Solo Tone
Entre Dos Tierras
Héroes del Silencio
Guitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1980s/early 1990s, as used by Juan Valdivia in studio)
AmpMarshall JCM800 2203 (100w, classic Marshall stack, as inferred from era and studio photos)
PickupsHumbucker (Gibson stock or similar, likely Alnico V)
Amp Settings
gain7
bass6
mid7
treble7
reverb4.5
presence6
Effects & Signal Chain
compressionUnknown Compressor pedal (model unknown)
chorusUnknown Chorus pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1990 album 'Senderos de Traición'. Gear inferred from era, artist interviews, and typical rig for Juan Valdivia. Marshall CODE patch and covers reference Marshall stack and Les Paul. No direct studio session documentation found.
Tone Character(9)
singing sustainrich harmonic overtonestight, focused midrangecrisp attacklush ambient tailchorus shimmeraggressive pick attackclassic Marshall crunchfull-bodied bridge pickup sound
Difficulty
The solo requires intermediate to advanced technique, with fast runs, expressive bends, and precise timing to match the delay and modulation effects. Not extremely technical, but demands good control and feel.
Sources
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Original Gear
GuitarGibson Les Paul Standard (likely 1980s/early 1990s, as used by Juan Valdivia in studio)
AmpMarshall JCM800 2203 (100w, classic Marshall stack, as inferred from era and studio photos)
PickupsHumbucker (Gibson stock or similar, likely Alnico V)
Amp Settings
gain7
bass6
mid7
treble7
reverb4.5
presence6
Effects & Signal Chain
compressionUnknown Compressor pedal (model unknown)
chorusUnknown Chorus pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1990 album 'Senderos de Traición'. Gear inferred from era, artist interviews, and typical rig for Juan Valdivia. Marshall CODE patch and covers reference Marshall stack and Les Paul. No direct studio session documentation found.
Tone Character(9)
singing sustainrich harmonic overtonestight, focused midrangecrisp attacklush ambient tailchorus shimmeraggressive pick attackclassic Marshall crunchfull-bodied bridge pickup sound
Difficulty
The solo requires intermediate to advanced technique, with fast runs, expressive bends, and precise timing to match the delay and modulation effects. Not extremely technical, but demands good control and feel.
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