165 | Unknown acoustic amp or direct to PA/console (studio recording, likely direct input or mic'd acoustic) | 0 |
| Estoy Azulado · riff | Riff · clean | Jackson Soloist San Dimas Custom 1985 | Music Man 212 HD 130 | 3.5 |
| Final Caja Negra · riff | Riff · distorted | Jackson Soloist San Dimas (blue, likely with humbuckers) | Tech 21 SansAmp Classic (used as preamp/amp sim direct to board or into power amp, studio context likely) | 6 |
| Final Caja Negra (En Vivo) · riff | Riff · distorted | Fender Stratocaster (likely 1980s Japanese or USA, as used by Gustavo Cerati live in this era) | Marshall JCM800 (most commonly used by Cerati for live performances in late 1980s/early 1990s Soda Stereo shows) | 6 |
| Génesis · riff | Riff · distorted | Kramer Ferrington KFT-1 Acoustic-Electric Guitar | Music Man 212 HD 130 | 4.5 |
| Génesis · solo | Solo · distorted | Fender Stratocaster (likely 1970s or early 1980s, as used by Gustavo Cerati in this era) | Marshall JCM800 (likely, based on era, genre, and Cerati's known studio use in 1986-87; no direct source for this song's solo, but this is the most probable studio amp) | 5.5 |
| Hombre Al Agua · riff | Riff · distorted | Jackson Soloist San Dimas Custom 1985 | Fender Twin Reverb (studio, Canción Animal era, 1990) | 5.5 |
| Imágenes Retro · riff | Riff · clean | Fender Stratocaster (mid-1980s, likely Japanese or US Standard, as used by Gustavo Cerati in this era) | Roland Jazz Chorus JC-120 (studio recording, 1986) | 0 |
| Imágenes Retro (Me Verás Volver Gira 2007) · riff | Riff · clean | Jackson Soloist San Dimas Custom 1985 | Bogner Ecstasy 101B (as used on Me Verás Volver Gira 2007 live rig) | 0 |
| Imágenes Retro (Me Verás Volver Gira 2007) · riff | Riff · distorted | Gibson ES-335 (likely Bigsby-equipped, as per Cerati's known live rig for this era) | Marshall JCM900 (most commonly used by Cerati on the Me Verás Volver tour) | 5 |
| Juegos de Seducción · riff | Riff · distorted | Jackson San Dimas (early 80s, black, HSS configuration) | Seymour Duncan Convertible 100 | 5.5 |
| Juegos de Seducción · solo | Solo · distorted | Jackson Soloist (likely SL1 or SL2, early 1980s model) | Seymour Duncan Convertible 100 | 5.5 |
| Languis · riff | Riff · distorted | Pensa-Suhr Gustavo Cerati (custom, likely HSS or SSH configuration) | Roland JC-120 Jazz Chorus | 4 |
| Lo Que Sangra (La Cúpula) · solo | Solo · clean | 1986 Kramer Ferrington KFT-1 Acoustic-Electric Guitar | Seymour Duncan Convertible 100 | 4.5 |
| Lo Que Sangra (La Cúpula) · clean | Clean · clean | Unknown | Ampeg SVT II with SVT‑810E cabinet (used by Zeta Bosio in mid‑1990s tours) | 0 |
| Mi Novía Tiene Bíceps · riff | Riff · distorted | Fender Stratocaster (mid-1980s, likely Japanese or American Standard, as used by Gustavo Cerati in this era) | Roland JC-120 Jazz Chorus | 5 |
| musica ligera · riff | Riff · distorted | Fender American Professional II Stratocaster | Marshall JCM800 2203 | 4.5 |
| musica ligera · riff | Riff · clean | Gibson SG Les Paul Custom Historic '61 Re-Issue TV Yellow Electric Guitar | Fender Showman Silverface (late 60s/early 70s model) | 3 |
| Nada Personal · riff | Riff · distorted | Jackson Soloist San Dimas Custom 1985 | Seymour Duncan Convertible 100 | 4.5 |
| Nuestra Fe · riff | Riff · distorted | Fender Stratocaster (likely 1970s-80s, used by Cerati in Doble Vida era) | Marshall JCM800 (studio, Doble Vida era, 1988) | 5 |
| Paseando Por Roma · riff | Riff · distorted | Gibson ES-335 with Bigsby | Bogner Shiva EL34 | 5 |
| Persiana Americana (En Vivo) · riff | Riff · distorted | Fender Telecaster (likely 1970s or early 1980s, as used by Gustavo Cerati in this era) | Marshall JCM800 (most commonly used by Cerati for live performances in the 1980s) | 6 |
| Picnic en el 4to B / Te Hacen Falta Vitaminas / Mi Novia Tiene Bíceps (SÉP7IMO DÍA) · riff | Riff · distorted | Jackson Soloist SL1 (blue, restored for SÉP7IMO DÍA era) | Vox AC-50 head into Marshall 4x12 cabinet | 5.5 |
| Prófugos · riff | Riff · clean | Double Pickguard ES-335 style guitar | Roland JC-120 Jazz Chorus | 3 |
| Signos · riff | Riff · clean | Jackson Soloist San Dimas Custom 1985 | Seymour Duncan Convertible 100 | 3 |
| Signos (Me Verás Volver Gira 2007) · riff | Riff · clean | Ibanez GA5TCE AM Electroacoustic | Unknown (likely direct input or PA, as typical for electroacoustic live setups in 2007 tour) | 4 |
| Sobredosis de T.V. (En Vivo) · solo | Solo · distorted | Fender Stratocaster (likely American Standard or similar, as used by Cerati in the 2007 Me Verás Volver tour) | Marshall JCM800 2203 | 5.5 |
| Sobredosis de T.V. (En Vivo) · riff | Riff · distorted | Fender Stratocaster (likely 1970s-80s, as used by Gustavo Cerati in this era/live shows) | Music Man 212 HD 130 | 5 |
| Sobredosis de T.V. (En Vivo) · riff | Riff · clean | Fender Stratocaster (likely Japanese or American Standard, as used by Gustavo Cerati in the 2007 'Me Verás Volver' tour) | Music Man HD-130 212 (combo amp, as used by Cerati in the 1980s and reintroduced for the reunion tour) | 0 |
| Sueles Dejarme Solo · riff | Riff · clean | Jackson Soloist SL1 (blue, early 90s, as used by Gustavo Cerati on 'Canción Animal') | Marshall JCM800 (studio recording, era and genre-typical for Cerati, no direct source for exact model but inferred from period and genre) | 0 |
| Sueles Dejarme Solo · riff | Riff · distorted | Jackson Soloist SL1 (blue, 1980s model) | Marshall JCM800 2203 (most likely, based on era, genre, and Cerati's known studio rig for 'Canción Animal') | 6.5 |
| Te Hacen Falta Vítaminas · riff | Riff · distorted | Gibson ES-335 (likely 1970s/early 1980s, Bigsby tremolo) | Roland Jazz Chorus-120 | 4.5 |
| Te Hacen Falta Vítaminas · solo | Solo · distorted | Fender Stratocaster (likely late 70s/early 80s, stock single coils) | Marshall JCM800 2203 | 6 |
| Té para Tres · riff | Riff · clean | Gibson ES-335 (Bigsby, double pickguard, semi-hollow) | Roland JC-120 Jazz Chorus | 0 |
| Texturas · riff | Riff · distorted | Fender Stratocaster MIM | Unknown (likely Marshall or Roland JC-120, but not confirmed for this recording) | 6 |
| Toma la Ruta · riff | Riff · distorted | Fender Stratocaster (exact model unknown, but Stratocaster type confirmed for Dynamo era) | Seymour Duncan Convertible 100 | 5.5 |
| Trátame Suavemente · riff | Riff · clean | Fender Stratocaster (early 1980s, likely Japanese or US Standard, as used by Gustavo Cerati on the 1984 debut album) | Music Man 212 HD 130 | 0 |
| Un Millón de Años Luz (En Vivo) · riff | Riff · clean | Fender Stratocaster (likely 1980s/1990s, used by Cerati live on this tour) | Fender Twin Reverb (likely Silverface or Reissue, as used by Cerati in live settings) | 0 |
| Un Millón de Años Luz (En Vivo) · riff | Riff · distorted | Fender Stratocaster (likely 1980s/1990s, used by Cerati live on this era) | Fender Twin Reverb (Silverface, as per live rig photos and era) | 5.5 |
| Un Millón de Años Luz (En Vivo) · solo | Solo · distorted | PRS Multi-Foil 1988 | Bogner Ecstasy 101B | 6 |